'The Importance of Being Earnest': Set design

The first productions

In the 1890s, set design was often sumptuous in the older and larger London theatres. Covent Garden had become the home of grand opera, Drury Lane was famous for its spectacular melodramas, designed and executed by Bruce ‘Sensation’ Smith, and Henry Irving’s Lyceum was producing lavish Shakespearean productions.

At the St James’s Theatre, the society comedies reflected the world of the audiences watching them. Audiences could see fashionable sets of drawing rooms, dinner parties and country house weekends all stuffed with late Victorian furniture, plants, pictures, and carpets. Set design in the 1895 production of 'The Importance of Being Earnest' would have reflected this style.

The stage directions in the play are particular to the kind of furniture which was required for the production. Wilde describes the first scene as being set in the morning room in Algernon’s flat in Half Moon Street. The set would have comprised wooden flats which were wallpapered blue with exquisitely placed furniture provided by Frank Giles & Co.

The outdoor scenery for Act ll was painted by HP Hall and Walter Hann onto wooden flats, including sky and clouds to depict a sunny day in July.

Later productions

The 1930 Lyric Hammersmith production had a distinctly Aubrey Beardsley-influenced design. Beardsley, a contemporary of Wilde’s, was one of the most gifted illustrators of the late Victorian period; his stylised black and white illustrations popularised the Art Nouveau style. Click on the images below to see a selection of pictures showing designs from this, and other productions.

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