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Audio and Technology in the Galleries

I remember that when I started working in museums in the late 1990s, computer terminals and audio points were just starting to become common sights in gallery displays. Often, there was a film running on a loop on a television screen, or there was a somewhat clunky computer supplying limited information. The question of whether […]

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Italian Art in Britain: a love story

By Glyn Davies Anyone who’s visited the Medieval & Renaissance Galleries can’t fail to have noticed their strongly Italian flavour. Italian art and craft is one of the strengths of the Museum’s historical collections, and it’s telling that we possess probably the most important collection of Italian renaissance sculpture outside Italy. Visitors can see works […]

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Changing Manuscript Displays

By Glyn Davies An exciting element of museum displays is that they never stand still – in a very real sense, no gallery project is ever ‘complete’. The Medieval & Renaissance Galleries have been open for over six months now, and the first changes are starting to be made. The pictures accompanying this post show […]

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The Role of the Catalogue

You may be wondering why this post is accompanied by a photo of a party. Where is the art, you say? What does this have to do with the Medieval and Renaissance periods? Have I stumbled on someone’s Facebook page? Well, I thought you might like to see one of the less obvious results of […]

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Vikings and Bishops

One of the great things (or perhaps one of the curses) of working in the history of art is that holidays always have a work edge. If you are travelling in Europe, you are almost never too far from a medieval or renaissance site that needs seeing. I’ve recently spent some time in Denmark, and […]

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What Makes a Renaissance Ball Swing?

By Glyn Davies Although it’s now a while since the event happened, I couldn’t resist posting a blog entry on the Renaissance Ball that the V&A hosted in the new Medieval & Renaissance Galleries in late January. As you can see from the photos posted here, the guests’ amazing costumes contributed in no small measure […]

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New Year, New Author

Regular readers of this blog will have noticed that Stuart Frost, its regular author since 2006, has not been adding many posts recently. This is because he is now working at the British Museum as Head of Interpretation. For a few months after the opening of the V&A’s new Medieval & Renaissance Galleries, Stuart has […]

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Stained Glass from the Chapel of the Holy Blood: Part Two

By Stuart Frost In October last year I wrote about conservation work that had begun on a stained glass panel made around 1496 for the Chapel of the Holy Blood in Bruges, Belgium. The photograph that heads this page shows the glass after completion of the work by the conservators. If you contrast this image with […]

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Living with the Past – Part 2

By Stuart Frost In my last blog entry I posted some photographs documenting the installation of the glass roof for the new day-lit gallery, work that took place in July 2009. This new piece of architecture, the first on the V&A site for over one hundred years, is one of the most exciting aspects of […]

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Living with the Past: Part One

By Stuart Frost I have spent over seven years, or thereabouts, working on the Medieval & Renaissance Galleries. I find it hard to believe that my role on the project has finally come to an end. The project team offices are in the process of being cleared and I have taken up a new job […]

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