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Sketch of Tipu’s tent by Designer, Gitta Gschwendtner

Size matters: Putting on an exhibition

Now we have an object list, the preparation of The Fabric of India exhibition can really get under way. One of the first things I need to organise is the assembly of key object information to be shared with the project team. The V&A project team is made of representatives from different departments across the […]

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V&A/RCA History of Design students and staff at Ironbridge, photographer: Katrina Royall.

History of Design: The New Term Has Started!

by Christine Guth and Simona Valeriani   The new term has started! The first year cohort of 24 students on the V&A/RCA History of Design MA programme has arrived. These students from 8 countries have joined the second year and MPhil, PHD students already enrolled on the course. After introductions to the spaces, the people […]

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Save the Wolsey Angels – Family event: Drop-In Design – Angels and Knights

‘Imagine you’re a renaissance Italian sculptor with an important new art work to create. You’ve got to design and create a sculpture of an angel or a knight for a rich prince…’   Angels and Knights drop-in design event © Victoria and Albert Museum Today we launched a new Drop-In Design event called Angels and […]

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Salon panel from left to right: Rachel Aldred, Carlton Reid, Kat Jungnickel (Chair), Justin Spinney and Jenni Gwiazdowski.

How is the Urban Mobile Cyclist Designed?

Reflections on Design Culture Salon 10: How is the Urban Mobile Cyclist designed?  The question of whether or not you choose to cycle to work is more than a practical decision: it can reveal a lot about our gender, social background and personality. It also forces us to behave in particular ways. Friction between cyclists, […]

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Choosing embroidered tops at the Clothworkers' Centre

The Story so Far: Only 200

The last few weeks mark a particularly exciting moment in the development of any exhibition: we have appointed an exhibition designer.  Gitta Geschwendtner and her team of 3d, 2d and lighting designers will be drawing together spaces, surfaces, light and graphics to support and reveal the stories hiding in the textiles. This is when things […]

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Set design for Victory Over the Sun produced at the Luna Park Theatre, St. Petersburg, 1913. Italian pencil on paper.

When the point of support disappears

“We can only perceive space when we break free from the earth, when the point of support disappears” Malevich, 1928 manifesto, ‘The Non-Objective World’ Malevich and the artists of the Russian Avant-Garde movement re-invented space. Their explorations and experiments in the world of theatre helped them to develop and articulate their artistic visions and ideas. […]

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Growing Donations (photo: Jonathan Rowley)

Money No Object at the Digital Design Weekend

Early on the morning of 19th September, while it was still dark, I awoke to booms of thunder shaking the windows, and torrential rain clattering on the roof. This did not bode well for the weekend ahead, when my design interactions project, Money No Object, was due to be showcased outdoors, in the garden of […]

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Inspired to Make

Design in the Details As Research Assistant for The Fabric of India, I spend a lot of time with my nose in books. But when I’m not in the library, there’s a good chance you’ll find me in the archives. Coming from a textile making background myself, one of the things I love most about […]

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'Ajrakh' Jacket designed by Rajesh Pratap Singh. Linen, 2010. Museum no. IS.27-2012. ©Victoria and Albert Museum, London

Fashionable Fabric

One of our aims in this exhibition is to reveal new aspects of Indian textiles and fashion. It may come as a surprise to many that India has a dynamic fashion industry which maintains a continuity to India’s textile traditions. An exciting feature of The Fabric of India will be a showcase of some of the most imaginative […]

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Panamericana (flag 1) version II, 2011 by Alexandre da Cunha, courtesy of the artist and Thomas Dane Gallery

Brazil Contemporary Event at the V&A – Part 6 Alexandre da Cunha

Part 6 – Discussion of his own work in relation to the themes of a Brazilian Vernacular Alexandre da Cunha, Artist     With the generous support of the Embassy of Brazil in London, the Victoria and Albert Museum  brings together practitioners, writers, academics and curators working in Brazil and the UK in the fields of […]

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