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A HISTORY OF PHOTOGRAPHY

Thomas Ruff, 'Blue Eyes M.V./B.E; Blue Eyes M.B./B.E.; Blue Eyes L.C./B.E.; Blue Eyes C.F./B.E.', 1991. Museum nos. E.96 to 99-2009. Images Courtesy of David Zwirner, New York

Thomas Ruff, 'Blue Eyes M.V./B.E; Blue Eyes M.B./B.E.; Blue Eyes L.C./B.E.; Blue Eyes C.F./B.E.', 1991. Museum nos. E.96 to 99-2009. Images Courtesy of David Zwirner, New York

Thomas Ruff (born 1958)
Blue Eyes M.V./B.E; Blue Eyes M.B./B.E.; Blue Eyes L.C./B.E.; Blue Eyes C.F./B.E. 
1991
C-type prints
Museum nos. E.96 to 99-2009
Given from the private collection of Michael and Fiona King, London, in loving memory of Rosina and John Palmer. Images Courtesy of David Zwirner, New York

Ruff is part of a leading group of contemporary German photographers trained at the Düsseldorf Academy of Art. The group is known for a disciplined approach that explores - and questions - the objectivity of photography. The consistent and dispassionate style in this series of portraits resembles that of a mugshot or passport photograph. But Ruff replaced the natural eyes of his sitters with the same set of bright blue irises, thereby undermining the photographs’ truthfulness as records.