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'89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Andrews, Julia F., Painters and Politics in the People's Republic of China. Berkeley: University of California Press, 1994.

 Andrews, Julia F., and Gao Minglu. The Avant-Garde's Challenge to Official Art. In Urban Spaces: Autonomy and Community in Contemporary China, ed. Deborah Davis et al. Cambridge: Cambridge University Press, 1995, pp. 221-78.

Art of the Chinese Diaspora. Special issue of Art of AsiaPacific 1, no. 2 (1994).

Barmé, Geremie, ed. Shades of Mao: The Posthumous Cult of the Great Leader. Armonk, N.Y.: M.E. Sharpe, 1996.

Berry, Chris, ed. Perspectives on Chinese Cinema. London: BFI, 1991.

Cai, Guo, Qiang: Flying Dragon in the Heavens. Humlebaek, Denmark: Louisana Museum, 1997.

Chang, Arnold, Painting in the People's Republic of China: The Politics of Style. Boulder: Westview Press, 1980.

Chang, Tsong-zung et al. Quotation Marks: Contemporary Chinese Paintings. Singapore: Singapore Art Museum, 1997.

Chang, Tsong-zung. Man and Earth: Contemporary Paintings from Taiwan. Denver: Asian Art Coordinating Council, 1994.China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Cheng, Scarlet. The Painted Photograph: An Exhibition of Contemporary Photography from China, Hong Kong, and Taiwan (review). Asian Art News, vol. 4, no. 3 (May/Jun 1994), pp. 54-58.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Clark, John. ed. Modernity in Asian Art: The University of Sydney East Asian Series, no. 7. Broadway, New South Wales: Wild Peony, 1993.

Clark, John. Problems of Modernity in Chinese Painting. Oriental Art, new series, vol. 32, no. 3 (1986): 270-283.

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Abrams, 1987.

Cohen, Myron. Cultural and Political Inventions in Modern China: The Case of the Chinese Peasant. Daedalus 122, no. 2 (1993), pp. 151-70.

Croizier, Ralph. Art and Revolution in Modern China: The Lingnan (Cantonese) School of Painting, 1906-1951. Berkeley: University of California Press, 1988.

Dai, Jinhua. Redemption and Consumption: Depicting Culture in the 1990s. Positions 4, no. 1 (1996), pp. 127-43.

Ellsworth, Robert Hatfield. Later Chinese Painting and Calligraphy, 1800-1950, 3 volumes. New York: Random House, 1986.

Friedman, Edward. Democracy and "Mao Fever". Journal of Contemporary China 6 (Summer 1994), pp. 84-95.

Fu, Shen. Challenging the Past: The Paintings of Chang Dai-chien. Washington, D.C.: Arthur M. Sackler Gallery, Smithsonian Institution, 1991.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao, Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gao, Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gao, Minglu. Chronology of Chinese Avant-Garde Art, 1979-1993. In Fragmented Memory: The Chinese Avant-Garde in Exile. Columbus, Ohio: Wexner Center for the Arts, The Ohio State University, 1993. Pp. 14-19.

Hou, Hanru. Beyond the Cynical. Art and Asia Pacific 3, no. 1 (1996).

Hou, Hanru. Towards an "Un-Unofficial Art": De-Ideologicalisation of China's Contemporary Art in the 1990s. Third Text, no. 34 (Spring 1996), pp. 37-52.

Hou, Hanru and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Kao, Mayching, ed. Twentieth-Century Chinese Painting. Hong Kong: Oxford University Press, 1988.

Kraus, Richard. Brushes with Power: Modern Politics and Chinese Art of Calligraphy. Berkeley: University of California Press, 1991.

Laing, Ellen Johnston. Chinese Peasant Painting, 1958-1976: Amateur and Professional. Art International 27, no. 1 (January-March 1984), pp. 1-12.

Laing, Ellen Johnston. An Index to Reproductions of Paintings by Twentieth-Century Chinese Artists. Eugene: University of Oregon Asian Studies Program, Publication no. 6, 1984.

Laing, Ellen Johnston. The Winking Owl: Art in the People's Republic of China. Berkeley and Los Angeles: University of California Press, 1988.

Landsberger, Stefan. Chinese Propoganda Posters, from Revolution to Modernization. New York: M. E. Sharpe, 1995.

Li, Chu-tsing. Trends in Modern Chinese Painting (The C.A. Drenowatz Collection). Ascona: Artibus Asiae Supplementum 36, 1979.

Mao, Zedong. Mao Tse-tung on Literature and Art. Beijing: Foreign Languages Press, 1960.
The Stars: Ten Years. Hong Kong: hanart 2, 1989.

Sullivan, Michael. New Directions in Chinese Art. Art International, vol. 25 (1982), pp. 40-58.

Silbergeld, Jerome, with Gong Jisui. Contradictions: Artistic Life, the Socialist State, and the Chinese Painter Li Huasheng. Seattle: University of Washington Press, 1993.

Sullivan, Michael. Art and Artists of Twentieth-Century China. Berkeley: University of California Press, 1996.

Szeemann, Harald. Interview: Ai Weiwei on CCAA, Identity and His Recent Conceptual Work, 'Chinese Type' Contemporary Art Online Magazine, vol. 1, issue 6 (January 1999).

Tseng, Yu-ho. Some Contemporary Elements in Classical Chinese Art. Honolulu: University of Hawaii Press, 1963.

Wang, Yuejin. Anxiety of Portraiture: Quest for/Questioning Ancestral Icons in Post-Mao China. In Politics, Ideology, and Literary Discourse in Modern China, ed. Liu Kang and Xiaobing Tang (Durham: Duke University Press, 1993).

Widmer, Ellen, and David Der-Wei Wang. From May Fourth to June Fourth: Fiction and Film in Twentieth-Century China. Cambridge, Mass.: Harvard University Press, 1993.
Wu, Hung. 'Tiananmen Square: A Political History of Monuments.' Representations 35 (Summer 1991), pp. 84-117.

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