Tag: conservation

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The Future of Fashion in Museums: Conference at the Rijksmuseum

From left to right: Rachael Catherine Lee, Lilia Prier Tisdall, Zoe Lanceley, Lara Flecker, Paul Sohi, Rachael Lee

The Textile Conservation Costume Mounting team recently downed needles and thread to attend a two day conference at the Rijksmuseum titled Fashion in Museums: Past, Present & Future. Museum professionals from Europe and North America gathered to discuss the recent phenomenon of blockbuster fashion exhibitions and their effect on the museum landscape. The contributions and […]

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Guest post: Plaster cast of Michelangelo’s David in the plaster cast workshop of the Royal Museums of Art and History, Brussels

PICTURE 1 : David in the Brussels plaster cast workshop ©KMKG-MRAH, Brussels

Nele Strobbe is Head of the Plaster Cast Workshop at the Royal Museums of Art and History, Brussels The plaster cast of Michelangelo’s David at the Victoria and Albert Museum has, in addition to his ‘cousin’ in the Pushkin State Museum of Fine Arts in Moscow, another one in Brussels. Currently most of this David […]

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Riveting Rivets

Left to right: rivet, rivet plate, riveter

A good blog should be a riveting read, but this is a blog about riveting… Over the last week this fanciful tool has become a trusted friend as I face the challenge of ensuring our mannequins are going to keep their bits together for the Undressed exhibition and subsequent tour. Forget the saucy underwear – this is what gets me […]

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A new home for Neptune and Triton in the Europe 1600-1815 Gallery

Detail of Neptune's face © Victoria and Albert Museum, London

The Neptune and Triton (Mus. No. A.18-1950) by Gianlorenzo Bernini (1598-1680) is one of the V&A’s most well-known Italian marble groups. The sculpture, which stands nearly two meters high and weighs over 8oo kg was recently moved to the newly refurbished Europe 1600-1815 gallery, where it now stands in prime position, with Neptune casting his terrifying gaze upon […]

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Too Petite for Petite: Mounting a 19th Century Corset for Undressed

Marking out the position of the breasts using coloured pins

Costume mounting is the topsy-turvy task of making a mannequin fit a particular object, a job that can often make you feel more like plastic surgeon than a museum employee, as the following post explains… First up on the Undressed costume mounting schedule is this charming cotton corset dating from 1825-35. Don’t be deceived by its […]

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Introducing the Textile Conservation and Mounting team

A silk dressing gown from 1875 (T.193-1984) being assessed © V&A Collection

Hello from the Textile Conservation and Mounting team. If you followed the “Wedding Dress” and “Fabric of India” blogs then you will have met some of us before and you will know all about the Textile Conservation Section here at the V&A. For The “Undressed” Exhibition we have one Textile Conservator, Albertina Cogram, who is […]

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Tate conference: media in transition

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With the courtesy of the V&A learning department, I went to the three-day conference at the Tate; Media in Transition, hosted by The Getty Conservation Institute, Getty Research Institute and Tate. After the 2008’s Tate conference, ‘Object in Transition‘, this conference seems like the 2nd stage of Tate’s conference on preservation and conservation of art practices, focusing on […]

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Media in Transition

Just spent a really exciting few days at the Tate, courtesy of the V&A, learning a great deal about both the exhibition and conservation of video, at the Media in Transition conference. Having worked in video for over a decade I felt I knew a lot about the medium, but being able to see a series of different […]

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The curious case of the Tibetan skull drum

Detail showing an area of missing decoration © Johanna Puisto Victoria and Albert Museum, London

I was recently asked to work on a very unusual object, which was a 19th century Tibetan drum, made of human skulls. The drum was about to travel to the Wellcome Collection’s exhibition titled; ‘Tibet’s Secret Temple; Body, Mind and Meditation in Tantric Buddhism’. It was highly exciting to work on this loan as His […]

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Our Favourite Things: Final Edition

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  Tomorrow we finally officially open our doors. The process of developing and installing The Fabric of India has been challenging: a true feat of research, conservation, and logistical engineering. But it has also been inspiring. Beyond the magic of the objects themselves, the dedication of all the staff involved in putting up this show has […]

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