Japanese crafts: arms and armour

Suit of armour in Medieval style or Oyoroi, Japan, 13th

Suit of armour in Medieval style or Oyoroi, Japan, 13th

During the peaceful Edo period, although fighting equipment was no longer needed, the provincial governors were regularly required to attend the shogun's court.

The samurai's interest in fine armour arose from their desire to appear with as much prestige and status as they could on their way to and from court. Both wearers and makers had a fascination with the armour of the past and revived many past styles. Traditional armour became functionally redundant after the introduction of firearms by the Portuguese in the sixteenth century. Armour became a showcase for the arts of many types of metalworkers, embroiderers and weavers.

Samurai armour evolved as styles of warfare changed. 'Great armour' was first made in the eleventh and twelfth centuries for mounted archers. It was brightly coloured with gold or silver gilt, and combined the skill of the armourer with that of weavers, leather workers and lacquerers. Many parts were made of iron or leather plates laced together with silk chord and lacquered. Flexible panels covered the torso, arms and thighs.

Distinctive features of this style of armour include the low, round helmet with prominent rivets or 'stars', the broad neck-guard with large turnbacks, large areas of stencilled decoration and very large shoulder guards. Later forms of samurai armour evolved from this style.

Nanban helmet, Japan, late 16th - early 17th century. Museum no. M.59-1922


Many features were for effect only; full face plates, for example, were not worn in battle as they restricted vision. Though the form and decoration were based on previous styles, there were also outside influences: one helmet from 1600-1650 is in the form of a European hat. Some of the suits of armour displayed rest on the chests in which they would have been stored and transported.

Samurai had the habit of shaving a circle of hair above the forehead before going into battle, to keep the head cool under the helmet. Later, in peacetime, they began to keep the area shaved all the time and draw the rest of the hair back into a tight knot. The wearing of top-knots by men was finally forbidden by law in 1871.

Swords were said to represent the living soul of the samurai. A short sword and a long sword, collectively known as the daisho, were worn together and used in battle. The long sword, the katana, was typically used in  one-to-one combat, and the short sword (wakizashi) was used as a close-combat weapon. The sword blades were made by a complex process that involved forging, folding and re-folding the steel many times, and tempering to give a strong, resilient blade with a hard, sharp edge. The sword fittings (including tsuba or sword guard) also show fine craftwork.

Daisho; matching katana and wakizashi, Japan, c.1800. Museum no. M.20:1-1949

Daisho; matching katana and wakizashi, Japan, c.1800. Museum no. M.20:1-1949. Matching katana and wakizashi, mounted in scabbards of black lacquer decorated with cloud forms. The daisho ('big and small') refers to the traditional weapons of the samurai. Daisho is composed of the katana - a long sword typically used in one-to-one combat - and the wakizashi, used as a close-combat weapon.

British Design 1948–2012: Innovation in the Modern Age

31 March–12 August 2012

Showcasing over 300 British design objects, this exhibition celebrates the best of British post-war art and design from the 1948 ‘Austerity Games' to the summer of 2012.

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Japanese Fashion: A Cultural History

Japanese Fashion: A Cultural History

The first full history of the last two hundred years of Japanese clothing.

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Event - Craft Club at the V&A

Tue 14 February 2012–Fri 17 February 2012

Join the Crafts Council for a free drop-in crafts skills bonanza.

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