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Spring 2008: Number 56

Conservation Journal, Spring 2008, Issue 56

Renaissance painted cassoni

Éowyn KerrSamuel H Kress Fellow in the Conservation of Paintings

The V&A holds a large collection of Italian Renaissance cassoni of varying types and periods, including a number of cassone panels.

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Highlights in this Issue

A forthcoming technical publication of Renaissance frames at the V&A

Christine PowellSenior Gilded Furniture and Frames Conservator

Digital image reconstruction may be used for some frames to demonstrate how the original decoration appeared.

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Costume cleaning conundrums

Frances HartogSenior Textile Conservator

In preparation for The Golden Age of Couture, an extremely rare costume by Christian Dior was brought into the Textile Conservation Studio for treatment

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Observations on the causes of flaking in East Asian lacquer structures

Nanke SchellmannPhD Student, Dresden University of Fine Arts and V&A Mazarin Chest Project*

East Asian lacquer is known to be a strong (flexible though rigid) material featuring firm cohesion and good adhesion between individually applied layers

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Other Highlights in this Issue

Mount making for the Medieval & Renaissance exhibition tour

Robert Lambeth Design and Outsourcing Manager

In advance of the opening of the new Medieval and Renaissance galleries in 2009 at the V&A, a selection of medieval and Renaissance treasures are on a six venue tour with five US locations.

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Digital killed the analogue star! Care of V&A collection based carrier and machine assisted media

Clair BattissonPreservation Conservator

Constant manufacturing developments mean there is a continuous need to upgrade carrier formats and, subsequently, playback equipment to allow accessibility.

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Conservation of a ninth-century bowl from Iraq

Hanneke RamakersCeramics and Glass Conservator

Due in part to the technological milestones illustrated by the treatment of this bowl, it will feature in the touring exhibition Masterpieces in Ceramics from the V&A, which will travel worldwide during 2008-9.

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Resources vs access: meeting the challenge

Jane RutherstonSenior Book Conservator

Objects going on permanent display, in high-profile FuturePlan galleries, may require more interventive conservation than an object going on loan

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