Drawing techniques: camera obscura

Original drawings for the Panorama 'View of Paris from the Seine', exhibited at Leicester Square, London in 1803, Henry Aston Barker (1774-1856), May 1802

Original drawings for the Panorama 'View of Paris from the Seine', exhibited at Leicester Square, London in 1803, Henry Aston Barker (1774-1856), May 1802

'Camera Obscura' is Latin for 'dark room'. It describes an enclosed space with a small hole in one side, sometimes fitted with a lens, through which light enters to form an inverted image of the outside world on a screen placed opposite the hole. The concept of the camera obscura was known from at least the 4th century BC, but it was probably not adapted for use as an artist’s aid until the 15th century.

It became particularly popular in the 18th century when many portable versions were developed. Many artists are known to have used one, including Canaletto (1697-1768) and Paul Sandby (1730-1809), whose works you can see in this section.

An artist could use the camera obscura as a drawing aid by tracing the images projected on the screen. The camera obscura could be useful for establishing the fundamental structure or perspective of a composition, but the artist still has to translate the projected image into a work of art by making marks on the paper or canvas.

Camera Obscura Image of Boston’s Old Custom House in a Hotel Room, Abelardo Morell (b.1948) 1999 Copyright Abelardo Morell Click here for full size version and additional information for this image

Camera Obscura Image of Boston’s Old Custom House in a Hotel Room, Abelardo Morell (b.1948) 1999.

The Cathedral of Notre Dame, Paris, Thomas Shotter Boys (1803-1874) 1836 Click here for full size version and additional information for this image

The Cathedral of Notre Dame, Paris, Thomas Shotter Boys (1803-1874) 1836.

Sir Joshua Reynolds's Camera Obscura Manufactured in England Mid 18th century Copyright Science Museum, London Science and Society Picture Library Click here for full size version and additional information for this image

Sir Joshua Reynolds's Camera Obscura Manufactured in England Mid 18th century.


Caesar’s Tower and part of Warwick Castle, Paul Sandby (1730-1809) 1775 Watercolour Click here for full size version and additional information for this image

Caesar’s Tower and part of Warwick Castle, Paul Sandby (1730-1809) 1775 Watercolour.


A performance of the Commedia dell’Arte in the Piazza san Marco, Antonio Canale, called Canaletto (1697-1768) About 1755-1757 Pen and ink and wash on paper Click here for full size version and additional information for this image

A performance of the Commedia dell’Arte in the Piazza san Marco, Antonio Canale, called Canaletto (1697-1768) About 1755-1757 Pen and ink and wash on paper.


East view of the forts of Jellali and Merani, Muscat, William Daniell (1769-1837) 1793 Click here for full size version and additional information for this image

East view of the forts of Jellali and Merani, Muscat, William Daniell (1769-1837) 1793.


A gift in your will

You may not have thought of including a gift to a museum in your will, but the V&A is a charity and legacies form an important source of funding for our work. It is not just the great collectors and the wealthy who leave legacies to the V&A. Legacies of all sizes, large and small, make a real difference to what we can do and your support can help ensure that future generations enjoy the V&A as much as you have.

More

Shop online

Impossible Project Polaroid 600 Camera

Impossible Project Polaroid 600 Camera

Refurbished Polaroid 600 camera

Buy now

Event - Introduction to Fashion Photography

Fri 15 June 2012 10:30

DIGITAL WORKSHOP:
Friday 15 – Saturday 16 June, 10.30 – 17.00
Working with models, Anomalous Visuals will help you to understand the fundamentals of fashion photography and post production techniques such as lighting, digital workflow and retouching in Photoshop.

Book online