Portrait miniatures: painting on ivory
The first British artist to paint on ivory was Bernard Lens, in about 1707. At the same time that ivory replaced vellum, miniatures tended to become smaller. This was probably because of the difficulty of using watercolour on ivory. Another reason might have been the fashion for enamel portraits, which were small.
Miniature painting was now an established genteel pastime. Until the 1760s most miniaturists had no professional training. Penelope Carwardine was an amateur turned professional, while Gervase Spencer, originally a footman, and Samuel Cotes, an apothecary (pharmacist), were both self-taught. Many were not even full-time miniaturists. Luke Sullivan was an engraver and Thomas Frye ran the Bow porcelain factory.
Click on the images below for larger versions and more information.
Donate to the Stained Glass Appeal
We are currently working on an exciting project to conserve and re-install the original stained glass on the landings of the Manfred and Lydia Gorvy Lecture Theatre. We need your help to raise £75,000 to bring these historical features back to their former glory for us all to enjoy.
Give nowShop online
The Portrait Miniature in England
A fascinating account of the development of English miniature painting featuring masterpieces from the V&A's collection.
Buy nowEvent - Early Medieval 11/12
Fri 16 September 2011–Fri 13 July 2012
COURSE: Explore the visual arts of the Medieval period through the V&A’s abundant medieval collections, including architecture and sculpture, metalwork and enamels, silks and embroidery, ivory carving and manuscript illumination, wall painting and mosaic. You can book the full year course, or select individual terms or days. Fridays, 16 September 2011 – 13 July 2012 (over 3 terms)
Book online
