Tag: Clothworkers’

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Marcia Kure, Freud and the Conformist, 2014
Wool, polyester, cotton ,thread, synthetic wig and soft toy
158 x 79 x 122 cm
Shown at the Perdy Hicks Gallery, London, after V&A Residency

Residency Retrospective: Marcia Kure

Earlier this year, Marcia Kure was our Visual Artist in Residence. She was with us for 3 months and used this time to prepare for an exhibition at the Purdy Hicks Gallery. Usually based in America, we had a chance to catch up with Marcia a few weeks ago at 1:54 Contemporary African Art Fair. […]

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Shoe collector Lionel

Lionel Bussey collected women’s shoes from about 1914 until his death in 1969, when he had acquired about 600 pairs. All the shoes were bought new from fairly good class shoe shops, like Dolcis and Lilley & Skinner, many were not even uwrapped, still boxed up with their bills. He took his collection seriously and he […]

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Detail of propaganda kimono

A year at the Clothworkers’ Centre

It’s now been a year since Clothworkers’ opened. To celebrate, we held a conference on the 23rd and 24th of October which looked at the breadth of new research emerging from the Centre. Across cultures and periods, from carpets to collaborations with twenty-first century fashion designers, the conference highlighted the huge range of research which […]

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doublet

Doublet-dealing

This morning we welcomed to Blythe House a visitor from the Emerald Isle, looking at a selection of 16th and 17th century objects; two caps, a doublet, embroidered sleeve and the famous Margaret Layton jacket, hoping to learn something about their construction.     Let’s take a closer look at that doublet, which is laying […]

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T.361:17-1998; T.361:18-1998; T.361:19-1998; T.361:20-1998 Four accessories for paper dolls; from The History of Miss Wildfire; British; 1832. Card & watercolour.

The History of Miss Wildfire

I have spent part of the morning looking at a very interesting object in the Textiles and Fashion collection. It is a manuscript, written in rhyme, by a girl named Anne Sanders Wilson. She wrote it for her sister, Mary Wilson, in October 1832. It is ten pages long and is inscribed in a precise, […]

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Detail of 303-1887, showing a horseman (c) Victoria and Albert Museum, London

ZAXAPIOY, where are you?

This morning I oversaw an appointment for a PhD student studying some of our archaeological textiles. The glitzy, fabulous V&A might not seem the most obvious residence for objects of this type. In fact a visitor might even be inclined to think that the venerable British Museum, who have recently audited and rehoused their Egyptian […]

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Skull-and-crossbones toxicity warning sign on V&A hats which are thought to have unacceptable levels of mercury in them

How to Avoid Becoming As Mad as a Hatter, or The Pirate’s Curse!

Some visitors might find being presented with a hat kept inside a strong plastic bag, emblazoned with a skull-and-crossbones and the word ‘TOXIC‘ in big authoritative letters, a little alarming. Perhaps they would be led to think that we had turned buccaneer, or perhaps that Captain Kidd‘s most cherished secret, the one that he took to […]

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Pair of shoes, Roger Vivier for Balenciaga, ca. 1967, Victoria and Albert Museum, London

Vivier Party Plastic

These shoes were acquired by the Museum in 1974 as part of an evening outfit, and had been displayed in 1972 with that ensemble in Cecil Beaton‘s groundbreaking V&A exhibition ‘Fashion: An Anthology‘.     What’s interesting about them is the innovative use of materials and the co-ordination, materially and stylistically, with the rest of […]

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A reintroduction (and warmed babies)

This is the inaugural post of the new-style Clothworkers’ Centre blog. If you self-identify as a Knitwit or a Fan of Fans (a fanfan), read on, and even if you would not prod a Velveteenage Dirtbag with a stick, you might learn something (although probably not from me). We will use this as a rostrum to announce […]

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Marni box, with ‘MARNI’ label

To Keep or not to Keep

As the Research Department Administrator it is not often that I get the opportunity to delve into the depths of the V&A stores but I recently had the chance to do just that in the old Textiles and Fashion stores. Lucia Savi and Luisa Coscarelli, the Research Assistant and Intern on the Glamour of Italian […]

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