Tag: painting

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2014GV8899

Constable Digital Kids activity to do at home

As the Constable: The Making of a Master exhibition enters its final month at the Victoria & Albert Museum and with young animators and digital painters anticipating new tablets for Christmas presents; this refresh of the basic instructions for PhotoViva and PuppetPals apps from the two Constable themed families activities this term, should provide a well-timed reminder […]

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Brachycombes by Geoge Brookshaw

Every Lady Her Own Drawing Master

One of the main pleasures of taking up a hobby is surely acquiring all the necessary equipment, preferably new, with everything matching and on a professional scale. Women taking up watercolour painting in 1797 obviously felt the same “Every lady who has a taste for painting, furnishes herself with a box of colours, probably eighteen, […]

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Eloi head

St. Eligius

Today’s Sanctus Ignotum, St. Eligius (ca. 588 – 660; known in French as Eloi), followed a successful first career as a goldsmith with a later one as a saint. The signs of his later holiness appear obvious to me (admittedly I am a smug, 21st century know-it-all). He miraculously made two golden thrones using the materials […]

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Oil painting of Flatford Mill from a Lock on the Stour

Constable’s Country: Inspired by Suffolk Settings

Much of John Constable’s current reputation as a painter rightly rests on his development of the ‘plein-air’ oil sketch and his naturalistic style of painting. Also powerfully engaging for a contemporary audience is his autobiographical choice of subjects. In this piece, Winsor & Newton Resident Artist Mathew Gibson explores Constable’s complex personal motivations for painting […]

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Painting conservators and curator condition-checking the object before it goes into the display case © Victoria and Albert Museum, London.

Installing the Spring Poppy Fields

When coming into the V&A visitors are often impressed by the glamour of our collections, the quality of displays, and the magnificence of the Victorian building itself, what they rarely see is the amount of behind-the-scene effort in putting together and maintaining exhibitions and galleries. Let’s look at some numbers: 4 conservators, 4 curators, and […]

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2006AV2987

Out On Display #7: Gluck

          Leonide Massine Waiting for his Cue Gluck (Hannah Gluckstein) England, oil on canvas, 1925 Given by British Theatre Museum Association S.83-1986 On display in room 104A   Born into a wealthy Jewish family, Hannah Gluckstein (1895-1978) defied conventional roles expected of young women of her class and time.   Family […]

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2006BC5638

St. Sergei of Radonezh

Today, like the BBC north of the M25, we look east, further east even than Norfolk. Give the globe a little twirl to your left and you’ll see there’s a big country which covers a lot of the top bit of it. This country is called Russia, and it’s very famous. Now if you look […]

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Technicians install 'The Hay Wain' (full-size sketch).

Constable: The Making of an Exhibition

After months of planning, ‘Constable: The Making of a Master’ is open to the public. While bringing an exhibition of this scale together takes a lot of time and energy from people inside and outside the museum, it is only in the last two weeks before opening that objects start being moved into the space Installing this […]

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Andrew Graham Dixon speaks at the opening of Constable: The Making of a Master

Andrew Graham Dixon opens Constable: The Making of a Master

On 17th September 2014 at the launch of Constable: The Making of a Master, art critic and broadcaster Andrew Graham Dixon spoke about the painter, his radical approach, working methods and lasting legacy. Open to the public from 20 September 2014 – 11 January 2015. Constable: The Making of Master reveals the hidden stories of how […]

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Detail of 5940-1859, altarpiece, showing St. Giles © Victoria and Albert Museum, London

St. Giles

Perhaps the most popular vegetarian of the middle ages, semi-legendary St. Giles has had very little time to enjoy himself in heaven since his death in the first quarter of the eighth century. Indeed, many diverse groups consider him their patron saint; spur makers, disabled people, horses, beggars, blacksmiths, sufferers of breast cancer, breast-feeding women, […]

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