COMPILED BY SEANNA
TSUNG
Adam, Peter. Eileen Gray: Architect/Designer.
London and New York: Abrams,1987.
Adams, C. F. E., ed. Familiar letters
of John Adams and His Wife Abigail Adams during the Revolution.
New York: Hurd and Houghton, 1876.
Adams, Nicholas, and Jennifer Krasinski.
"La rocca roveresca di Mondolfo.” In Francesco di
Giorgio architetto, edited by Francesco Paolo Fiore
and Manfredo Tafuri, 280-6. Milan: Ejecta, 1993.
Adlmann, Jan Ernst. Vienna Moderne,
1898-1918: An Early Encounter between Taste and Utility.
Houston: Gallery of the University of Houston, 1978.
Alexander, Edward P. Museum Masters:
Their Museums and Their Influence. Walnut Creek, Calif.:
Altamira Press, 1983.
Alfter, Dieter. Die Geschichte des
Augsburger Kabinettschranks. Augsburg: Historisches
Verein für Schwaben, 1986.
Allen, Bernard Meredith. Sir Robert
Morant: A Great Public Servant. London: Macmillan, 1934.
Allison, Ann Hersey. "The Bronzes
of Pier Jacopo Alari-Bonnacolsi called Antico.” Jahrbuch
der Kunsthistorischen Sammlungen in Wien 89/90, n.F.
53/54 (1993-94): 37-310.
Allthorpe-Guyton, Marjorie, with John
Stevens. A Happy Eye: A School of Art in Norwich, 1845-1982.
Norwich: Jarrold, 1982.
Altick, Richard D. The Shows of London.
Cambridge, Mass.: The Belknap Press of Harvard University
Press, 1978.
American Architect. "The Museum
of Fine Arts, Boston.” The American Architect and Building
News 7. no.253 (1880): 207.
Ames, Winslow. Prince Albert and
Victorian Taste. New York: Viking, 1967.
Amico, Leonard N. "Les céramiques
rustiques authentiques de Bernard Palissy.” Revue de
l'art 78 (1987): 61-79.
Archer, William G. Indian Paintings
from the Punjab Hills. London: Sotheby Parke Bernet,
1973.
Archer, William G., and Mildred Archer.
India Served and Observed. London: BACSA, 1994.
Argles, Michael. South Kensington
to Robbins: An Account of English Technical and Scientific
Education since 1851. London: Longmans, 1964.
Armytage, W. H. G. "J. F. D. Donnelly:
Pioneer in Vocational Education.” Vocational Aspect of
Secondary and Further Education 2 (1950 ): 6-21.
Art Bulletin. "The Problematics
of Collecting and Display, Part 1.” The Art Bulletin
77 (March 1995): 6-24. Articles by Janet Catherine Berlo
and Ruth B. Phillips, Carol Duncan, Donald Preziosi, Danielle
Rice, Anne Rorimer.
—. "The Problematics of Collecting
and Display, Part 2.” The Art Bulletin 77 (June 1995):
166-85. Articles by Richard R. Brettell, Vishakha N. Desai,
Françoise Forster-Hahn, Rosamund W. Purcell.
—. "Rethinking the Canon.” The
Art Bulletin 78 (June 1996): 198-217. Articles by Michael
Camille, Zeynep ç elik, John Onians, Adrian Rifkin, Christopher
B. Steiner.
Art Journal. "Minor Topics of the
Month.” Art Journal (1852): 262.
—. "Early Italian Porcelain.” Art
Journal (October 1860): 300.
—. The Illustrated Catalogue of the
Universal Exhibition. London: Virtue and Co., 1868.
—. The Great Exhibition: London’s
Crystal Palace Exposition of 1851. Reprint of the Art
Journal Illustrated Catalogue of the Industry of All Nations,
1851. New York: Gramercy Books, 1995.
Arts Council. Thirties: British Art
and Design before the War. London: Arts Council,1979.
Arundel Society. The cathedral of
Santiago de Compostella in Spain. Showing especially the
sculpture of the Portico de la Gloria, by Mestro Mateo.
A series of twenty photographs recently taken by the late
Mr Thurston Thompson. London: Arundel Society, 1868.
