Ellen Terry, the famous actress, represented the ideal aesthetic woman. She frequently flouted society with her independent lifestyle, but became a role model for the new modern woman. A leader of style in all matters, she is photographed here against a fashionable Japanese screen. Photography was a novel and exciting development in Victorian days. Most actors and actresses had studio photographs taken in everyday dress or theatrical costume for 'cartes de visite' and later 'cabinet cards'. Both were albumen prints made from glass negatives, attached to stiff card backing printed with the photographer's name. 'Cartes de visite', the size of formal visiting cards, were patented in 1854 and produced in their millions during the 1860s when it became fashionable to collect them. Their subjects included scenic views, tourist attractions and works of art as well as portraits. They were superseded in the late 1870s by the larger and sturdier 'cabinet cards' whose popularity waned in turn during the 1890s in favour of postcards and studio portraits. This photograph comes from a large collection of 'cartes de visite' and 'cabinet cards' removed from their backings and mounted in albums by Guy Tristram Little (d. 1952) who bequeathed them to the V&A. A collector of greetings cars, games and photographs, Guy Little was a partner in the legal firm Messrs Milles Jennings White & Foster and the solicitor and executor of Mrs Gabrielle Enthoven, whose theatrical collection formed the basis of the Theatre Collections at the V&A.