Tag: Painting Conservation

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Still painting like Constable

Palette knife effects in the sky © S.Connor

Humbled by my last feeble attempts at painting like Constable (here), I began work on a substantially scaled down version of Constable’s Full scale study for the Haywain. I prepared a small canvas by stretching commercially primed canvas – linen, with a white ground, that you can buy by the metre. I stretched it around […]

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Making a ‘Constable’

Applying the red-brown oil ground. You can already see how the paper is absorbing the oil where there is no sizing.

  This week I’ve been working with Clare, the Senior Paintings Conservator, to make some Constable-style pasteboards (sheets of paper glued together) for a display to go in the Paintings gallery. After several weeks of reading up on it (for example in the essays referenced here), looking at examples of Constable’s works on paper, and […]

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Spot the Dog

Microscope image of Constable's dog

Visitors to the Constable: The Making of a Master exhibition will be able to see a number of extraordinary copies painted by Constable alongside the original Old Master paintings that inspired him. His paintings after Jacob van Ruisdael’s (c.1629-1682)  Landscape with Windmills near Haarlem and Winter  are so similar to the originals that it is […]

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Constable sketches up close and personal

Swirls of colour under the micoscopeshows Constable's alla prima technique. © Victoria and Albert Museum, London.

Our dynamic Paintings Conservation interns, Arabella and Morgan have been lucky enough to work on some of our Constable oil sketches this week for the upcoming Constable: Making of a Master exhibition. We’ve posted recently on our discovery of an unknown Constable sketch that was hidden by an old lining, so of course preparing the rest of the sketches for exhibition gave Arabella and Morgan another […]

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A Spring Cleaning in Paintings Conservation

Blog picture 6 thumb

This week’s guest post, written by Arabella Peaver and Morgan Wylder, describes the conservation of a painting by John Frederick Herring. With only a few weeks until the V&A’s Constable exhibition opens to the public, some of the Constable paintings normally on display in our paintings galleries will be relocated to the exhibition. This offers a great opportunity for us to have some […]

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