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Choosing embroidered tops at the Clothworkers' Centre

The Story so Far: Only 200

The last few weeks mark a particularly exciting moment in the development of any exhibition: we have appointed an exhibition designer.  Gitta Geschwendtner and her team of 3d, 2d and lighting designers will be drawing together spaces, surfaces, light and graphics to support and reveal the stories hiding in the textiles. This is when things […]

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Set design for Victory Over the Sun produced at the Luna Park Theatre, St. Petersburg, 1913. Italian pencil on paper.

When the point of support disappears

“We can only perceive space when we break free from the earth, when the point of support disappears” Malevich, 1928 manifesto, ‘The Non-Objective World’ Malevich and the artists of the Russian Avant-Garde movement re-invented space. Their explorations and experiments in the world of theatre helped them to develop and articulate their artistic visions and ideas. […]

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Growing Donations (photo: Jonathan Rowley)

Money No Object at the Digital Design Weekend

Early on the morning of 19th September, while it was still dark, I awoke to booms of thunder shaking the windows, and torrential rain clattering on the roof. This did not bode well for the weekend ahead, when my design interactions project, Money No Object, was due to be showcased outdoors, in the garden of […]

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Inspired to Make

Design in the Details As Research Assistant for The Fabric of India, I spend a lot of time with my nose in books. But when I’m not in the library, there’s a good chance you’ll find me in the archives. Coming from a textile making background myself, one of the things I love most about […]

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'Ajrakh' Jacket designed by Rajesh Pratap Singh. Linen, 2010. Museum no. IS.27-2012. ©Victoria and Albert Museum, London

Fashionable Fabric

One of our aims in this exhibition is to reveal new aspects of Indian textiles and fashion. It may come as a surprise to many that India has a dynamic fashion industry which maintains a continuity to India’s textile traditions. An exciting feature of The Fabric of India will be a showcase of some of the most imaginative […]

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Panamericana (flag 1) version II, 2011 by Alexandre da Cunha, courtesy of the artist and Thomas Dane Gallery

Brazil Contemporary Event at the V&A – Part 6 Alexandre da Cunha

Part 6 – Discussion of his own work in relation to the themes of a Brazilian Vernacular Alexandre da Cunha, Artist     With the generous support of the Embassy of Brazil in London, the Victoria and Albert Museum  brings together practitioners, writers, academics and curators working in Brazil and the UK in the fields of […]

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1.4.10. Benares Sari (IM 5-1943) detail

The Fabric of India

Welcome to our blog on the V&A’s forthcoming exhibition The Fabric of India. It’s now a year away, but preparations are well underway for what promises to be not only a beautiful and dramatic show but also a major landmark in the study and display of the subject. Focussing on hand-made textiles, the exhibition will […]

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London Design Festival at the V&A

Halfway through the Festival week, I finally have time to sit down at my computer to write this post. The London Design Festival is the main focus of my job – I work on everything from the installations and displays to the huge events programme, press, parties, and everything in between. The London Design Festival […]

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Issue 6 V&A Online Journal

Issue 6 of the V&A Online Journal Just Released

Issue 6 of the V&A Online Journal is now available to read here.   In this issue, each article uncovers the hidden histories embedded in objects: from computer-generated art and design, through a rare manuscript written by an 18th-century artisan, to the Museum’s collection of theatrical prompt books. Each author, in taking seriously the seemingly […]

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Dr Kate Aspinall delivering a paper entitled 'the Pasmore Report? Reflections on the Coldstream Report and its Legacy' at Art School Educated conference in Tate Britain, 11-12 September.

Art School Educated: Reflections on a Conference

On 11-12 September I attended the Art School Educated conference at Tate Britain which represented the culmination of a five year AHRC funded research project investigating the impact of the art education on artistic production from the 1960s to the present day and its relationship to the wider themes of education, culture and society. The […]

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