Stuart Frost

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Stained Glass from the Chapel of the Holy Blood

By Stuart Frost The stained glass panel illustrated here was made around 1496 for the Chapel of the Holy Blood in Bruges, Belgium. The colourful panel depicts an angel holding the arms of Mary of Burgundy with those of Maximilian of Austria and was probably made to commemorate their marriage. You’ll not be surprised to learn […]

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Microwave Oven Safe Madonna

By Stuart Frost In order to mark the opening of phase one of the Ceramics galleries at the V&A last week I thought I should select a ceramic object for this blog entry. I’m looking forward to reacquainting myself with some of my favourite ceramic objects and in discovering new pieces I’ve not seen before.  In the old displays one […]

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Saint Sebastian

By Stuart Frost Some objects, like the V&A’s vast tapestry woven with scenes of the Trojan War, have required extensive conservation work to prepare them for display. Conservation of the tapestry, which began in October 2004, was completed recently after approximately 4000 hours of work by specialist conservators. Other objects have required far less time, but […]

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A Replica Tunic from Egypt: Part 4

By Stuart Frost When I last wrote about this Egyptian tunic in June of this year I promised readers that I’d provide an update. The conservation work on this rare survival is now complete and the garment is ready for installation into Gallery 8: Faiths and Empires 300-1250, one of ten Medieval & Renaissance Galleries […]

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The Listening Gallery Part 2: Medieval to Baroque

By Stuart Frost Music was part of daily life in medieval and Renaissance Europe and talented musicians and composers were often as highly regarded or sought after as other artists. Music was an important art form in its own right. The central role of music in medieval and Renaissance culture is reflected in many objects […]

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Mounting and Fixing

By Stuart Frost There will be approximately one thousand and eight hundred objects for visitors to enjoy in the Medieval & Renaissance Galleries. Regular readers of this blog will know that object installation has been underway for sometime. As the opening of the galleries approaches rapidly, mounting and fixing has been coming ever closer to […]

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The Robert H Smith Renaissance Sculpture Programme

By Stuart Frost A  number of events have taken place at the V&A recently as part of the Robert H.Smith Renaissance Sculpture Programme, a ten-year programme of events generously funded by Mr Smith. The programme includes conferences, seminars, publications and two demonstrations of sculpture techniques a year. The V&A holds the national collection of sculpture, including […]

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A Tunic from Egypt: Part 3

By Stuart Frost If you’ve been following this blog for a long period of time you’ll know that I’ve written about the tunic from Egypt before (Museum no. 291-1891).  In fact I first wrote about the work Elizabeth-Anne Haldane, Senior Textile Conservator, was doing on the tunic back in June 2007 and provided another update […]

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Wryttyng is sumwhat tedius and paynfull….

By Stuart Frost For a dynasty that ran its course almost five hundred years ago the Tudors have a remarkably high profile in popular culture today. Painted portraits of Henry VII, Henry VIII and Elizabeth I are amongst those that adorn a current issue of postage stamps issues by the Royal Mail. Of all the Tudor […]

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Picturing the Past

 By Stuart Frost A major milestone was reached last month when the gallery space that will become The Renaissance City 1350-1600 was handed back to the V&A by the contractors. With the opening of the galleries a little over six months away everyone who is working on the Medieval and Renaissance Galleries is working at a formidable […]

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