Tag: embroidery

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1.4.10. Benares Sari (IM 5-1943) detail

The Fabric of India

Welcome to our blog on the V&A’s forthcoming exhibition The Fabric of India. It’s now a year away, but preparations are well underway for what promises to be not only a beautiful and dramatic show but also a major landmark in the study and display of the subject. Focussing on hand-made textiles, the exhibition will […]

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Clothworkers': Who Unframed Historic Fabric?

If you’re reading this, then you can probably guess how difficult it must be to interpret, unlock and care for the collections of the V&A. The amazing eclecticism and range possessed by our objects means that public access to objects and resources, and the provision of information about them, is of great importance if they […]

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A Stitch in Time: the V&A and the Bayeux Tapestry (3)

Eliza Stothard received the exaggerated report of her death (see my previous post) with ‘mingled feelings of indignation and amusement’ (1). This humiliation came on the back of a newspaper review of Jules Comte’s La Tapisserie de Bayeux (1878) which had sought clumsily to draw a line under the affair – ‘an offence which, however […]

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A Stitch in Time: the V&A and the Bayeux Tapestry (2)

In a previous post I revealed the strange circumstances under which the V&A came to own a piece of the Bayeux tapestry. Here I explain why it was returned to Bayeux and how Henry Cole inadvertently planted the seeds of controversy regarding the identity of the person who spirited it away to England in the […]

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A Stitch in Time: the V&A and the Bayeux Tapestry (1)

Photograph of the Bayeux Tapestry by Cundall & Co., 1873. Museum no. E.573:25-2005. © Victoria and Albert Museum, London It seems extraordinary but the V&A once owned a piece of the Bayeux tapestry! Measuring 3¼ in x 2½ in, it was one of two fragments removed surreptitiously (?) by Charles Stothard (1786-1821) sometime between 1816 […]

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The 12 zodiac animals at the V&A

This year Chinese New Year Day falls on 3rd February. Celebrations usually go on a little longer. In ancient China the finale of festival activities was a splendid display of brightly lit lanterns on the 15th day, after sunset. The coming new year will be the Year of the Rabbit (some say ‘Hare’). Before 1912 the Chinese reckoning of the passage of time was not linear, but cyclical. The Chinese people did not call one year 1001, the following year 1002, and so on. The reckoning of any given year consisted of two parts – the heavenly stem (thereare ten) …

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Art Needlework

Although the V&A has a strong collection of Aesthetic works of art this will be complemented by some important loans from other museums, archives and private collections. The aim of the exhibition is to suggest the complete Aesthetic ensemble, the combination of decorative art and paintings that characterised the Aesthetic interior. We are borrowing paintings by artists such as Edward Burne-Jones, Dante Gabriel Rossetti and James McNeill Whistler from major museums as well as the striking portraits by artists such as G. F. Watts and Edward Poynter that have been passed down through generations of the same family. To fully …

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Political or inspirational

The imperial robes arrived in London on 19th November. When they came out of the crates every member of the installation team was stunned by their beauty. This was not the first time I saw them in the flesh, but each piece still filled me with profound admiration. The skill of the Chinese weavers and embroiderers was out of this world. One has to see them to believe that such craftsmanship was possible Packing at the Palace Museum and installation at the V&A Journalists have expressed a great deal of interest in the way the robes were preserved. The garments …

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