Inside the Oliver Goldsmith workshop
Pattern maker Ron Saich selecting the material
Pattern maker Ron Saich selecting the material
Using a sharp/pointed metal scribe, pattern maker Ron Saich scribes the frame shape onto the plastic
Using a sharp/pointed metal scribe, pattern maker Ron Saich scribes the frame shape onto the plastic
Using a fret saw, Ron Saich drills two holes and then cuts out the eye shapes; he will then cut around the outside of the frame shape
Using a fret saw, Ron Saich drills two holes and then cuts out the eye shapes; he will then cut around the outside of the frame shape
Ron checks the measurements
Ron checks the measurements
Another frame maker shapes the front of the frame with a scraping knife
Another frame maker shapes the front of the frame with a scraping knife
Warming the front on a hot air heater
Warming the front on a hot air heater allows the frame maker to 'bump the bridge' into shape; which means creating the space to accommodate the nose, thus making it more comfortable to wear
Filing the front into shape
Filing the front into shape
Sanding the frame to get rid of the filing marks
Sanding the frame to get rid of the filing marks
Checking that the eye size is correct
Checking that the eye size is correct
Fitting the front half joints by heating the tool and using it to push the metal hinge into the front
Fitting the front half joints by heating the tool and using it to push the metal hinge into the front
Frame maker and workshop manager, Tom Eley, fits the half joints into the sides
Frame maker and workshop manager, Tom Eley, fits the half joints into the sides. The photograph shows a work bench full of orders waiting to be processed. Each order had its own cardboard tay with a works docket containing the order details.
Frame maker at the hard polishing mop machine removing filing scratch marks
Frame maker at the hard polishing mop machine removing filing scratch marks
Polishing at the soft polishing mop machine to remove all final scratches
Polishing at the soft polishing mop machine to remove all final scratches
Checking that the sides are parallel.
Checking that the sides are parallel. In this process the frame maker would heat the frame over the Bunsen burner to warm the frame and make it more pliable to allow for small adjustments. After making these adjustments, the frame maker would pluge the frame into cold water after adjusting it to the correct fit. The photograph shows a bucket of cold water on the left. On the workbench you can see many tools such as pliers, files and joint screws (in the small box).
A view of the top floor workshop at 60 Poland Street, showing the frame makers at work
A view of the top floor workshop at 60 Poland Street, showing the frame makers at work. To the left is racking stacked with the plastics used for frames. Fans helped cool the workshop when the Bunsen burners and hot air heaters were in used. At this time, Oliver Goldsmith employed around ten frame makers in the workshop. Oliver Goldsmith's frame makers were usually employed for decades; many of them worked for the company for between 20 and 30 years.
Oliver Goldsmith's workshop with orders waiting to be processed
Oliver Goldsmith's workshop with orders waiting to be processed