Tag: research

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The motto outside Harry Hems' workshop

“Faithful not fawning”, the woodcarving of Harry Hems

While moving a store of photographs recently here at the V&A, I came across rather an intriguing character. What led me to him was a box of 19th century photographs of ecclesiastical carvings; we have many hundreds of photographs of woodwork and stonework from religious buildings from around the world in the collection, but what caught my […]

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Gaby Schreiber Industrial/Interior Designer (1916-1991).

Photographer: Bee & Watson, 1948.

Design Council Archive, University of Brighton Design Archives.

Fashioning Professionals: Reflections on a Symposium

  .   Photo: Gaby Schreiber Industrial/Interior Designer (1916-1991), Photographer: Bee & Watson, 1948, Design Council Archive, University of Brighton Design Archives.  What does it mean to be seen and represented as a ‘creative professional’? This was the question we set out to address on Friday 27th March at a symposium hosted by the V&A Research Department […]

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MISC.215:1-1988; Red rubber wellington boots; Dunlop, ca. 1959. Held by the Museum of Childhood © Victoria and Albert Museum, London

Forecasting rain

    The V&A’s Textiles and Fashion collection holds tens of thousands of objects and is one of the most comprehensive collections of its type in the world. Researching this huge collection is one of the greatest pleasures of my job but, being a busy boy, I cannot devote as much time to research as […]

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Kinky Boots

This article is written by Joanne Pilcher, a volunteer on the Shoes: Pleasure and Pain exhibition and student on the V&A/RCA History of Design course. In my role as a volunteer for the Shoes: Pleasure and Pain exhibition I have been going through the acquisition files for all of the shoes and other objects that will appear […]

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Pyramus and Thisbe (detail)

Love and Nature in a Gold Beaker

This is an updated version of an earlier post, first published on this site on 7 October 2014   An outstanding object in the wonderful Gilbert Collection  of the V&A caught my eye as curator Heike Zech and assistant curator Melodie Doumy took me around the storage facilities while the galleries are being renovated. My own […]

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geta fur1

Clogs perfect for Christmas

The traditional simple wooden clog, called geta, comprise of a raised wooden base and fabric thong to keep the foot well elevated above the ground. They look a little bit like wooden flip flops on stilts. The geta, worn in Japan by both women and men with clothing such as the kimono, originally had a practical function; elevating […]

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galleries

What Does it Take to Work in a Museum?

Training week for Second Year Collaborative Doctoral Partnership (CDP) students [Note: The V&A and a number of other cultural organisations co-supervise several cohorts of CDP students. CDP students are a category of AHRC-funded PhD students, who work closely with both a university and a cultural organisation and are supervised by both.] For four days in […]

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Are you sitting comfortably? – or, plumping up a 17th century Dutch cushion

With the weather getting that bit nippier out there, it’s rather nice to turn our thoughts to home comforts. However in this case it is the home comforts of a 17th century Dutch household. This tapestry cushion cover will feature in our Dutch Domesticity display. In 1648, after a long military struggle, the Dutch Republic […]

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One of Dr. Gygi’s hoarding subjects in Tokyo. © Fabio Gygi, 2014

Too Much Is Not Enough: Attitudes Toward Accumulation and Hoarding in Japan

by EVE ZAUNBRECHER The popularity of reality TV shows such as Hoarders and Hoarding: Buried Alive have introduced hoarding into popular culture and have raised interesting debates about rampant consumerism and the politics of mental health disorders. Hoarders, once dismissed as ‘pack rats’ or ‘messies’, have now been located on the Obsessive Compulsive Disorder spectrum […]

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Design Culture Salon 12, V&A Museum

Fashion cycles and design culture

Anyone standing outside the disciplines of fashion and design research might be surprised to discover that conversations between the two are not as fluid or productive as they might be. Within the art school, for instance, the two are taught as quite distinct disciplines with their own traditions, cultures and identities. Recognising these boundaries and […]

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