Tag: Conservation Journal 64

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Challenges of treating a Mosquito drop tank

Janna Mostert and Nigel Bamforth adhering Reemay with hide glue

Dr Nigel Bamforth, Senior Furniture Conservator Janna Mostert, Furniture Intern In preparation for the ‘Plywood: Material of the Modern World’ exhibition at the Victoria & Albert Museum, the Furniture and Wood Conservation Studio treated an auxiliary aviation ‘drop’ tank, a supplementary fuel tank carried by aircraft, loaned by the de Havilland Aircraft Museum for display […]

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Mattering: Richard Redgrave and the curious practice of drawing on museum objects

Detail of Condition Report: encountering the museum-object, Simon Fleury, 2016.

Simon Fleury, Senior Preservation Conservator ‘Delicate things become objects late on: That is what they have in common with numerous seemingly self-evident things that only mature to the point of conspicuity once they are lost.’1 Richard Redgrave, the first curator of the South Kensington Museum (SKM) as the Victoria & Albert Museum was then known, […]

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Lustrous Surfaces collaborative conservation project

Mr Yang working on mother-of-pearl replacements

Dana Melchar, Senior Furniture Conservator Currently, the Victoria & Albert Museum is preparing for an exciting display opening on 1 October 2017 entitled ‘Lustrous Surfaces: Lacquer in Asia and Beyond’. The display will focus on Asian lacquer and lacquer-inspired European objects within our permanent collection and will include objects made in Burma, China, Indonesia, Japan, Korea, […]

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Back to the Future: revisiting Richard Redgrave’s condition reports

The case and van transporting the Raphael Cartoons from Hampton Court to South Kensington in May 1865. Photo: Anon. (Museum No. 44413)

Clair Battisson, Senior Preservation Conservator Louise Egan, Condition Report Liaison There have been several previous articles and comment made on what is thought to have been an early use of a photographic image in checking and monitoring the condition of an object at the Victoria & Albert Museum (formerly known as the South Kensington Museum). […]

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Clothworkers’ Fellowship

The author examining carpets in store at Blythe House

Frances Hartog, Senior Textile Conservator In the Victoria & Albert Museum’s collection there is a core of 124 carpets that were on semi-open display for several decades in the Textile Study galleries. Many have a grey cast of surface soiling commonly found on textiles that have been exhibited uncased for several years and will require […]

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Identification of plastics by looking, touching and smelling

Example of groups of plastics made from melamine formaldehyde and cellulose nitrate

Carien van Aubel Conservation Science intern, University of Amsterdam   Collections with objects dating from the late-nineteenth-century onwards often include a variety of plastics. As there are numerous different types of plastics it would be hoped that specific identification would be stated in the records but it is not easy for those not experienced with […]

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Mounting Opus: an in–house solution

The Butler Bowden Cope, T.36-1955, on display in the exhibition

Thomas Salt, Museum Technician Frances Hartog, Senior Textile Conservator The Victoria and Albert Museum’s exhibition ‘Opus Anglicanum: Masterpieces of English Medieval Embroidery’, held from 1 October 2016 to 5 February 2017, is the first time in two generations that so many of these exquisite embroideries have been brought together for display. To ensure the safety […]

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Out on a Limb: the Fosshape revolution

Figure 4. Swinging London display front view

Lara Flecker, Senior Textile Conservation Display Specialist Rachael Lee, Textile Conservation Display Specialist   The costume mounting team were recently tasked with recreating the fun, free-spirited essence of the fashion and stage clothing of the late 1960s and early ’70s for the V&A 2016 exhibition ‘You Say You Want a Revolution? Records and Rebels 1966-1970’. […]

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The use of lasers in the conservation of museum objects made from plastics

The surface of polystyrene under the optical microscope exposed to different conditions

Dafni Daskalaki-Mountanou, MSc student Imperial College / V&A The predominance of polymers in everyday life is obvious. They have become an integral part not only of everyday objects but of cultural heritage objects as well. A survey held in the 1990s at the Victoria and Albert Museum showed that large numbers of artefacts were partly […]

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Corset mounting for Undressed: the bones of the matter

Woven corset, Charles Bayer, Britain, London, 1879-85. Linen, silk and whalebone (baleen), V&A: T.114&A-1938.

Lilia Prier Tisdall, Textile Conservation Display Specialist In her catalogue for the V&A exhibition ‘Undressed: A Brief History of Underwear’, Exhibition curator Edwina Ehrman writes how ‘one of underwear’s primary roles is to smooth, firm and mould the body in accordance with the fashionable ideal and to provide a substructure for the fashions of the […]

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