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MEDIEVAL & RENAISSANCE

Hidden Histories - Africans in Medieval and Renaissance Art

The Adoration of the Magi (detail), about 1500. Museum no. C.74-1919, C.75-1919.
Given by J. Pierpont Morgan, Jr.

The Adoration of the Magi (detail), about 1500. Museum no. C.74-1919, C.75-1919. Given by J. Pierpont Morgan, Jr. (click image for larger version)

The collection of medieval and Renaissance art at the V&A highlights many aspects of the European view of Africa during this period. Recent research has focused on objects that depict black Africans. These have been grouped here to show some ways in which Africans were represented in the past, and to suggest why they were seen in this way.

Europe's black population began to grow during the 13th and 14th centuries. It increased more dramatically in the 1440s, when Portuguese naval expeditions opened a new trade route between Europe and Africa, and traders began to import black slaves directly from sub-Saharan Africa. Many black slaves were also brought into Renaissance Italy via the Ottoman Empire and the Venetian Republic. By 1505 as many as 140,000 to 170,000 Africans had been captured for sale in Europe.

Acknowledgements

The V&A would like to thank the following people for their contributions, comments and advice: Meghan Callahan, Anne-Marie Eze, Professor J M Massing, Professor Elizabeth McGrath and Dinah Winch.

However, not all of the images of Africans highlighted here relate directly to slavery. Africans appear in medieval and Renaissance art in a number of guises, from king to servant and from real to imaginary.