Tag: fashion

Back to the blog front page

The Future of Fashion in Museums: Conference at the Rijksmuseum

From left to right: Rachael Catherine Lee, Lilia Prier Tisdall, Zoe Lanceley, Lara Flecker, Paul Sohi, Rachael Lee

The Textile Conservation Costume Mounting team recently downed needles and thread to attend a two day conference at the Rijksmuseum titled Fashion in Museums: Past, Present & Future. Museum professionals from Europe and North America gathered to discuss the recent phenomenon of blockbuster fashion exhibitions and their effect on the museum landscape. The contributions and […]

Keep reading

The Moroccan Fashion Project: an insight into the acquisition process

Museum no. ME.5:1 to 4- 2015 © Victoria and Albert Museum, London

Amongst the many exciting tasks that I have to undertake as an assistant curator in the Middle East section of the Asian Department is the responsibility of dealing with the logistics of all new acquisitions. Every year, the V&A acquires hundreds of objects from different people all over the world. Last year, amongst these acquisitions […]

Keep reading

The Moroccan Fashion Designer Naima Bennis (1940-2008)

Female gandura (a garment that was initially only worn by men before Moroccan  fashion designers introduced it for women in elegant fabrics and colours), made of a fluid printed silk and decorated with characteristic loop braids called sfifa. Designed by Naima Bennis, c. 1970. V&;A: ME.16-2015

By M. Angela Jansen Visiting Scholar in the Research Department at the V&A The main aim of the Moroccan Fashion project  at the V&A is to establish a representative collection of Moroccan men and women’s urban fashion from the postcolonial period to the present. The 1960s and 70s especially have been a high priority area, […]

Keep reading

Place and Repeat

NtienseVAblog

In our January guest blog Intoart artist Ntiense Eno Amooquaye shares her current research and artistic development programme ‘Place and Repeat’. Six artists from Intoart are engaging with the V&A collections over seven months, Sept 2015– March 2016 to make new visual artwork that will be realised as unique fabric designs. The resulting printed fabrics will […]

Keep reading

A Chemise for Clean Comfort

T.148-1961

Chemise

Unknown
possibly Great Britain
1851
Linen, trimmed at the neck with muslin frill

In a meeting late last week, a colleague was talking about the importance of caring for your clothes, and loving and enjoying a garment for something other than its newness. In Japan, certain traditions fold around their cultural idea that material (and so, by association, clothing) grows more beautiful with age and wear. There is […]

Keep reading

Filming Fifi

Fifi Chachnil holds up a pair of her classic bloomers during filming © Bridget Veal

AV (= Audio Visual – so, this tends to mean film) material has become an expected feature in exhibition design. While we don’t want this material to distract from the objects themselves, film and sound can be a great way to further engage with visitors and add to the exhibition’s mood and atmosphere. With the […]

Keep reading

When there’s too much to say…

T.114-1939 Riding Corset

As the Curator of Undressed I have spent much of the past month writing the exhibition text. There are 160 object labels, and ten 150 word pieces for the panels which introduce the exhibition and each of its nine sections. Every object in the exhibition has to work hard to justify its presence: it needs […]

Keep reading

Trying Out Tights

Textiles & Fashion storage at the Clothworkers' Centre, Blythe House  © V&A Collection

It’s been a very busy week full of developments in the design and text for the exhibition. Some of the team spent Thursday morning at the Clothworkers’ Centre at Blythe House. This is where we store our Textiles and Fashion collection, which holds over 104,000 objects. It’s also a brilliant study space in which you […]

Keep reading

Too Petite for Petite: Mounting a 19th Century Corset for Undressed

Marking out the position of the breasts using coloured pins

Costume mounting is the topsy-turvy task of making a mannequin fit a particular object, a job that can often make you feel more like plastic surgeon than a museum employee, as the following post explains… First up on the Undressed costume mounting schedule is this charming cotton corset dating from 1825-35. Don’t be deceived by its […]

Keep reading