The exuberant Baroque style originated in Italy and influenced all of Europe. English designers found new ideas in printed books of Continental ornament. Dutch and French craftspeople who settled in England also had a great influence on the development of the style. A sense of drama and a love of the ornate characterise the Baroque. Interiors were luxurious with rich velvet and damask furnishings and gilt-wood and marquetry furniture. The style remained fashionable until about 1725.
Antoine Monnoyer
1710-1720
Mirrored glass, painted in oils, with stained wood frame
Museum no. W.36:1 to 3-1934
Unknown maker
1690-1700
Walnut legs and beech frame; upholstery in embroidery of wool and silk, the back and sides covered in glazed wool, the cushions lined with kid skin
Museum no. W.15:1 to 3-1945
Jean Tijou (designer)
Michael Vandergucht (engraver)
1693
Engraving, ink on paper
Museum no. 25082:9
John Byfield
About 1700
Marquetry of walnut, burr walnut, sycamore, other woods and ivory, with some staining, on a pine and oak carcase, with brass fittings
Museum no. W.136:1 to 46-1928
John Martin
About 1695
Marquetry of sycamore, with walnut, holly, boxwood and purpleheart, some stained by scorching, with gilt-bronze mounts
Museum no. W.61:1, 2-1926
Benjamin Pyne
1698-1699
Silver gilt, chased and engraved
Museum no. M.77-1947
Design
Charles de Moelder
1694
Engraving and stipple engraving, ink on paper
Museum no. E.386-1926
Marot
About 1700
Bedstock of oak; tester of pine; hangings of crimson Italian velvet with ivory Chinese silk linings, embroidered with crimson braid and fringe; some textile elements stiffened with linen; bed ticking of linen
Museum no. W.35:1 to 61-1949
Bickford family
About 1700
Steel, pierced, chiselled and engraved
Museum no. M.201-1912
James Moore
About 1714
Pine frame and oak top, carved, gessoed and gilded
Museum no. W.30-1947