Tag: metalwork

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Cigarette box, made by Archibald Knox, made in Birmingham, UK, 1903-4. M.15-1970
Victoria & Albert Museum, London.

The Bed Box

Wonderful story about how the Museum acquired a silver box, as well as drawings, by Archibald Knox from the potter Rosemary Wren.  The speaker is David Coachworth who came to work in the V&A in 1963, now retired. Rosemary’s mother, the potter Denise Wren, had been a student of Knox’s and couldn’t resist buying the box with money she was supposed […]

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E.3853-1960, print showing St. Ignatius of Loyola, Wierix, (c) Victoria and Albert Museum, London

St. Ignatius of Loyola

Ignatius of Loyola (1491-1556) is an important figure in world Catholicism, but appears little-known in Britain, probably due to the break of the English church from papal authority under Henry VIII. His life was not exactly a classic saint’s tale; he started out as a proud and vainglorious man but he later, when living in […]

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Elizabeth and the Medal Cabinet

Medal Cabinet Appeal – Elizabeth Bisley, Assistant Curator

‘This cabinet is an incredibly important example of Napoleonic design, it tells so many stories about design, craftsmanship, politics and luxury in early nineteenth-century France, and would be an amazing addition to our new European galleries.’ In this series of blogs we’re interviewing various members of staff who come in contact with the Napoleonic Medal […]

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Nei and the Medal Cabinet in the Silver Galleries, Level 3

Medal Cabinet Appeal – Neide Gentelini, Gallery Assistant

‘The V&A is the world’s leading museum of art and design; we can safeguard the cabinet and care for it, not just in the short term but for years to come, and ensure that it is on display for everyone to see.’ In this series of blogs we’re interviewing various members of staff who come […]

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Ooh, Shiny

One of the fascinating things about design drawings, at least to me, is that you often can’t tell whether they are for presentation, for working out a design concept, or just recording an object once it’s finished. Sometimes, perhaps, there is a bit of all three going on. The confusion really sets in when you see aesthetic touches on what you would otherwise expect to be a ‘working sketch.’ For whose benefit has the drawing been prettied up? Maybe the draftsman was taking pride in the work. Maybe there was an internal politics in play, where the designer wants the …

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