Mafair Elegance, Established traditions, 1960's fashion, 1955-1960
Dress and Jacket
John Cavanagh (1914-2004)
1961
Egyptian cotton and silk
Lent by the Museum of Costume, Bath, BATMC I.09.868&A
Given by the Hon. Mrs John Ward from the estate of the late Hon. Lady Ward
Of all the London couturiers Cavanagh perhaps presented the most youthful collections. With its fresh print and deceptively simple construction, this cotton suit anticipates the lighter mood of the 1960s, yet there is still an element of formality in its well-mannered neatness.
'Polar Flight'
Suit
Sir Hardy Amies (1909-2003)
1959
Mohair (possibly by Ascher)
Museum no. T.63&B-1988
Worn and given by Mrs John Rickett
© Victoria & Albert Museum, London
Hardy Amies created one of London's most progressive and successful fashion businesses. This suit exemplifies his witty and immaculately crafted approach to women's tailoring. While designing for the queen and other prestigious clients, he also developed lines aimed at a wider UK public and the export trade, entering the menswear market in 1959.
Dress and Coat Norman Hartnell (1901-79)
1958
Silk
Museum no. T.170&A-1990
Worn and given by Mrs Wingate
© Victoria & Albert Museum, London
Hartnell enjoyed a high profile due to the patronage of the royal family. This ensemble is typically regal and luxurious, its exquisite pin-tucking making full use of the couturier's craft. By working for wedding gown manufacturers Berketex, Hartnell also made his version of romanticism available to a wider market.
Dress and Jacket
Horrockses Fashions
About 1955
Printed cotton
Museum no. T.639&A-1996
Worn and given by Mrs Elizabeth Payze
© Victoria & Albert Museum, London
Horrockses' crisp cotton dresses, with their brightly coloured prints and full gathered skirts, were a fashion success story for the post-war period. They appealed to women of different ages and social backgrounds as the perfect summer dress. This example was worn by Elizabeth Payze as a teenager.