Drawing techniques: camera obscura
Original drawings for the Panorama 'View of Paris from the Seine', exhibited at Leicester Square, London in 1803, Henry Aston Barker (1774-1856), May 1802
It became particularly popular in the 18th century when many portable versions were developed. Many artists are known to have used one, including Canaletto (1697-1768) and Paul Sandby (1730-1809), whose works you can see in this section.
An artist could use the camera obscura as a drawing aid by tracing the images projected on the screen. The camera obscura could be useful for establishing the fundamental structure or perspective of a composition, but the artist still has to translate the projected image into a work of art by making marks on the paper or canvas.
A performance of the Commedia dell’Arte in the Piazza san Marco, Antonio Canale, called Canaletto (1697-1768) About 1755-1757 Pen and ink and wash on paper.
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