Open daily 10:00 to 17:45 Admission free Menu
Oral history in progress, Elzea Table, Photographer Linda Sandino

Oral history in progress, Elzea Table, Photographer Linda Sandino.

The V&A oral history project is a longitudinal research project on the history of curating at the V&A. The post war period covered by the research encompasses several major shifts in the Museum’s identity: the closure of the Circulation department (1976), the Museum’s transition from the Department of Education and Science to Trustee status (1983) to its current incarnation as an engine of cultural diplomacy. The principal research method combines oral history with narrative research methods with a particular focus on Ricoeurian narrative identity. The question ‘What is a curator?’ is explored by means of life histories that engage with the fundamental question ‘Who is a curator?’ Apart from institutional practices, curators’ narratives also reflect on issues of gender, class and other subject identity formations. As narrative constructions of identities-over- time (“learning to be a curator from scratch”), they demonstrate how stories function to create, foster and sustain communities, enabling researchers and users of the recordings to grasp the Museum, as conceived by Pierre Nora, as both ‘milieu [and] lieu de mémoire’ .

Intended Outcomes

Publication[s]; book, articles, conference papers:

  • Paper: “Art and design for all”: communist civil servants and museum service.’ ‘Power and Democracy’. International Oral History Association conference, University of Barcelona, 9 to 12 July, 2014.
  • Paper: ‘The chronicle: an everyday narrative form?’ Narrative Matters Narrative Knowing/Récit et Savoir, 23rd June to 27th June, 2014,University of Paris Diderot and The American University of Paris.
  • Chapter (title tbc) for Routledge International Handbook of Narrative; deadline Dec. 2014.
  • Keynote: ‘Ceramics and Politics’ conference. Bath Spa University/Holbourne Museum, Bath, Nov. 14, 2014.
  • Web extracts on the V&A website: 20 extracts prepared.
  • Recordings deposited in the V&A Archive
Achieved outcomes:
  • M.Pye & L. Sandino (Eds). Artists Work in Museums: Histories, Interventions, Subjectivities. Bath and London: Wunderkammer Press/V&A, 2013.
  • Keynote: ‘”And what were you wearing?” Clothing, Memory and Museums’. Fashion and Recollection symposium, LCF UAL, 29 January, 2013.
  • Paper: ‘Keeping and Sharing: the paradox of curatorial discourse’. Museums and Galleries Histories Group conference, Cultures of Curating: Curatorial Practices and the Production of Meaning c. 1650-2000, University of Lincoln, July 12-13, 2012.
  • Paper: ‘All human life is here: stories from and in the museum’. Life and Narrative conference, the American University of Paris/Paris-Diderot University, May 29-1 June.
  • Chapter: ‘A Curatocracy: Who and What Is a V&A Curator?’ in Museums and Biographies: Stories, Objects, Identities. K. Hill (Ed.), Brewer and Boydell, Woodbridge/Cambridge UP, 2012.
  • Siyanda Ndlovu Memorial Lecture: ‘Both sides of the story: curatorial identity and the narrative imagination.’ Centre for Narrative Research, University of East London, 2011.
  • Paper: ‘”But there’s another level only you see.” Curatorial narratives at the V&A’. UCL Centre for Museums, Heritage and Material Culture Studies, May, 25, 2011.
  • Article: ‘John Mallet; “This is the way life happened.”’ Keramos, , No 210. October, 2010.
  • Article: ‘Speaking of Memory…’, AA Files, 61, pp. 116-117, 2010.
  • Article: ‘News from the Past: Oral History at the V&A’, V&A Online Journal, No.2, Autumn, 2009.
  • Paper: ‘Museum Stories’, Museums Galleries and History Group conference, The National Gallery, 11-12 Sept, 2009.
  • Paper: ‘Curatocracies: an oral history of curatorial practice at the Victoria & Albert Museum’, American Oral History Association, Oct. 14-18.
  • Paper: ‘Listen to Yourself! Voice, Technology and the Self’, Oral History Society conference, University of Strathclyde, 3-4 July, and Keynote Chair.
  • Paper: ESRC Centre for Research on Socio-Cultural Change, Open University, 2 June,. ‘Research Cultural work and creative biographies’ data analysis workshop.
Project Lead:

Dr Linda Sandino, CCW/V&A Senior Research Fellow

The interviews are mainly conducted by Linda Sandino, but the project greatly benefits from the support and involvement of Anthony Burton, Charlotte Flint, Christopher Marsden, Dr Matthew Partington, Matilda Pye, Katrina Royall, Charlotte Webb and Helen Woodfield.

Related Links‘For the Record:

[un]official voices at the V&A’ Journal of Conservation and Museum Studies, Special Issue ‘Voices in (and around) the Museum’.

News from the past: Oral history at the V&A

Shop online

Folding History Ruler

Folding History Ruler

Didn't pay attention during history class? Well not to worry - this handy and rather clever ruler will not only ensure you draw very straight lines, b…

Buy now

Alexander McQueen: Savage Beauty

14 March – 2 August 2015. Celebrating the extraordinary creative talent of one of the most innovative designers of recent times, Alexander McQueen: Savage Beauty is the first and largest retrospective of McQueen's work to be presented in Europe.

Visit the V&A exhibition Alexander McQueen: Savage Beauty

Event - Lunchtime Lecture: The First Decade (1972-1982)

Wed 08 July 2015 13:00–13:45

LUNCHTIME LECTURE: Join Holly Burton, Archive Learning Officer and Gloria Lin, Curator, Researcher at Crafts Council UK. This talk will explore the progress made on The First Decade Project, a showcase of 100 objects and 500 associated archive materials (designs, source-notes, sketches, texts) and new materials such as oral history recordings, created from the Crafts Council Collection dating from 1972-1982.

Book online