Tag: behind the scenes

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Introducing the Textile Conservation and Mounting team

A silk dressing gown from 1875 (T.193-1984) being assessed © V&A Collection

Hello from the Textile Conservation and Mounting team. If you followed the “Wedding Dress” and “Fabric of India” blogs then you will have met some of us before and you will know all about the Textile Conservation Section here at the V&A. For The “Undressed” Exhibition we have one Textile Conservator, Albertina Cogram, who is […]

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Les Poupées Peynet – A Doll Love Story

(c) Editions d'art Yvon / V&A Museum

By Holly Tatham I’m back with more postcards! During one of the first weeks of working on the Faith Eaton project, Eloisa and I opened up one of Faith’s boxes and found a photograph album. Nothing odd there as Faith has a great many in her collection and it’s always with excited curiosity that we […]

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A Treasury of Postcards

Post 3 (2) FE photo of pc's for blog

By Holly Tatham As Eloisa mentioned in her last post, we’ve spent days looking through and sorting out hundreds of Faith Eaton’s postcards. Whilst doing so we’ve enjoyed and considered the sense of history retained in these cards – and their varied and wonderful images. As Eloisa and I handled each postcard, looking at their […]

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A Day in the Life of a Dollmaker

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By Eloisa Rodrigues Holly and I have been struggling to find another word to replace “interesting” when describing Faith Eaton’s archive as we go along with the research and listing its contents. The truth is the deeper we dig the more interesting it becomes. And the word “interesting” stays – although we sometimes switch to […]

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The Faith Eaton Project: entering the private world of a doll expert

Eloisa small

By Eloisa Rodrigues and Holly Tatham Here in the V&A Museum of Childhood’s archives there is a new dolls’ house world to be explored. Nearly 10 years ago the museum received an incredible and extensive archive which belonged to the doll and dolls’ house collector Faith Eaton, who dedicated her entire life to this subject. […]

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Beneath the Surface of Europe 1600-1800 at Photo London


Visitor Figures, out-takes from the V&A Annual Report, 2013/14; Photograph by Nigel Shafran from the series 'Visitor Figures, out-takes from the V&A Annual Report, 2013/14'
Nigel Shafran (1964-)
Victoria and Albert Museum

Taking advantage of the Bank Holiday, the other day I went to take a leisurely look around Photo London, the international photography fair taking place at Somerset House. Whilst wandering among wondrous examples of photography, stretching back to the earliest days of its development (pardon the pun) and experimentation, I found myself suddenly confronted by Europe 1600-1800. […]

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Dirt off your shoulder…

Close up on dust

One of the great challenges in museums is keeping the collection clean once it’s on display – dust & dirt are our number one enemy! This isn’t a new problem either, as far back as the mid 1800’s museum professionals have been worried about what the local environmental conditions were doing to their collections. Michael […]

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The Tower of Babel – behind the scenes


The Tower of Babel – behind the scenes Exciting times the samples are done and we are now in full production. The original models are made from plaster.  A block mould is made of these and tests are cast in bone china. After all the samples have been signed off, a mould of the original mould is […]

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To the left, to the left: Installation Part 2

Florence pushing a trolley of objects through the gallery

Can a display exist without objects? (One of the big philosophical questions of our time). I think not. So with the cases clean, loan objects condition checked and labels installed, we were ready to embark on the most exciting part of the process: installing the objects! This involved lots of trips back and forth from […]

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Stepladders, Spode and a Squeegee: Installation Part 1

Curator Rebecca Wallis stands on a stepladder cleaning the wall case

The time has come to install the Blue and White display! Last week we said goodbye to the previous Gallery 146 show of Simon Carroll’s work, which has now been shipped off to the Ruthin Craft Centre in Wales. This has left the gallery empty and ready for us to start creating a mesmerising world […]

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