Watercolour painting: materials & techniques

Watercolour paint is a combination of a pigment and a water-soluble binder, usually gum arabic. The pigments may be natural or man-made.

Binder

Gum arabic, from acacia trees

Pigments

Manganese Blue, a man-made pigment, patented in 1935

Manganese Blue, a man-made pigment

Prussian Blue, a man-made pigment

Prussian Blue, a man-made pigment

Natural ultramarine, made from lapis lazuli

Natural ultramarine, made from lapis lazuli





Underdrawing in pencil, laying on washes, building up colours, highlights

Underdrawing in pencil, laying on washes, building up colours, highlights

From left to right: natural sponge used for stippling, pulling the wet paint with the brush handle, stippling with a natural sponge

From left to right: natural sponge used for stippling, pulling the wet paint with the brush handle, stippling with a natural sponge

From left to right: overlaying washes to build up tone, watercolour applied to wet paper, scratching the paint and paper

From left to right: overlaying washes to build up tone, watercolour applied to wet paper, scratching the paint and paper

Brushes

A brush needs to hold a lot of water, to form and keep a point when necessary and to be soft and springy so it keeps its shape. Watercolour brushes are usually made from hair rather than bristle.

From left to right: Sable, squirrel hair, Ox hair, Goat hair, synthetic hair

From left to right: Sable, squirrel hair, Ox hair, Goat hair, synthetic hair

Brush construction has changed little over the centuries: Brush hair, metal ferule to shape the brush head, handle made from hard wood

Brush construction has changed little over the centuries: Brush hair, metal ferule to shape the brush head, handle made from hard wood



 

Queen Elizabeth II by Cecil Beaton

8 February – 22 April 2012

Featuring portraits of Queen Elizabeth II by royal photographer Cecil Beaton, this exhibition celebrates Her Majesty in her roles as princess, monarch and mother and coincides with the 60th anniversary of her accession to the throne.

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The Painted World: From Illumination to Abstraction

The Painted World: From Illumination to Abstraction

A richly illustrated book that seeks to redress the balance by exploring the wider history of painting and includes a broad range of painted works, from stained glass to items of costume.

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Event - Positive Negative process in Photography

Thu 08 March 2012 13:00

GALLERY TALK: Hear conservator Simon Fleury as he tells the story of the positive negative process; touching on its evolution, the relationship of positive print to negative, materials and techniques and the conservation/preservation of photographic negatives.

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