Conservation Journal
Autumn 2009 Issue 58 special edition
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Autumn 2009 Issue 58 special edition
- Director's acknowledgement
- Editorial comment - Conservation Journal 58
- Designs on the future: Developing the new Medieval & Renaissance Galleries
- Aspects of the role of Lead Conservator
- Behind the scenes: Conservation and audience engagement
- Medieval & Renaissance Galleries: A passive approach to humidity control
- What's the difference? Climate comparisons for the Medieval & Renaissance Galleries
- A method statement for the Medieval & Renaissance Galleries
- Medieval & Renaissance Galleries conservation progress logs
- New mounts for the headless stone boy and his brother
- Sir Paul Pindar's house on the move again
- Loss compensation at the first floor interior panelling: Sir Paul Pindar's house front
- Training through collaboration - conservation of the Camaldolese Gradual
- A stucco relief by Francesco di Giorgio Martini: Conservation and technical considerations
- The Bourdichon Nativity: A masterpiece of light and colour
- Deteriorated enamelled objects: Past and present treatments
- Stained and painted glass from the Chapel of the Holy Blood, Bruges
- 'This burden of light is the work of virtue': Research on the Gloucester Candlestick
- Digital in-fills for a carpet
- Master Bertram's Apocalypse Triptych: To clean or not to clean
- Professional development in a project culture
- Work in progress: Holbein's drawing processes
- Conservation: Principles, Dilemmas, and Uncomfortable Truths - a summary
- Acknowledgements and Conservation Department staff photograph
- Conservation Department staff chart
- Editorial Board & Disclaimer
- Printer Friendly Version
- Work in progress: the development of the Medieval & Renaissance Galleries