Victoria and Albert Museum

The world’s greatest museum of art and design

Opening times

10.00 to 17.45 daily
10.00 to 22.00 Fridays

Archive

Author: William Newton (Assistant Curator - Department of Furniture, Textiles & Fashion)
Posted in: 
I covered headwear a couple of posts ago, so logically it must be time to turn our sartorially-peckish peepers to the ticklish bases of our pillars of flesh and blood and bone: the feet.VERY natty boots (T.110:1, 2-1993) © Victoria & Albert Museum, London The V&A’s shoe collection is very large and very expansive. It represents over two millennia of methods we humans have used...
Author: Paula Nuttall (Director of Late Medieval to Early Renaissance Year Course)
Luca della Robbia, October; The Labours of the Months, Florence, Italy, Tin-glazed terracotta, Medieval and Renaissance Galleries, Room 64, Case SS, Mus Ref: 7641-1861 © Victoria and Albert Museum, London This week’s object is an exceptional example of Italian renaissance interior decoration: in terms of design and materials there’s nothing quite like it, even in Italy, let alone...
Tennis Rackets Sunglasses, Oliver Goldsmith Eyewear, 1956, Museum no. T.243E-1990. © Victoria and Albert Museum, London
Author: Lizzy Bullock (Content Editor - Digital Media)
Posted in: 
Have your strawberries and cream at the ready, because today is the start of the 2013 Wimbledon championships. To celebrate this much-loved date in the sporting calendar, we’ve delved into our collections to bring you some special tennis-related objects.Tennis Rackets Sunglasses, Oliver Goldsmith Eyewear, 1956, Museum no. T.243E-1990. © Victoria and Albert Museum, LondonThese tennis...
Author: V&A Network
Posted in: 
The V&A has acquired a rare set of peridot gems mounted in gold by the royal jeweller, Rundell, Bridge & Rundell in 1816, thanks to the generosity of private donors.(left) Handwritten note from Princess Elizabeth to Miss Cotes, 30 April, 1816, (right) Peridot gems given to Mis
Author: Roisin Inglesby (Assistant Curator of Designs)
In a previous post I wrote about design as a process of collaborative evolution, and nowhere is this more apparent than with the creation of a large exhibition like William Kent. At last count, there are at least 10 people who regularly attend the design meetings for the V&A version of the show. This includes, but is not always limited to: the curatorial team, who are responsible for the...
Author: Dawn Hoskin (Assistant Curator)
The ideas and messages that are shaping the content of the galleries have been informed and developed using a number of processes. Two key activities that were established in the early days of the project are ‘Brainstorm Meetings’ and ‘Pin-Ups’.Europe Brainstorm TeamThe Europe Brainstorm Team is an expert group of twenty-five curatorial and interpretation staff recruited...
Author: V&A Network
Peter Kennard, one of Britain’s longest-standing and most influential activist artists, has released a series of posters in response to the G8 Summit hosted this week (17-18 June) in Enniskillen, Northern Ireland. The posters (which are re-workings of photomontages from his book @Earth) are statements of dissent and distrust towards the activities of the leaders who represent the world...
Author: Paula Nuttall (Director of Late Medieval to Early Renaissance Year Course)
In one of my earlier blogs I wrote about an Italian marriage chest or cassone, and this week’s object is, in a sense, a sequel to that. It is a birth tray (in Italian, desco da parto), an object that was typically commissioned to celebrate the birth of a first-born son in elite Florentine families. Its author, Apollonio di Giovanni (c.1415-1465), was a Florentine painter who ran a workshop...
Author: Nicholas Smith (Archivist)
Posted in: 
Commemorative Suffragette silk scarf with purple, green and white vertical stripes, Museum no. T.20-1946. © Victoria and Albert MuseumOn 10 February 1913, the V&A’s Director, Cecil Harcourt-Smith, received disturbing intelligence of an audacious plot by members of the Women’s Social and Political Union (WSPU) to vandalise the Museum’s priceless treasures.The suffragette...
Author: Yaman Kayabali (Guest Blogger)
Occupy Gezi is a movement that started in Istanbul in order to preserve one of the very few green areas left in central Istanbul which then turned into a group of massive, nation-wide anti-government protests. The protests which began by the occupy movement in Istanbul, spread to other cities such as the capital Ankara, and Turkey's third largest city, Izmir, and they ignited a flurry of...
Author: Roisin Inglesby (Assistant Curator of Designs)
Recently I have been to an interesting series of Social Design Talks. These discussions are based on the idea that designers employ unique working practices that can be adapted and transferred to other sectors for the purposes of social improvement. Whereas many public and private organisations tend to measure success as the extent to which the final outcome mirrors the original plan, the point...
The V&A bees
Author: Steven Handforth (Estate Manager)
Posted in: 
The V&A is proud to announce that on the 4th April, a delivery of four honey bee hives arrived at the Museum. After much logistical effort, including the reinstatement of an historic winching system, the bees were hoisted onto the roof and located in a sheltered part of seven acre roof space. With a flight path of approximately three miles, they have an abundance of foraging grounds with a...

Pages