Jina fact file

Symbols and signs

Jina Rishabhanatha, sculpture, unknown, 9th century. Museum no. IS.12-1996

Jina Rishabhanatha, sculpture, unknown, 9th century. Museum no. IS.12-1996

Seated posture

The Jina is seated in the padmasana or lotus position and is meditating. Jains are meant to meditate for 48 minutes or one thirtieth of each day.

Parsvanatha with Seven-Hooded Cobra Canopy, Chakravarti Paloja, 12th century. Museum no. 931(IS)

Parsvanatha with Seven-Hooded Cobra Canopy, Chakravarti Paloja, 12th century. Museum no. 931(IS)

Standing posture

This is known as the kayotsarga or body abandonment posture. Standing like this, completely immobile with arms hanging free from the body, was considered a form of severe penance. It also shows that the Jinas were following the doctrine of ahimsa or non-violence as by keeping still they could not harm any creatures, even accidentally.

Clothing

Jinas are sometimes shown wearing very simple clothing. These sculptures were made by members of the Svetambara sect whose monks and nuns wear simple white clothing. Svetambara means 'white clad'.

 

Nudity

Other Jinas may be completely naked. A second sect called the Digambaras believe in complete renunciation and their monks renounce all possessions including clothing. Digambara means 'sky clad' or naked. Only Jinas are represented naked. Other spirits are shown clothed.

 

Santinatha, sculpture, 1168. Museum no. 930(IS)

Santinatha, sculpture, 1168. Museum no. 930(IS)

Symbol on chest

Most sculptures of Jinas bear a distinctive mark on their chest known as a srivatsa. This helps to distinguish them from other religious figures especially the Buddha. Hindu images of the god Vishnu sometimes have different forms of srivatsa on one side of the chest.

Bump on the top of head

Sign of great wisdom.

 

Jina Rishabhanatha, sculpture, unknown, 9th century. Museum no. IS.12-1996

Jina Rishabhanatha, sculpture, unknown, 9th century. Museum no. IS.12-1996

Lotus flowers on palms of hands and soles of feet

Lotus flowers are symbols or purity and perfection. You may also find Lotus flowers used for decorative effect on the Jina's nimbus or on his throne.
Jina Rishabhanatha, sculpture, unknown, 9th century. Museum no. IS.12-1996

Jina Rishabhanatha, sculpture, unknown, 9th century. Museum no. IS.12-1996

Nimbus

This halo-like structure around the head emphasizes the divinity of the Jina
Santinatha, sculpture, 1168. Museum no. 930(IS)

Santinatha, sculpture, 1168. Museum no. 930(IS)

Elongated earlobes

This reminds viewers that the Jinas renounced wealth in their search for liberation. Their ears are elongated because when they were rich they wore heavy earrings that stretched their earlobes.
23rd Tirthankara Parsvanatha, sculpture, 7th century. Museum no. IS.18-1956

23rd Tirthankara Parsvanatha, sculpture, 7th century. Museum no. IS.18-1956

Wheel of Law

This is often found under the Jina's cushion or throne.  It is a symbol of Jain teaching. It is called the dharmachakra.
Jina Rishabhanatha, sculpture, unknown, 9th century. Museum no. IS.12-1996

Jina Rishabhanatha, sculpture, unknown, 9th century. Museum no. IS.12-1996

Three-tiered canopy or umbrella

It was customary for kings to have umbrellas or parasols held above their heads so a canopy above the head of the Jina is a symbol of his spiritual sovereignty.

Guardian spirits and heavenly attendants

The Jina may be attended by guardian spirits called yakshas (male) and yakshis (female) and by heavenly attendants.

 

Look out for the following:

Parsvanatha with Seven-Hooded Cobra Canopy, Chakravarti Paloja, 12th century. Museum no. 931(IS)

Parsvanatha with Seven-Hooded Cobra Canopy, Chakravarti Paloja, 12th century. Museum no. 931(IS)

Dharanendra, the Serpent King

The most easily recognisable of the yakshas is Dharanendra, the Serpent King. The serpent king protected the Jina Parsvanatha with his coils and by forming a canopy with his hoods. His consort, the Yakshi Padmavati sometimes holds an umbrella above Parsvanatha's head.

Heavenly musicians

Attendants carrying garlands

23rd Tirthankara Parsvanatha, sculpture, 7th century. Museum no. IS.18-1956

23rd Tirthankara Parsvanatha, sculpture, 7th century. Museum no. IS.18-1956

Attendants carrying flywhisks

These are used by the Jina's attendants to whisk away all insects so that the Jina does not harm them accidentally when moving.  They are also symbols of royalty or divinity.

Attendants carrying nooses

The attendants use these to catch evil-doers and draw them towards the truth.

 

Attendants carrying goads

Usually used to prod elephants, attendants use these to push those who do wrong, to steer them along the right path.

 

Animals

Lions are often found on the throne of a Jina.

 

Key words

Ahimsa

Jain doctrine of non-violence and respect for all life

Dharanendra

A yakshi Serpent King

Dharmachakra

Wheel of Law that symbolises Jain teaching

Digambara

An austere sect of Jainism.  Digambara means 'sky clad' and its followers believe in the renunciation of all worldly possessions so Digambara monks go completely naked.

Gyanbazi or Gyanbaji

Jain version of Snakes and Ladders

Jina

A series of 24 leaders or teachers whom Jains revere.  Jina means 'conqueror' or 'liberator' because the Jinas succeeded in casting off all worldly concerns.

Kalpa Sutra

Sacred Text which tells the story of the life of the Mahavira

Kayotsarga

Standing in the 'body-abandonment' posture

Karma

A substance that becomes attached to the soul, weighing it down and making liberation from the cycle of rebirth impossible

Maharvira

The 24th and last of the Jinas.

Padmasana

Seated in the lotus position

Padmavati

The yakshi who is consort to Dharanendra, the Serpent King

Parsvanatha

The 23rd Jina. Usually shown protected by the Serpent King Dharanendra

Rishabhanatha

The 1st Jina. Identifiable by his long hair.

Samavasarana

The hall where Jinas preach sermons

Samvara

A demon who attacked Parsvanatha

Santinatha

The 16th Jina

Svetambara

A sect of Jainism meaning white clad whose followers wear simple white clothes

Srivatsa

Mark on the Jina's chest which identifies the figure as a Jina

Tirthankara

Jinas are also known as Tirthankaras which translates as 'ford-makers'.  Jinas, unlike other liberated souls, help others to liberation from the cycle of earthly life, death and rebirth, as well as achieving liberation themselves.

Uttaradhyayanasutra

Religious text which sets out rules for monastic behaviour.

Yakshis and Yakshas

Male and female spirits that act as guardian spirits to the Jinas.

 

Download: Jina fact file (.pdf, 359.0 KB)

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