Architectural history of the V&A: Adapting to new challenges

Apart from a highly controversial campaign between 1910 and 1914 by the then director, Sir Cecil Smith, to remove decorative elements in certain buildings from the Fowke era (his justification being that they 'belonged to a bygone age'), little happened to change the look of the Museum building for a number of decades. The first significant modification came in 1932, when the director Sir Eric Maclagan partitioned off a section of the Octagon Court to create some much-needed new storage space.

Post-war additions

After the war, the Museum tackled its perennial problem - the lack of space. With no room left for new buildings, cutting into the existing spaces was the only answer. A first floor (now Rooms 103-6) was added round the perimeter of the North Court, a freestanding circular platform (Room 40a) inserted into the Octagon Court and three new floors put into Aston Webb's 18-metre-high Central Court. In 1974, the Royal College of Science building was converted to house the Department of Prints, Drawings & Photographs and renamed the Henry Cole Building. A modern link was built to join it to the main Museum and, at the same time, create a new entrance on Exhibition Road.

Restoration and FuturePlan

In the last decades of the 20th century, the priority was the repair of the existing fabric. Many of the early buildings had been built rather too hastily and were beginning to show their age. Now that the building is sound, the Museum can turn its attention to the displays. In an ambitious new programme, FuturePlan, the V&A is restoring original galleries to their former glory and creating new displays for the 21st century.

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Quilts 1700 - 2010 Hidden Histories

Quilts 1700 - 2010 Hidden Histories

Quilts evoke the past - they stimulate our earliest memories of security and comfort and resonate with historical and cultural references challenging …

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Event - Shakespeare in Performance

Fri 21 March 2014 11:00

4 WEEK SHORT COURSE: Shakespeare is, without doubt, the most produced playwright in British Theatre. His plays form the cornerstone of the classical repertoire. This course will look at how Shakespeare’s plays have survived onstage.

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