Research Reports

Print showing a view of the Great Exhibition, The British Department viewed towards the transept, William Simpson, printed and published in Great Britain in 1851, Ackermann & Co.

Print showing a view of the Great Exhibition, The British Department viewed towards the transept, William Simpson, printed and published in Great Britain in 1851, Ackermann & Co.

The Research Report was first compiled in 1990 as a means of recording the yearly production of published works by staff. Over the years this report has grown to encompass all types of research, including lectures and exhibitions, produced Museum-wide. It is now an invaluable indicator of the depth and variety of material produced yearly by the Victoria and Albert Museum.

The V&A's annual Research Bulletin showcases a selection of pioneering research undertaken across the Museum by staff, visiting research fellows and graduate students. It complements the V&A Research Report, which provides comprehensive information on the whole of the Museum's research output.

The Annual Bulletin of the V&A/RCA Course in the History of Design includes student essays, details on the Degree Recipients, staff research outcomes and alumni news.

All reports are in .pdf format. You will need Adobe Acrobat Reader to view these files.

Research Reports 2013

Research Reports 2012


Research Reports 2010


Research Reports 2009


Research Reports 2008


Research Reports 2007


Research Reports 2005-6


Research Report 2003-4


Research Report 2000-2


Research Report 1997-9


Research Report 1995-6


Research Report 1994


Research Report 1993


Research Report 1992


Research Report 1991


Research Report 1990

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Fabulous Fashions Of The 1940s (DVD)

Fabulous Fashions Of The 1940s (DVD)

Since its earliest days, cinema has been the worlds shop window for fashion. In the darkened emporium,British Pathé Cinemagazines initially focussed o…

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Event - Discovering Rembrandt

Tue 10 February 2015 15:30

Join Christine Sitwell, Paintings Conservation Adviser for the National Trust, as she discusses the recently reattributed painting Self Portrait of Rembrandt to the master himself.

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