Portrait miniatures: Nicholas Hilliard & Isaac Oliver

From his workshop in Gutter Lane, London, Nicholas Hilliard painted both courtiers and other wealthy patrons. Many of his miniatures included elaborate symbols and mottoes, presumably chosen by the sitter. Similar personal symbolism was used in the annual Accession Day jousts, on the banners that courtiers carried to express their devotion to the queen.

Isaac Oliver probably came to England to escape the wars of religion in France. He learned the techniques of miniature painting from Hilliard, but also had some experience of mainstream European art. Unlike Hilliard, he used light and shadow (chiaroscuro) to give a three-dimensional realism to his portraits.

Click on the images below for larger versions and more information.

A gift in your will

You may not have thought of including a gift to a museum in your will, but the V&A is a charity and legacies form an important source of funding for our work. It is not just the great collectors and the wealthy who leave legacies to the V&A. Legacies of all sizes, large and small, make a real difference to what we can do and your support can help ensure that future generations enjoy the V&A as much as you have.

More

Shop online

The Portrait Miniature in England

The Portrait Miniature in England

A fascinating account of the development of English miniature painting featuring masterpieces from the V&A's collection, which contains some of th…

Buy now

Event - Holbein to Hockney: British Artists 1300 - 2000

Thu 23 January 2014 11:00

20 WEEK SHORT COURSE: Following the success of last year’s course, we are offering an expanded and more detailed version that explores the history of British art through close examination of examples held in the V&A’s unrivalled
collection of paintings, drawings and prints.

Book online