Watercolour painting: materials & techniques
Watercolour paint is a combination of a pigment and a water-soluble binder, usually gum arabic. The pigments may be natural or man-made.
Binder

Pigments
Manganese Blue, a man-made pigment
Prussian Blue, a man-made pigment
Natural ultramarine, made from lapis lazuli
Underdrawing in pencil, laying on washes, building up colours, highlights
From left to right: natural sponge used for stippling, pulling the wet paint with the brush handle, stippling with a natural sponge |
From left to right: overlaying washes to build up tone, watercolour applied to wet paper, scratching the paint and paper
Brushes
A brush needs to hold a lot of water, to form and keep a point when necessary and to be soft and springy so it keeps its shape. Watercolour brushes are usually made from hair rather than bristle.
From left to right: Sable, squirrel hair, Ox hair, Goat hair, synthetic hair
Brush construction has changed little over the centuries: Brush hair, metal ferule to shape the brush head, handle made from hard wood
Queen Elizabeth II by Cecil Beaton
8 February – 22 April 2012
Featuring portraits of Queen Elizabeth II by royal photographer Cecil Beaton, this exhibition celebrates Her Majesty in her roles as princess, monarch and mother and coincides with the 60th anniversary of her accession to the throne.
More detailsShop online
The Painted World: From Illumination to Abstraction
A richly illustrated book that seeks to redress the balance by exploring the wider history of painting and includes a broad range of painted works, from stained glass to items of costume.
Buy nowEvent - Positive Negative process in Photography
Thu 08 March 2012 13:00

GALLERY TALK: Hear conservator Simon Fleury as he tells the story of the positive negative process; touching on its evolution, the relationship of positive print to negative, materials and techniques and the conservation/preservation of photographic negatives.
More details
















