British watercolours 1750-1900: historical & literary genre

Sir John Gilbert, 'Don Quixote and Sancho Panza returning to their Village', 1866. Museum no. 1762-1900

Sir John Gilbert, 'Don Quixote and Sancho Panza returning to their Village', 1866. Museum no. 1762-1900

The 19th century saw a flowering of interest in history, encouraged by the publication in 1814 of the first of many historical novels by Sir Walter Scott. These fictions were woven around such notable characters as Queen Elizabeth I, and set in carefully researched historical locations. The past became the playground of artists, and Charles Cattermole's picture of 'Charles I and his secretary' is typical of such imaginative recreations of British history.

The imagination and invention of artists was also endlessly fed by British writers. 'Eve of St Agnes' by Sir John Everett Millais, is taken from Keats' evocative poem of the same name. It is a beautiful example of a work inspired by literature rather than being straight-forwardly illustrative. The works of Charles Dickens were particularly popular subjects of Victorian literary painting. Cattermole's 'The Grave of Little Nell' exemplifies the Victorian sentimental fascination with the tragedy of Little Nell told in 'The Old Curiosity Shop'.

Perhaps surprisingly Miguel de Cervantes play 'Don Quixote' was also popular with Victorian audiences. Written between 1605-15, it was the story of an adventurous Spanish knight and his squire. Charles Green started painting illustrations for publishers. But 'Sancho Panza, Governor of Barataria, going the Round with the Night Watch', shows us the amazingly delicate technique which won him his reputation as an independent watercolour artist.

In contrast, the focus of Sir John Gilbert's 'Don Quixote and Sancho Panza returning to their Village' is the authentic representation of costume and accessories. Early in his career Gilbert filled sketch books with studies of the Royal Horse Artillery and the hallmark of his work was an eye for the detail of uniform, armour, military equipment and horses. Such watercolours assumed a literate audience and were encouraged by the popularity of the new 'Annuals' (illustrated magazines). It was said of Gilbert that, 'a narrative read, he at once knows how best a picture can be made. His fertility of pictorial invention is inexhaustible'.

Click on the images below for larger versions.

Charles Cattermole, 'Charles I and his Secretary'. Museum no. 1017-1873
Charles Cattermole, 'Charles I and his Secretary'. Museum no. 1017-1873
Charles Cattermole, 'The Grave of Little Nell'. Museum no. F53
Charles Cattermole, 'The Grave of Little Nell'. Museum no. F53
Charles Green, 'Sancho Panza, Governor of Barataria, going the Round with the night Watch'. Museum no. 1776-1900
Charles Green, 'Sancho Panza, Governor of Barataria, going the Round with the night Watch'. Museum no. 1776-1900
Sir John Everett Millais, 'The Eve of St Agnes: Interior at Knole near Sevenoaks'. Museum no. D.141-1906
Sir John Everett Millais, 'The Eve of St Agnes: Interior at Knole near Sevenoaks'. Museum no. D.141-1906

British Design 1948–2012: Innovation in the Modern Age

31 March–12 August 2012

Showcasing over 300 British design objects, this exhibition celebrates the best of British post-war art and design from the 1948 ‘Austerity Games' to the summer of 2012.

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Fruit, Chinese watercolour (Custom print)

Fruit, Chinese watercolour (Custom print)

Fruit, Chinese watercolour (A3 Print, Satin Finish)

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Event - Rivals and Revivals: Furniture in Europe and America, 1800-1900

Thu 01 March 2012 13:00

GALLERY TALK: Learn how trade and industrialisation brought unprecedented wealth to Europe and the United States in the nineteenth century. This tour of furniture will reveal how rivalry between emerging empires and nation states provoked an interest in reviving historical 'national' styles of furniture, and how new technologies and materials were also exploited.

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