Watercolour painting: materials & techniques
Watercolour paint is a combination of a pigment and a water-soluble binder, usually gum arabic. The pigments may be natural or man-made.
Binder

Pigments
Manganese Blue, a man-made pigment
Prussian Blue, a man-made pigment
Natural ultramarine, made from lapis lazuli
Underdrawing in pencil, laying on washes, building up colours, highlights
From left to right: natural sponge used for stippling, pulling the wet paint with the brush handle, stippling with a natural sponge |
From left to right: overlaying washes to build up tone, watercolour applied to wet paper, scratching the paint and paper
Brushes
A brush needs to hold a lot of water, to form and keep a point when necessary and to be soft and springy so it keeps its shape. Watercolour brushes are usually made from hair rather than bristle.
From left to right: Sable, squirrel hair, Ox hair, Goat hair, synthetic hair
Brush construction has changed little over the centuries: Brush hair, metal ferule to shape the brush head, handle made from hard wood
British Design 1948–2012: Innovation in the Modern Age
31 March–12 August 2012
Showcasing over 300 British design objects, this exhibition celebrates the best of British post-war art and design from the 1948 ‘Austerity Games' to the summer of 2012.
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The Painted World: From Illumination to Abstraction
A richly illustrated book that seeks to redress the balance by exploring the wider history of painting and includes a broad range of painted works, from stained glass to items of costume.
Buy nowEvent - Form, Fashion, Function: A Concise History of Furniture
Thu 24 January 2013 10:30

SHORT COURSE: Explore the fascinating history of European furniture, using objects, resources and expertise featured in the V&A’s new furniture gallery.
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