Lucia Savi

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Kinky Boots

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This article is written by Joanne Pilcher, a volunteer on the Shoes: Pleasure and Pain exhibition and student on the V&A/RCA History of Design course. In my role as a volunteer for the Shoes: Pleasure and Pain exhibition I have been going through the acquisition files for all of the shoes and other objects that will appear […]

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Pink bag

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Today I went to the studio of one of London’s up and coming shoe designer to pick up a new acquisition that will feature in the exhibition: “Shoes: Pleasure and Pain”.   The exhibition will only open in June 2015. We are 6 months away; however, we are already very busy acquiring new objects for the […]

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Where do you keep all your shoes?

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Today Emma (exhibition assistant and I) have received a large delivery of shoes. But where do the museum keep all their shoes? This question has already been answered by Will ‘s post here. But what happens to the shoes once they have been selected by curators to become part of an exhibition? Now that the […]

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What buckle?

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Today I went to the Clothworker Centre in Blythe house to look for buckles!   A number of shoes included in the exhibition Shoes: Pleasure and Pain date from the 17th and 18th centuries. During this period buckles progressively substituted laces. Shoe buckles were worn by both men and women, and remained in fashion for […]

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La Moda Italiana and the Glamour of Italian Fashion

Moda Italiana two volumes on Glamour of Italian Fashion Research bookshelves, Research Department. Lucia Savi, 2014

  Part of my job here at the V&A’s research department, besides working as a research assistant on the exhibitions “The Glamour of Italian Fashion 1945-2014” and “Shoes: pleasure and pain”; is to promote and undertake new research as well as to engage with audiences and colleagues from across the world. One of the ways of […]

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How many miles a curator must walk down … The Making of Italian Fashion

The title of The Glamour of Italian Fashion 1945 – 2014 suggests a wide scope in terms of chronology as well as geographical location. The curator of the exhibition Sonnet Stanfill and I travelled frequently to Italy and beyond to conduct research in national museums, private archives, designer archives, theatre collections, textile factories, and many […]

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