Asche, Sigfried. Balthasar Permoser:
Leben und Werk. Berlin: Deutscher Verlag für Wissenschaften,
1978.
Asenbaum, Paul, Stefan Asenbaum, and Christian
Witt -Dorring, eds. Moderne Vergangenheit Wien 1800-1900.
Vienna: Gesellschaft Bildener Künstler Österreichs,1981.
Ashton, Leigh. "100 Years of the Victoria
& Albert Museum,” Museums Journal 53 (1953-54):
47.
—, ed. The Art of India and Pakistan:
A Commemorative Catalogue of the Exhibition Held at the
Royal Academy of Arts, London, 1947-48. New York: Coward-McCann,1950.
Aslin, Elizabeth. Nineteenth Century
English Furniture. New York: T. Yoseloff, 1962.
Athenaeum. "Fine Art Gossip,” Athenaeum
(1852): 633.
Atterbury, Paul, and Maureen Batkin. The
Dictionary of Minton. Woodbridge: Antique Collector's
Club, 1990.
Avray Tipping, Henry. Grinling Gibbons
and the Woodwork of His Age. London: Country Life, 1914.
Ayers, John. Far Eastern Ceramics in
the Victoria and Albert Museum. London: Sotheby Parke
Bernet in association with the V&A, 1980.
Ayers, John, with contributions by Andrew
Topsfield and John Lowry. Oriental Art in the Victoria
and Albert Museum. London: Philip Wilson, 1983.
Babbitt, Sherry, ed. Handbook of the
Collections. Philadelphia: Philadelphia Museum of Art,
1995.
Badisches Landesmuseum. Spätgotik am
Oberrhein' Meisterwerke der Plastik und des Kunsthandwerks
1450-1530. Karlsruhe: Badisches Landesmuseum,1970.
Baedeker. London and Its Environs.
Leipzig: Baedeker, 1885, 1892, 1908,1923, and 1930 editions
cited.
Bagenal, Philip Henry. The Life of Ralph
Bernal Osborne M.P. London: Richard Bentley and Son,
1884.
Baker, Malcolm. "The Cast Courts,”
pamphlet, 1982. National Art Library, V&A.
—."Roubiliac's Models and 18th Century
English Sculptors' Working Practices.” In Entwürf und Ausführung
in der europäischen Barockplastik, edited by Peter Volk,
59-84. Munich: Bayerisches Nationalmuseum, 1986.
—."The Establishment of a Masterpiece:
The Cast of the Portico de la Gloria in the South Kensington
Museum, London in the 1870s.” In Actas simposio internacional
sobre a Pórtico da Gloria é a arte do seu tempo. Colección
de difusión cultural, vol. 6. Santiago de Compostela: Xunta
de Galicia,1988.
—."Bode and Museum Display: The Arrangement
of the Kaiser- Friedrich Museum and the South Kensington
Response.” Jahrbuch der Berliner Museen 58 (1996a).
—."De I' église au musée: les monuments
du XVIIIe siècle (fonctions, significations et histoire).”
In Sculptures hors contexte: Actes du colloque international
organisé au musée du Louvre par le Service culturel le 29
avril 1994, edited by Jean-René Gaborit, 71-92. Louvre
conférences et colloques. Paris: La documentation française,
1996b.
—."Roubiliac and Chelsea in 1745."
Transactions of the English Ceramic Circle 17 (1997),
in press(a).
—."Francis van Bossuit, Böttger Stoneware
and the Judith Reliefs.” In Festschrift Alfred Schädler,
edited by R. Kahsnitz and P. Volk. Munich, in press(b).
Barbour, Daphne, Shelley Sturman, and P.
B. Vandiver. "Technical Appendix II: The Saint-Porchaire
Ceramics.” In Western Decorative Arts, edited by
Rudolf Distelberger et al. Vol. 1, Medieval, Renaissance
and Historicizing Styles, Including Metalwork, Enamels and
Ceramics, 242-80. Washington, D.C.: National Gallery
of Art, 1993.
Barbour, Daphne, and Shelley Sturman, eds.
Saint-Porchaire Ceramics. Washington, D.C.: National
Gallery of Art, 1996.
