Tag: textiles

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Inspired to Make: Angry Birds

As the last days of 2014 fly away, the Fabric of India team is working hard to be ready for what will surely be a very busy year. We’re packing in as much as we can before 2015 arrives – mocking up displays, measuring extra fabric, and formatting our labels. As we go, we are – […]

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Are you sitting comfortably? – or, plumping up a 17th century Dutch cushion

With the weather getting that bit nippier out there, it’s rather nice to turn our thoughts to home comforts. However in this case it is the home comforts of a 17th century Dutch household. This tapestry cushion cover will feature in our Dutch Domesticity display. In 1648, after a long military struggle, the Dutch Republic […]

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Indian blues… and reds… and yellows

A major focus of The Fabric of India is on the making of Indian textiles, and dyeing has been a key part of that process for thousands of years. Indigo is the dye most often associated with India, and the dye and the country were so inseparable in the ancient world that the Greeks named the […]

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Aziz Khatri (left) Suleman Khatri (right) with father and young Mohammed. Dyeing vat in the background.  (copyrigth Divia Patel)

In Bhuj

I was in Bhuj last week, not because I was hiding from the police, but because I was in search of interesting textiles. Sorry – I really couldn’t help that reference to the film, In Bruges, but as you might imagine, being in Bhuj, Gujarat, is very different from being in Bruges, Belgium. Bhuj is […]

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Moroccan Fashion Designers in the 1960s

By M. Angela Jansen Visiting Scholar in the Research Department at the V&A Very little research has been conducted on the first generation of Moroccan fashion designers who emerged in Casablanca in the 1960s. This is remarkable when you think that at the time they had not only caught the attention of the renowned editor-in-chief […]

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Shop front of Merchant & Mills store in Rye

Modern markets for traditional techniques

Indian textiles have long held great appeal to European consumers; so much so that in the 17th Century the Indian textile industry were seen as a direct threat to British textile manufacture.  This resulted in the ban of textile imports from India and in turn gave rise to a lively trade in smuggled chintz.  Since […]

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Auto-Rickshaw samples, 2012.© Aneeth Arora

The Difference is in the Detail

Aneeth Arora with her label Péro, has emerged as one of India’s most respected young fashion designers. Her debut collection was in 2009, and I first visited her Delhi based studio in December 2010 where I spent a lovely morning admiring the use of hand-woven fabrics and hand crafted details in her outfits. Alongside her […]

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Detail of propaganda kimono

A year at the Clothworkers’ Centre

It’s now been a year since Clothworkers’ opened. To celebrate, we held a conference on the 23rd and 24th of October which looked at the breadth of new research emerging from the Centre. Across cultures and periods, from carpets to collaborations with twenty-first century fashion designers, the conference highlighted the huge range of research which […]

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'Calyx', printed linen furnishing fabric by Lucienne Day for Heals & Son Ltd., British, 1951, T.329:3-1000. Victoria and Albert Museum, London.

A Point of Departure

This post was written by Joanna Weddell, AHRC CDA Disseminating Design, Centre for Research and Development, University of Brighton and Research Department, the Victoria & Albert Museum. This post is prompted by a curious caption and photograph in a press cuttings file on one of the major exhibitions of the V&A Circulation Department, English Chintz: English […]

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The Reject Files

When the idea for an exhibition on Indian textiles was first given the go-ahead, I had some sleepless nights wondering how we could possibly fill even one of the V&A’s massive exhibition halls. I needn’t have worried. Now I have sleepless nights about how much we can reasonably  fit in… From an initial selection of nearly 300 objects, we have […]

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