Portrait miniatures: the impact of photography
Queen Victoria's miniaturist, Sir William Charles Ross, was the last great miniature painter. His fashionably large miniatures looked like oil paintings. But this effect took painstaking work and few could afford Ross. Other top-class miniaturists were equally expensive, even Alfred Edward Chalon with his elegant, light style.
Photography, introduced in 1839, provided a wider public with affordable, accurate likenesses. Many miniaturists at the cheaper end of the market took up photography, while younger artists rarely pursued careers as miniaturists.
At the end of the century, however, there was a brief revival of interest in miniature painting with the establishment in 1896 of the Royal Society of Miniature Painters.
Click on the images below for larger versions and more information.

Sir William Charles Ross, RA
Sir William Charles Ross, RA, 1794-1860
Portrait of Magdalena Dalton, born Ross
About 1835–40
Watercolour on ivory
Museum no. 281-1875.
Magdalena Ross (born 1801) married around 1841 and by 1850 was the queen’s miniature painter. She apparently once lived with her brother, Sir William Charles Ross, and filled in the backgrounds in his large miniatures.
View another miniature painted by William Charles Ross on the National Gallery's website. (Link opens in a new window)

Sir William Charles Ross RA, Portrait of Mrs Bacon
Sir William Charles Ross, RA 1794-1860
Portrait of Mrs Bacon
Dated 1841
Watercolour on ivory
Inscribed by the artist on card at the back, 'Painted by Sir W.C. Ross R.A./ Miniature Painter to The Queen / 1841'
Museum no. P.68-1921
Given by Mrs B. Calmar
View another miniature painted by William Charles Ross on the National Gallery's website. (Link opens in a new window)
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The Portrait Miniature in England
A fascinating account of the development of English miniature painting featuring masterpieces from the V&A's collection.
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