Mazarin Chest - art history bibliography

マザランチェスト‐美術史関連文献

Bincsik, M. (2011), ‘Japanese lacquer in eighteenth-century Europe: status and value – market price of craftsmanship and the canon of the grand arts’, in S. Rivers, R. Faulkner and B. Pretzel (eds), East Asian Lacquer: Material Culture, Science and Conservation, London, Archetype Publications
モニカ･ビンチック「18世紀ヨーロッパにおける日本漆器の地位と価値――職人技の市場価値と大芸術の規範」『東洋漆器――その文化史、科学と保存修復』（S.リバーズ、R.フォークナー、B.プレッツェル編）アーキタイプ･パブリケーションズ、2011年

Boyer, M. (1959), Japanese Export Lacquers from the Seventeenth Century in the National Museum of Denmark, Copenhagen

Earle, J. (1984), 'Genji meets Yang Guifei: a group of Japanese export lacquers', Transactions of the Oriental Ceramic Society, Vol. XLVII, 1982-3, pp. 45-75

Guth, C. (2011), 'Out of touch: on the sensorial in the historical interpretation of Japanese lacquer', in S. Rivers, R. Faulkner and B. Pretzel (eds), East Asian Lacquer: Material Culture, Science and Conservation, London, Archetype Publications
クリスティーン･グース「触覚の世界から離れて――日本漆器の歴史的解釈における感覚についての考察」『東洋漆器――その文化史、科学と保存修復』（S.リバーズ、R.フォークナー、B.プレッツェル編）アーキタイプ･パブリケーションズ、2011年

Haino, A. (1971), Kodai-ji maki-e (Maki-e in the Kodaiji Temple), Kyoto National Museum
灰野昭朗『高台寺蒔絵』京都国立博物館、1971年

Hidaka, K. (2001), Umi o watatta nihon shikki, 18-19 Seiki (Japanese Lacquer that Crossed the Seas, 18th-19th Centuries), Nihon no Bijutsu, No. 427
日高薫「海を渡った日本の漆器 II（18-19世紀）」『日本の美術』427、2001年

Hidaka, K. (2008), Ikoku no hyosho: kinsei yushutsu shikki no sozoryoku (Symbols of Otherness: Creativity in Early Modern Export Lacquer), Seiunsha
日高薫『異国の表象――近世輸出漆器の想像力』星雲社、2008年

Hidaka, K. (2011), ‘Maritime trade in Asia and the circulation of lacquerware’, in S. Rivers, R. Faulkner and B. Pretzel (eds), East Asian Lacquer: Material Culture, Science and Conservation, London, Archetype Publications
日高薫「アジアの海と漆器流通」『東洋漆器――その文化史、科学と保存修復』（S.リバーズ、R.フォークナー、B.プレッツェル編）アーキタイプ･パブリケーションズ、2011年

Hutt, J. (1998), 'A Japanese lacquer chest in the V&A: a seventeenth-century wedding casket for the Dutch market', Apollo, March, Vol. CXLVII, No. 433, pp. 3-9

Hutt, J. (1999), 'A Japanese export lacquer chest in the V&A: Some further observations', Apollo, March, Vol. CXLIX, No. 445, pp. 22-24

Hutt, J. (2000), 'East and West in Japanese export lacquerware: some problem pieces in the Victoria and Albert Museum', in M. Kühlenthal (ed.), Ostasiatische und europäische Lacktechniken / Japanese and European Lacquerware, Arbeitshefte des Bayerischen Landesamtes für Denkmalpflege, Munich, pp. 19-26

Hutt, J. (2004), ‘Asia in Europe: lacquer for the West‘, in A. Jackson and A. Jaffer (eds), Encounters: The Meeting of Asia and Europe, 1500-1800, London, V&A Publications, pp. 236-249

