Tag: costume mounting

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Revealed: Creating undergarments for a Gucci dress

The Peek-a-Boo evening dress, so called because of its revealing cut out feature and provocatively low neckline, was designed by Tom Ford for Gucci’s Autumn/Winter 2004/5 collection, Ford’s last collection for Gucci. The dress is made of white silk jersey and gathers the plunging neckline with the help of a round ornament with two dragon’s […]

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Innovation and Individuality for a 1960s Bride

The installation team for Wedding Dresses 1775-2014 have now moved onto the mezzanine level of the gallery space, and one of the first objects to be installed is one that demonstrates how individuality became a key feature of outfits worn by modern brides from the 1960s onwards. Pictured above are Jewellery Designers Wendy Ramshaw and […]

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Not Just a Load of White Dresses

There are some days when I end up taken aback by how enjoyable a day I have had at work.  The day we received the sari destined for display in Wedding Dresses 1775-2014 was one such day.  The fashion collections at the V&A vast, and hold hundreds of garments from around the word. Until now […]

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One size does not fit all

Every ensemble in a V&A fashion exhibition is carefully mounted by our team of in house Textile Conservators and expert Costume Mounters. The V&A mainly uses stockman/dress figures or fibre glass mannequins to display its fashion collections. Stockman figures are what you might picture when thinking of a dressmaker, a torso form covered with material […]

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High Street Mannequins for Contemporary Brides

While many of our historical garments are displayed on dress stands, as demonstrated in an earlier post, we will often display more contemporary costume on retail mannequins made from fibreglass, much like those used on the high street. The glitch tends to be their idealised shape, since few ordinary humans match their ultra-sleek lines. This […]

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Bridesmaid – Eileen Amy Brock

If you thought we were only preparing bridal gowns for the upcoming Wedding Dresses 1775- 2014 exhibition – think again! The exhibition also features several grooms’ outfits, and even a few outfits worn by bridesmaids and page boys. The first of these to undergo treatment was a dress and hat ensemble worn by Eileen Amy […]

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Bespoke Bodies for Bespoke Brides

Without a doubt, every garment that appears in the Conservation Studio is unique in some form or another, and as a result, every mannequin has to be custom built to a certain degree, be it through padding, as shown in an earlier blog, or through close collaboration with our mannequin makers. There are going to […]

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Conservation Friendly Updos: The Art of Making Wigs

One of the real success stories from the Wedding Dresses exhibition has been the development of a series of conservation and travel friendly wigs. While the sheer volume of the dresses provided our greatest challenge, a secondary problem was that of how to mount and travel the accompanying veils, hats and head pieces which were […]

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From Club to Catwalk: From Studio to Gallery

Conservation and costume mounting work on the soon-to-be-open display of Club to Catwalk: Fashion from the 1980s is coming to fruition. Objects and mannequins are making their way from the textile conservation studio to the temporary display space, in the centre of the Fashion and Textile Galleries (Gallery 40). Conservation work and costume mounting began […]

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