Thumbnail of William Beckford's treasure chest

William Beckford's treasure chest

Showcasing a coffer-shaped display cabinet, William Beckford and Henry Edmund Goodridge. This coffer is the only known survivor of an original set of four, made for William Beckford (1760-1844) at Lansdown Tower, Bath.

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Stained and painted glass 1770–1870

The 19th century in Europe opened with a widespread interest in the religious art of the medieval church. Artists and scientists worked together to revive the techniques of medieval glass production and decoration. Once again many churches were filled with large and colourful story-telling windows ...

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Victorian furniture styles

This page describes various different Victorian styles of furniture. The styles vary and include Japanese designs, medieval and tudor and designs from Liberty & Co.

Thumbnail of Gothic chalice from Tuscany

Gothic chalice from Tuscany

This chalice would have been used as a container for wine during the Catholic church service of Mass. An inscription indicates that it belonged to the Prior of the Guild of St Michael, probably in Florence.

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Trails

Pick up one of our free family trails and set off to explore the Museum through puzzles, drawing and observation games.

A gift in your will

You may not have thought of including a gift to a museum in your will, but the V&A is a charity and legacies form an important source of funding for our work. It is not just the great collectors and the wealthy who leave legacies to the V&A. Legacies of all sizes, large and small, make a real difference to what we can do and your support can help ensure that future generations enjoy the V&A as much as you have.

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Tiles and Tilework (Paperback)

Tiles and Tilework (Paperback)

A lavishly illustrated survey of the use of tiles in interior design through the ages, from the Gothic through to Art Deco and the Omega Workshops in the twentieth century.

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Event - Gothic Ivory Sculpture: Old Questions, New Directions

Fri 23 March 2012 10:30–17:30

CONFERENCE: Explore a wide variety of issues relating to Gothic ivory carvings in this one day conference. Papers will range from focused studies of objects from a physical or iconographic standpoint, to wider contextual approaches that address the ways in which these carvings were made, bought, sold and used. The thorny issues of authenticity, restoration and forgery will also be addressed.

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