A-Z of Ceramics - N is for Nobody

Ceramic figures of Nobody combine a surprisingly ancient joke with a uniquely English pun. The joke concerns the denial of guilt: 'Who did that?' 'Nobody!' He is seen as always innocent, yet always blamed for others' deeds. Homer's Odysseus escaped Polyphemus by giving his name as 'No-man'. A medieval monk created a mock-saint (Saint Nemo) by finding all references to 'nemo' in the Bible e.g. 'Nemo deum vidit' (No-one has seen God).

In 16th-century Germany, 'Niemand' was blamed by bad servants for household breakages. Moralists took this over, arguing that individuals were responsible for the state of the Church and Society, and Protestant Reformers took this notion to England.

The pun 'No...body' is not possible in other European languages, so only ceramics destined for the British market depict a man whose legs join straight onto his head. He comes from a 1606 woodcut frontispiece to the play 'Nobody and Somebody', which Shakespeare mentions in 'The Tempest'.

Figure of 'Nobody', about 1680-85. Museum no. C.4&A-1982

Figure of 'Nobody', about 1680-85. Museum no. C.4&A-1982. Tin-glazed earthenware figures of the late 17th century are rare, though the survival of several similar examples made from slightly differing moulds does suggest multiple (but probably small-scale) production.

Frontispiece to the play 'No-body or Somebody', Unknown artist and playwright, 1606. NAL Dyce 6967

Frontispiece to the play 'No-body or Somebody', Unknown artist and playwright, 1606. NAL Dyce 6967

Become a V&A Member

V&A Members enjoy a wealth of benefits, including free entry to exhibitions, previews, exciting events and the V&A Members’ Room. In addition, you will be supporting the vital work of the V&A.

Buy or Renew Membership Online

Shop online

A to Z of Hollywood Style

A to Z of Hollywood Style

A to Z of Hollywood Style brings together style advice from the good, the bad and the beautiful to explore the allure of some of the world’s…

Buy now

Event - Deception: Ceramics & Imitation

Thu 06 June 2013 13:00

GALLERY TALK: From functional tablewares masquerading as fruit or vegetables to imitations of prized materials, potters have always created objects intended to delight and surprise by deceiving the eye.

Book online