Subjects for sculpture: portrait busts
Funerary monuments and portrait busts were the most common ways in which people were commemorated in sculpture. Sometimes the two were combined: a bust was placed on a funerary monument, or a copy of a bust on a church monument was displayed in the family house. The likeness might be taken from life or a death mask, or from some other source, such as a painting.
The way in which the male sitter was portrayed could signify his professional or aristocratic status; ancient Roman dress might imply his role in public life. Women were more rarely depicted, and often only in their role as the wife of an aristocratic husband.
Become a V&A Member
V&A Members enjoy a wealth of benefits, including free entry to exhibitions, previews, exciting events and the V&A Members’ Room. In addition, you will be supporting the vital work of the V&A.
Buy or Renew Membership OnlineShop online
British Sculpture 1470-2000
A catalogue featuring the unrivalled collection of post-medieval British sculpture in the V&A.
Buy nowEvent - After the War - 50s & 60s Style, Image and Identity
Sun 08 July 2012 12:00

SPECIAL EVENT: Explore the London scene and the cultural revolution after WWII.
Book online