Hutt, J. (2005), 'The Japanese Collection of Lacquerware in the Victoria and Albert Museum', in The Role of Urushi in International Exchange: 27th International Symposium on the Conservation and Restoration of Cultural Property, December 2003, Conference Postprints, National Research Institute of Cultural Properties, Tokyo / Tokyo National Museum, pp. 62-74

Hutt, J. (2008), 'From the Eight Views of the Xiaoxiang to the Omi Hakkei: a new interpretation of the iconography of the Mazarin Chest', Transactions of the Oriental Ceramic Society, Vol. 71, 2006-7, pp. 3-18

Hutt, J. (2011) 'How many ‘Mazarin Chests’ were there?', in S. Rivers, R. Faulkner and B. Pretzel (eds), East Asian Lacquer: Material Culture, Science and Conservation, London, Archetype Publications
ジュリア･ハット「マザラン･チェストはいくつあったか」『東洋漆器――その文化史、科学と保存修復』（S.リバーズ、R.フォークナー、B.プレッツェル編）アーキタイプ･パブリケーションズ、2011年

Impey, O. (1982), 'Japanese Export Lacquer of the 17th Century', in W. Watson (ed.), Lacquerwork in Asia and Beyond, Colloquies on Art and Archaeology in Asia, No.11, University of London, Percival David Foundation of Chinese Art, pp.124-158

Impey, O. (1984), 'Japanese Export Lacquer', in J. Bourne et al., Lacquer: An International History and Collector's Guide, Marlborough, Crowood Press, pp. 123-135

Impey, O. (2000a), 'A brief account of Japanese export lacquer of the seventeenth century and its use in Europe', in M. Kühlenthal (ed.), Ostasiatische und europäische Lacktechniken / Japanese and European Lacquerware, Arbeitshefte des Bayerischen Landesamtes für Denkmalpflege, Munich, pp. 14-30

Impey, O. (2000b), 'Japanese export lacquer: the fine period', in M. Kühlenthal (ed.), Ostasiatische und europäische Lacktechniken / Japanese and European Lacquerware, Arbeitshefte des Bayerischen Landesamtes für Denkmalpflege, Munich, pp. 11-17

Impey, O. (2000c), 'Namban Lacquer for the Portuguese Market', Oriental Art, No. 3, pp. 42-47

Impey, O. (2001), 'Namban: Japanese Export Lacquer for Portugal', in P. de Moura Carvalho (ed.), The World of Lacquer: 2000 Years of History, Lisbon, Calouste Gulbenkian Museum, pp. 105-114

Impey, O., and Jörg C. (2005), Japanese Export Lacquer, Leiden, Hotei Publishing

Jörg, C. (1989), 'Japanese Export Lacquer: Trade and Imitation', in S. van Raay (ed.), Imitation and Inspiration: Japanese Influence on Dutch Art, Amsterdam, pp. 39-51

Jörg, C. (2000), 'Japanese export lacquer for the Dutch market', in M. Kühlenthal (ed.), Ostasiatische und europäische Lacktechniken / Japanese and European Lacquerware, Arbeitshefte des Bayerischen Landesamtes für Denkmalpflege, Munich, pp. 43-46

Kato H. (2002), Umi  o watatta nihon shikki , giho to hyogen (Japanese Lacquer that Crossed the Seas, Styles and Techniques), Nihon no Bijutsu, No. 428
加藤寛「海を渡った日本の漆器 III（技法と表現）」『日本の美術』428、2002年

Kyoto National Museum (ed.) (1995), Maki-e: The Beauty of Black and Gold Japanese Lacquer
京都国立博物館編『蒔絵　漆黒と黄金の日本美』、1995年

Kyoto National Museum (ed.) (2003), Kazari in Gold: Japanese Aesthetics Through Metal Works
京都国立博物館編『金色のかざり――金属工芸に見る日本美』、2003年

Kyoto National Museum (ed.) (2008), Export Lacquer: Reflection of the West in Black and Gold Maki-e
京都国立博物館編『japan 蒔絵――宮殿を飾る東洋の燦めき』、2008年