Barocchi, Paola. "La scoperta del
ritratto di Dante nel Palazzo del Podestà: Dantisom letterario
e figurative.” In Studi e richerche di collezionismo
e museografia Firenze 1820-1920, 151-78. Quaderni del
Seminario di storia della critica d'arte, vol. 2. Pisa:
Scuola normale superiore di Pisa, 1985.
Barocchi, Paola, and G. Gaeta Bertela.
"Ipotesi per un museo nel Palazzo del Podestà tra il1858
e iI1865.” In Studi e richerche di collezionismo e museografia
Firenze 1820-1920, 211-378. Quaderni del Seminario di
storia della critica d'arte, vol. 2. Pisa: Scuola normale
superiore di Pisa, 1985.
Batkin, Maureen. Wedgwood Ceramics,
1846-1959: A New Appraisal. London: Richard Dennis,
1983.
Baur- Heinhold, Margarete. Schmiedeeisen:
Gitter, Tore und Geländer. Munich: Gallwey,1977.
Baxandall, Michael. South German Sculpture,
1480-1530. London: HMSO, 1974.
—. The Limewood Sculptors of Renaissance
Germany. New Haven: Yale Univ. Press, 1980.
Beard, Geoffrey. The Work of Grinling
Gibbons. London: Murray, 1989.
Beckwith, John. Caskets from Cordoba.
London: HMSO, 1960.
Bell, Quentin. The Schools of Design.
London: Routledge and Kegan Paul, 1963.
Benjamin, Walter. "The Work of Art
in the Age of Mechanical Reproduction.” In Illuminations,
edited and with an introduction by Hannah Arendt and translated
by Harry Zohn, 219-53. London: Cape, 1970.
Bennett, Tony. The Birth of the Museum:
History, Theory, Politics. London: Routledge,1995.
—."The Exhibitionary Complex.” In
Thinking about Exhibitions, edited by Reesa Greenberg,
Bruce W. Ferguson, and Sandy Nairne, pp. 81-112. London/New
York: Routledge, 1996.
Bethnal Green Museum, 1872. Catalogue
of the Collection of Paintings, Porcelain, Bronzes, Decorative
Furniture, and Other Works of Art Lent for Exhibition in
the Bethnal Green Branch of the South Kensington Museum
by Sir Richard Wallace, Bart. London: G. E. Eyre and
W. Spottiswoode, 1872.
Bhabha, Homi K. The Location of Culture.
London: Routledge, 1994.
Billcliffe, Roger. Charles Rennie Mackintosh:
The Complete Furniture Drawings & Interior Designs.
London: J. Murray, 1986.
Bimson, M. "John Dwight.” Transactions
of the English Ceramic Circle 5, no.2 (1961): 95-109.
Birdwood, George Christopher Molesworth.
The Industrial Arts of India. 2 vols. London: Chapman
and Hall, 1879.
Bishop, A. S. The Rise of a Central
Authority for English Education. Cambridge: Cambridge
Univ. Press, 1971.
Black, Jeremy. The British and the Grand
Tour. London: Croom Helm, 1985.
Blackader, Adam. "Description of the
Great Pagoda of Madura, and the Choultry of Trimul Naik,
in a Letter from Mr. Adam Blackader, Surgeon, to Sir Joseph
Banks, Bart. P.R.S.F.A.S.” Archaeologia 10 (1792):
449-59.
Blomfield, Reginald. Modernismus.
London: Macmillan and CO., 1934.
Boccia, Lionello Giorgio, and E. T. Coelho.
L'arte dell'armatura in Italia. Milan: Bramante,
1967.
Bode, Wilhelm.'~ufgang der Kunstgewerbemuseen.”
Pan 2 (1896): 121-7.
Boe, Alf. From Gothic Revival to Functional
Form: A Study in Victorian Theories of Design. Oxford:
Basil Blackwell, 1957.
Bolton, Arthur. The Architecture of
Robert & James Adam. London: Country Life,1922.
Bonython, Elizabeth. King Cole: A Picture
Portrait of Sir Henry Cole, KCB, 1808-1882. London:
V&A, 1982.
Borowitz, Helen, and Albert Borowitz. Pawnshops
and Palaces: The Fall and Rise of the Campana Art Museum.
Washington, D.C.: Smithsonian Institution Press, 1991.
Boynton, L. "Italian Craft in an English
Cabinet.” Country Life 140, no.3630 (1966): 768-9.
