The V&A Oral History Project
The V&A oral history project is a longitudinal research project on the history of curating at the V&A. The post war period covered by the research encompasses several major shifts in the Museum’s identity: the closure of the Circulation department (1976), the Museum’s transition from the Department of Education and Science to Trustee status (1983) to its current incarnation as an engine of cultural diplomacy. The principal research method combines oral history with narrative research methods with a particular focus on Ricoeurian narrative identity. The question ‘What is a curator?’ is explored by means of life histories that engage with the fundamental question ‘Who is a curator?’ Apart from institutional practices, curators’ narratives also reflect on issues of gender, class and other subject identity formations. As narrative constructions of identities-over- time (“learning to be a curator from scratch”), they demonstrate how stories function to create, foster and sustain communities, enabling researchers and users of the recordings to grasp the Museum, as conceived by Pierre Nora, as both ‘milieu [and] lieu de mémoire’ .
Publication[s]; book, articles, conference papers:
- Paper: “Art and design for all”: communist civil servants and museum service.’ ‘Power and Democracy’. International Oral History Association conference, University of Barcelona, 9 to 12 July, 2014.
- Paper: ‘The chronicle: an everyday narrative form?’ Narrative Matters Narrative Knowing/Récit et Savoir, 23rd June to 27th June, 2014,University of Paris Diderot and The American University of Paris.
- Chapter (title tbc) for Routledge International Handbook of Narrative; deadline Dec. 2014.
- Keynote: ‘Ceramics and Politics’ conference. Bath Spa University/Holbourne Museum, Bath, Nov. 14, 2014.
- Web extracts on the V&A website: 20 extracts prepared.
- Recordings deposited in the V&A Archive
- M.Pye & L. Sandino (Eds). Artists Work in Museums: Histories, Interventions, Subjectivities. Bath and London: Wunderkammer Press/V&A, 2013.
- Keynote: ‘”And what were you wearing?” Clothing, Memory and Museums’. Fashion and Recollection symposium, LCF UAL, 29 January, 2013.
- Paper: ‘Keeping and Sharing: the paradox of curatorial discourse’. Museums and Galleries Histories Group conference, Cultures of Curating: Curatorial Practices and the Production of Meaning c. 1650-2000, University of Lincoln, July 12-13, 2012.
- Paper: ‘All human life is here: stories from and in the museum’. Life and Narrative conference, the American University of Paris/Paris-Diderot University, May 29-1 June.
- Chapter: ‘A Curatocracy: Who and What Is a V&A Curator?’ in Museums and Biographies: Stories, Objects, Identities. K. Hill (Ed.), Brewer and Boydell, Woodbridge/Cambridge UP, 2012.
- Siyanda Ndlovu Memorial Lecture: ‘Both sides of the story: curatorial identity and the narrative imagination.’ Centre for Narrative Research, University of East London, 2011.
- Paper: ‘”But there’s another level only you see.” Curatorial narratives at the V&A’. UCL Centre for Museums, Heritage and Material Culture Studies, May, 25, 2011.
- Article: ‘John Mallet; “This is the way life happened.”’ Keramos, , No 210. October, 2010.
- Article: ‘Speaking of Memory…’, AA Files, 61, pp. 116-117, 2010.
- Article: ‘News from the Past: Oral History at the V&A’, V&A Online Journal, No.2, Autumn, 2009.
- Paper: ‘Museum Stories’, Museums Galleries and History Group conference, The National Gallery, 11-12 Sept, 2009.
- Paper: ‘Curatocracies: an oral history of curatorial practice at the Victoria & Albert Museum’, American Oral History Association, Oct. 14-18.
- Paper: ‘Listen to Yourself! Voice, Technology and the Self’, Oral History Society conference, University of Strathclyde, 3-4 July, and Keynote Chair.
- Paper: ESRC Centre for Research on Socio-Cultural Change, Open University, 2 June,. ‘Research Cultural work and creative biographies’ data analysis workshop.
Dr Linda Sandino, CCW/V&A Senior Research Fellow