Tag: Q&A

Back to the blog front page

photo 22

Q&A with the Legendary Biba Designer Barbara Hulanicki

1. What is your favourite Shop in London and Miami? In Miami I love C Madeline’s, it’s an extraordinary Vintage shop on Biscayne Boulevard. In London it would be Selfridges. 2. Tell us about the Biba outfits that stick out in your mind… The hooded leopard coat we made for Twiggy in the nineteen seventies. […]

Keep reading
And so the tweeting begins... © V&A Collection

For the Type Who Might Not Tweet

As I mentioned in my previous post, on the 6th August I took over the V&A’s twitter account for an hour and answered questions that were tweeted in. Once again, you came up with some great ones and it was good to have the chance to chat with some of you – including those who […]

Keep reading
Detail of flower motif on needle lace veil, Belgian, 1890

#AskTheCurator

If you’re a Twitter-er, you might have spotted already that at 2pm on Wednesday 6th August I will be doing a Q&A on the V&A’s account. So, if you have any questions for me, be they about wedding dresses or the curatorial process, please tweet them in and I will do my best to answer them […]

Keep reading
Hand-coloured engraving by Jules David featuring wedding and day dress designs by Popelin-Ducarre and Plé-Horain. Published in Le Moniteur de la Mode, 1851-2

Queen Victoria and the White Wedding Dress

This blog post focuses on your questions about the connections between Queen Victoria’s wedding and the popularity of the white wedding dress: Cassidy: I have two questions! For the first, I’ve been doing a lot of research lately on early 19th century women’s dress, and it’s struck me that for the most part during the […]

Keep reading
Double-breasted suit by Stefano Pilati for Yves Saint Laurent, 2011

Gentlemen Prefer Groomswear

This blog post focuses on your questions which concerned gender relations in the history of wedding dresses: Edwin Coomasaru: Hey, I’m really looking forward to the Q&A. I’d like to hear about the relationships between the exhibition’s wedding dresses and gender, particularly the origins and history of the use of white material. Susanna: Thanks Edwin, […]

Keep reading
Purple silk bodice and skirt, trimmed with cream satin and lace. Made and worn by Harriet Joyce, 1899

The Classic and the Quirky

  This blog post focuses on your questions about breaks from tradition in the exhibition and my own personal response to them: Samuel Bernard: How do you feel the truly avant garde dress designs effect the homogenised view of what the wedding dress should be, and where do you think the future of the wedding […]

Keep reading
White satin wedding dress trimmed with Honiton lace, 1865

Not All White

This blog post focuses on your questions regarding colour, particularly white, in wedding dresses: Maggie Craig:  Have recently been researching for a local history project in north-east Scotland, where a description of mid to late 19th century country weddings says that brides usually wore black, silk if they could afford it, because the dress became their […]

Keep reading
Katie Shillingford's veil designed by Stephen Jones

Pop the Question

  Thank you all so much for taking part in the Q&A this week – you came up with some really interesting and satisfyingly tricky questions. For now, I have posted your answers as replies in the comment section below. If the website is not behaving itself, they may not appear in the right order, […]

Keep reading

Q&A With illustrator Lesley Barnes

Lesley has created exclusive fashion illustrations inspired by style and surface pattern. For The Glamour of Italian Fashion exhibition we have applied her bold and energetic illustrations to a capsule collection of products. Lesley explains how this collaboration began, her inspiration, and what would be her favourite outfit… Tell us a bit about your work…. […]

Keep reading

An Enchanting Wonderland – Christmas in the V&A Shop

We have teamed up with the designer Louise Wilkinson to decorate our Christmas display in the V&A Shop. Her creative approach is based on the belief in objects being timeless, beautiful and practical. Our Visual Manager Charlene was inspired by Wilkinson’s approach and began brainstorming for the Christmas display. Both Charlene and Louise love enchanting, […]

Keep reading