Portrait miniatures: painting on ivory

The first British artist to paint on ivory was Bernard Lens, in about 1707. At the same time that ivory replaced vellum, miniatures tended to become smaller. This was probably because of the difficulty of using watercolour on ivory. Another reason might have been the fashion for enamel portraits, which were small.

Miniature painting was now an established genteel pastime. Until the 1760s most miniaturists had no professional training. Penelope Carwardine was an amateur turned professional, while Gervase Spencer, originally a footman, and Samuel Cotes, an apothecary (pharmacist), were both self-taught. Many were not even full-time miniaturists. Luke Sullivan was an engraver and Thomas Frye ran the Bow porcelain factory.

Click on the images below for larger versions and more information.

Why not donate to the V&A?

If you love the V&A, it is easy to get involved by donating online. Your support helps us to build and refurbish galleries, curate world-class exhibitions, improve facilities, conserve and study the collection, buy objects and develop our learning programme.

Donate online

Shop online

The Painted World: From Illumination to Abstraction

The Painted World: From Illumination to Abstraction

A richly illustrated book that seeks to redress the balance by exploring the wider history of painting and includes a broad range of painted works, from stained glass to items of costume.

Buy now

Event - Early Medieval 11/12

Fri 16 September 2011–Fri 30 March 2012

COURSE: Explore the visual arts of the Medieval period through the V&A’s abundant medieval collections, including architecture and sculpture, metalwork and enamels, silks and embroidery, ivory carving and manuscript illumination, wall painting and mosaic. You can book the full year course, or select individual terms or days. Fridays, 16 September 2011 – 13 July 2012 (over 3 terms)

Book online