Ivories 1600-1800: Mythological Subjects
'The Binding of the Sleeping Silenus', one of Six Bacchanalian Scenes, ivory relief, by a follower of François Duquesnoy, about 1650-1700. Museum no. 1059-1853
'The Binding of the Sleeping Silenus', one of Six Bacchanalian Scenes
Ivory relief
By a follower of François Duquesnoy (1594-1646)
Italo-Flemish
About 1650-1700
Ivory
Museum no. 1059-1853
Duquesnoy was a Netherlandish sculptor who spent most of his working life in Rome and assimilated the classical style. His tender and sensuous reliefs of cupids, satyrs and small children were highly influential.
'Bacchanalian Infants Playing Music', one of Six Bacchanalian Scenes, ivory relief, by a follower of François Duquesnoy, about 1650-1700. Museum no. 1060-1853
'Bacchanalian Infants Playing Music', one of Six Bacchanalian Scenes
Ivory relief
By a follower of François Duquesnoy (1594-1646)
Italo-Flemish
About 1650-1700
Ivory
Museum no. 1060-1853
Duquesnoy was a Netherlandish sculptor who spent most of his working life in Rome and assimilated the classical style. His tender and sensuous reliefs of cupids, satyrs and small children were highly influential.
'Bacchanalian Infants Playing with a Goat', one of Six Bacchanalian Scenes, ivory relief, by a follower of François Duquesnoy, about 1650-1700. Museum no. 1061-1853
'Bacchanalian Infants Playing with a Goat', one of Six Bacchanalian Scenes
Ivory relief
By a follower of François Duquesnoy (1594-1646)
Italo-Flemish
About 1650-1700
Ivory
Museum no. 1061-1853
Duquesnoy was a Netherlandish sculptor who spent most of his working life in Rome and assimilated the classical style. His tender and sensuous reliefs of cupids, satyrs and small children were highly influential.
'Bacchanalian Infants Playing with a Donkey', one of Six Bacchanalian Scenes, ivory relief, by a follower of François Duquesnoy, about 1650-1700. Museum no. 1062-1853
'Bacchanalian Infants Playing with a Donkey', one of Six Bacchanalian Scenes
Ivory relief
By a follower of François Duquesnoy (1594-1646)
Italo-Flemish
About 1650-1700
Ivory
Museum no. 1062-1853
Duquesnoy was a Netherlandish sculptor who spent most of his working life in Rome and assimilated the classical style. His tender and sensuous reliefs of cupids, satyrs and small children were highly influential.
'Bacchanalian Infants Playing with Grapes', one of Six Bacchanalian Scenes, ivory relief, by a follower of François Duquesnoy, about 1650-1700. Museum no. 1063-1853
'Bacchanalian Infants Playing with Grapes', one of Six Bacchanalian Scenes
Ivory relief
By a follower of François Duquesnoy (1594-1646)
Italo-Flemish
About 1650-1700
Ivory
Museum no. 1063-1853
Duquesnoy was a Netherlandish sculptor who spent most of his working life in Rome and assimilated the classical style. His tender and sensuous reliefs of cupids, satyrs and small children were highly influential.
Bacchanalian Infants Playing with a Satyr, one of six Bacchanalian scenes, by a follower of François Duquesnoy, about 1650–1700. Museum no. 1064-1853
Bacchanalian Infants Playing with a Satyr
One of six Bacchanalian scenes
By a follower of François Duquesnoy (1594-1646)
About 1650-1700
Italo-Flemish
Ivory
Museum no. 1064-1853
Duquesnoy was a Netherlandish sculptor who spent most of his working life in Rome and assimilated the classical style. His tender and sensuous reliefs of cupids, satyrs and small children were highly influential.
'The Death of Cleopatra', Ignaz Elhafen, about 1700. Museum no. A.22-1949
'The Death of Cleopatra'
Ignaz Elhafen (1658-1715)
Germany
About 1700
Ivory
Museum no. A.22-1949
Given by Dr W.L. Hildburgh FSA
Cleopatra, surrounded by her maids, was bitten by a snake and is shown dying.
'Mercury and Argus', ivory relief, Theodore Xavery, about 1750-60. Museum no. A.17-1964
'Mercury and Argus'
Ivory relief
Theodore Xavery
Southern Netherlands
About 1750-60
Ivory
Museum no. A.17-1964
In the story from classical mythology, the all-seeing giant Argus was murdered by Mercury at the instruction of Jupiter. He had been sent by Juno to watch over Io, whom Jupiter wished to seduce.
'Jupiter being Nurtured by the Goat Amalthea', ivory relief, signed by Ignaz Elhafen, about 1700. Museum no. A.49-1949
'Jupiter being Nurtured by the Goat Amalthea'
Ivory relief
Signed by Ignaz Elhafen (1658-1715)
Germany
About 1700
Ivory
Museum no. A.49-1949
Given by Dr W.L. Hildburgh FSA
Jupiter was reared on a mountainside in order that his father, Cronos, would not swallow him up.