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October 1996: Number 21

October 1996: Number 21

An Object Media Enigma

Jane RutherstonAlbums and Sketchbooks Student, RCA/V&A Conservation Course

One of the most interesting aspects of working with albums, and by this I refer to any blank book with objects adhered to the leaves, is the diversity of material to be found within them. However, nothing was to prepare me for the extraordinary prints I came across in an album from the National Art Library collection - engravings printed in gold on coloured gelatine.

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Highlights in this Issue

Plastics? Not in My Collection

Brenda KeneghanPlastics Conservator, Conservation Science

The Victoria & Albert Museum appointed its first plastics conservator in 1992 with the brief of surveying all the plastic objects within the collections.

 

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Plastic, Pop and Mass-produced Design in the V&A's Collections

Gareth WilliamsAssistant Curator, Care and Access, Department of Furniture and Woodwork

Objects made of plastic are everywhere in the Museum. Vessels, lighting, boxes and accessories are spread between the Ceramics and Glass, Metalwork, Furniture and Woodwork, and Textile and Dress Collections.

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Two Pooped-out Pop Chairs: What is the Future for our Plastic Collections?

Roger GriffithFurniture Conservation Student, RCA/V&A Conservation Course

One of the greatest challenges facing the conservator today is how to deal with modern materials. Modern materials have become increasingly important in museum collections and the Victoria and Albert Museum is no exception.

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Other Highlights in this Issue

Milk and Modernism: Conservation of a Smoker's Cabinet designed by Charles Rennie Mackintosh

Shayne LangFurniture Conservation Student, RCA/V&A Conservation Course

For a furniture conservator whose past experience has focused on problems of construction and traditional surface decoration and finishes, the inlay of the cabinet presented an interesting opportunity for research and a conservation challenge.

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'Sham Columns in a Casing of Crockery'

Charlotte HubbardSenior Sculpture Conservator, Sculpture Conservation

The refurbishment of the Silver Gallery, due to reopen in November this year, occasioned the conservation and restoration of two of the ceramic columns which had originally lined rooms 65-69.

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