Lacambre, G. (ed.) (2010), L’or du Japon: lacques anciens dans les collections publiques françaises (Japanese Gold: Historical Lacquer in French Public Collections), Monastère royal de Brou á Bourg-en-Bresse and Musée des Beaux-Arts d’Arras

Lisboa, Fundãçao Oriente Museu (ed.) (2011), Encomendas Namban: Os Portugueses no Japão da Idade Moderna (Namban Commissions: The Portuguese in Modern Age Japan)

Mendes Pinto, M.H. (1990), Namban Lacquerware in Portugal: The Portuguese Presence in Japan (1543-1639), Lisbon, Ediciones Inapa, LDA

Nagashima, M. (2011), ‘Maki-e production of the mid- Edo period as understood through historical European collections’, in S. Rivers, R. Faulkner and B. Pretzel (eds), East Asian Lacquer: Material Culture, Science and Conservation, London, Archetype Publications
永島明子「ヨーロッパの歴史的コレクションを通して見る江戸時代中期の蒔絵」『東洋漆器――その文化史、科学と保存修復』（S.リバーズ、R.フォークナー、B.プレッツェル編）アーキタイプ･パブリケーションズ、2011年

Okada, J. (1973), Namban kogei (Namban Decorative Arts), Nihon no Bijutsu, No. 85
岡田譲「南蛮工芸」『日本の美術』85、1973年

Ostergard, D. (ed.) (2001), William Beckford, 1760-1844: An Eye for the Magnificent, New York, Yale University Press

Suchomel, F. (2000), 'Early examples of Japanese export lacquerware in Czech collections', in M. Kühlenthal (ed.), Ostasiatische und europäische Lacktechniken / Japanese and European Lacquerware, Arbeitshefte des Bayerischen Landesamtes für Denkmalpflege, Munich, pp. 51-56

Suchomel, F., and Suchomelova, M. (2002), A Surface Created for Decoration: Japanese Lacquer Art from the 16th to the 19th Centuries, Prague, National Gallery in Prague

Viallé, C. (2002), ‘Early Record of Trade Between Japan and Holland (Based on Nagasaki Shokkancho Nisshi): Focus on Urushiware for Export’, in Tokyo National Research Institute for Cultural Properties, Early Modern Export Ware: Protection and Conservation II, pp. 5-19
シンシア･フィアレ「初期の日蘭交易（長崎オランダ商館長日誌より）――輸出工芸品を中心に――」『近世輸出工芸品の保存と修復II』東京文化財研究所、2002年

Viallé, C. (2011), ‘Two boxes and two balustrades: private orders for fine Japanese export lacquer’, in S. Rivers, R. Faulkner and B. Pretzel (eds), East Asian Lacquer: Material Culture, Science and Conservation, London, Archetype Publications
シンシア・フィアレ「箱二つと欄干二つ――高級日本輸出漆器の個人注文」『東洋漆器――その文化史、科学と保存修復』（S.リバーズ、R.フォークナー、B.プレッツェル編）アーキタイプ･パブリケーションズ、2011年

Vinhais, L., Welsh, J., and Impey O. (2003), After the Barbarians: An Exceptional Group of Namban Works of Art, Lisbon, Jorge Welsh Books, Lisbon

Vinhais, L., and Welsh, J. (eds) (2008), After the Barbarians II: Namban Works of Art for the Japanese, Portuguese and Dutch Markets, London, Jorge Welsh Books

Vinhais, L., and Welsh, J. (eds) (2009), Art of the Expansion and Beyond, London, Jorge Welsh Books, London

Yamazaki, T. (2001), Umi o watatta nihon shikki, 16-17 Seiki (Japanese Lacquer that Crossed the Seas, 16th-17th Centuries), Nihon no Bijutsu, No. 426
山崎剛「海を渡った日本の漆器 I（16－17世紀）」『日本の美術』426、2001年