Tag: 19th century

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Illustration 7. Siamese noblemen in typical Siamese court attire of Indian silk brocade, pha yearababh, long sleeved shirt and lower garment, phanung chongkraben, which could be Indian silk brocade, Indian chintz or Cambodian ikat. This dress is to be worn with seu-krui or full-length coat of gold thread embroidery. Inventory number M28/00024. Photograph courtesy of National Archives of Thailand.

Power Dressing: Siam, Burma, China and the Tai

by Lupt Utama, MA candidate, V&A/RCA History of Design I grew up in the mountainous city of Chiang Mai, in northern Thailand where Myanmar and Laos meet. As a young boy, I vividly remember my grandmother’s elaborate cotton pha-­sin – a tubular skirt which she secured with a chainmail silver belt, to be traditionally worn […]

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Flexura Boots  ©Victoria and Albert Museum, London

Figure Training

 “From the earliest periods of the world’s history down to the present day it has been found necessary to employ systems of restraint and correction calculated to adapt the unformed and unfashioned figure”. Figure training or art the handmaid of nature by EDM was published in 1870, partly as a vindication of altering the human […]

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The finished panel. Museum no. C.317-1927.

Stained Glass on Paper: Morris & Co. and the Pre-Raphaelites

[Stained glass] is a very limited art and its limitations are its strength. (Edward Burne-Jones, 1897) The qualities needed in the design […] are beauty and character of outline; exquisite, clear, precise drawing of incident. (William Morris, 1890) In my previous post, I looked at some early stained glass designs, and mentioned how the established techniques […]

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Design for a gravestone for Caleb Hill by Philip Webb, 1888

A Wander among the Tombstones

Anyone who came to this page hoping for some shots of Liam Neeson looking menacing in a corduroy coat, please click here now. To anyone still reading, I thought Halloween was a good time to introduce you to some unexpected objects that keep popping up in the work of 19th-century architect-designers… Designs for tombstones. Philip […]

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Style and Satire

INTRODUCING GUEST BLOGGER Sarah Grant, curator in the Word and Image Department at the V&A, and co-author of the  V&A’s new publication Style and Satire: Fashion in Print 1777-1927 Style and Satire tells the entertaining story of European fashion and its most fantastical trends from two interrelated perspectives – the lavish, celebratory fashion plate, and […]

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Oil painting of Flatford Mill from a Lock on the Stour

Constable’s Country: Inspired by Suffolk Settings

Much of John Constable’s current reputation as a painter rightly rests on his development of the ‘plein-air’ oil sketch and his naturalistic style of painting. Also powerfully engaging for a contemporary audience is his autobiographical choice of subjects. In this piece, Winsor & Newton Resident Artist Mathew Gibson explores Constable’s complex personal motivations for painting […]

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How to dress like a lady

‘How to dress on £15 a year as a lady by a lady’ was published by Frederick Warne in 1873. It was one of series of pocket sized “Useful Books” and cost a shilling. In the introduction, a Lady, actually Millicent Whiteside Cook, author of several books on economy, has no illusions about her work […]

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Andrew Graham Dixon speaks at the opening of Constable: The Making of a Master

Andrew Graham Dixon opens Constable: The Making of a Master

On 17th September 2014 at the launch of Constable: The Making of a Master, art critic and broadcaster Andrew Graham Dixon spoke about the painter, his radical approach, working methods and lasting legacy. Open to the public from 20 September 2014 – 11 January 2015. Constable: The Making of Master reveals the hidden stories of how […]

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Sent to Nottingham: the diary of a nineteenth-century curator (2)

 “5th JuneInterview with Mr Richards and Mr Fussell long discussion with them about the room in which the collection should be placed opposed Mr Fussell’s plan of placing in the back or work room, saw other members of the committee – and it was finally settled that the collection should be exhibited in the Library […]

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Gabrielle Enthoven

Introducing Enthoven

It is now 90 years since Gabrielle Enthoven’s gift of 80,000 playbills, engravings, photographs, manuscripts and books was accepted by the museum after a decade-long campaign. In life Enthoven was indefatigable, had a considerable public profile and a gift for publicity that earned her the nickname ‘the theatrical encyclopedia’. Since her death she has become […]

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