Brackett, Oliver. Catalogue of Furniture
from Montagu House, Devonshire House and Grosvenor House
lent by the Duke of Buccleuch, the Duke of Devonshire, and
the Duke of Westminster. London: HMSO, 1919.
Brandon-Jones, J., et al. C. F. A. Voysey:
Architect and Designer, 1857-1941. London: Lund Humphries,
1978.
Braun, Joseph. Die Reliquiare des christlichen
Kultes und ihre Entwicklung. Freiburg am Breisgau: Herder,
1940.
Breckenridge, Carol A. "The Aesthetics
and Politics of Colonial Collecting: India at World Fairs.”
Comparative Studies in Society and History 31, nO.2
(1989): 195-216.
Brinckmann, Justus. Das Hamburgische
Museum für Kunst und Gewerbe. Hamburg: Hamburgische
Museum für Kunst und Gewerbe, 1894.
British Parliamentary Papers. Irish
University Press Series of British Parliamentary Papers:
Industrial Revolution: Design. IUP Library of Fundamental
Source Books. Shannon: Irish University Press, 1968-.
Britton, F. "Bernard Palissy and London
Delftware.” English Ceramics Circle Transactions
14 (1991): 169-76. c)
Bronowski, J., and Brian Peake. "Exhibition
of Science.” In A Tonic to the Nation: The Festival of
Britain 1951, edited by Mary Banham and Bevis Hillier,
144-7. London: Thames and Hudson, 1976.
Brunhammer, Yvonne. Le beau dans I'utile:
Un musée pour les arts décoratifs. Paris: Gallimard,
1992.
Building News. "The Schools of Art
Grievance.” Building News 11 (1864): 320.
Burchett, Richard. On the Central Training
School for Art: An Address Delivered December 7, 1857.
London: n.p., 1858.
Burckhardt, Rudolf F. Der Basler Münsterschatz.
Die Kunstdenkillaler des Kantons Basel-Stadt, vol. 2.1933.
Reprint, Basel: Birkhauser, 1956.
Burke, Doreen Bolger, et al. In Pursuit
of Beauty: Americans and the Aesthetic Movement. New
York: Metropolitan Museum of Art and Rizzoli, 1986.
Burlington Fine Arts Club. Exhibition
of Chased and Embossed Steel and Iron Work of European Origin.
London: Burlington Fine Arts Club, 1900.
Burlington Magazine. "Reorganisation
at South Kensington.” Burlington Magazine 14 (1908-9):
129-33, 198-200.
Burton, Anthony. "The Image of the
Curator.” V&A Album 4 (1985): 372-87.
—. "Redgrave as Art Educator, Museum
Official and Design Theorist.” In Richard Redgrave, 1804-1888,
edited by Susan P. Casteras and Ronald Parkinson, 48-70.
New Haven: Yale Univ. Press in association with the V&A
and the Yale Center for British Art, 1988.
—. People and Politics in South Kensington:
A History of the Victoria and Albert Museum. Forthcoming
(1999).
Burton, Anthony, with captions by Susan
Haskins. European Art in the Victoria and Albert Museum.
London: Philip Wilson, 1983.
Burty, Philippe. Chefs d'Oeuvre of the
Industrial Arts. London: Chapman and Hall,1869.
Bury, S. "The Lengthening Shadow of
Rundell's.” Connoisseur 108 (1966): 218-22.
Bury, Shirley. Jewellery 1789-1910:
The International Era. Woodbridge: Antique Collector's
Club, 1991.
Bussagli, Mario. L'Arte del Gandhara.
Turin: UTET, 1984.
Cabinet Maker. "The Octagon Court.”
The Cabinet Maker 8 (1936): 238.
Campbell, Marian. An Introduction to
Medieval Enamels. London: HMSO, 1983.
—. An Introduction to Ironwork.
London: HMSO, 1985.
—. "L’oreficeria italiana nell'InghiIterra
medievale, con una nota sugli smalti medievali italiani
del Victoria and Albert Museum.” Oreficiere e smalti
traslucidi nei secoli XIV e XV, 1-16. Rome: Istituto
poligrafico e Zecca dello Stato Libreria, 1987.
Cannadine, David. The Pleasure of the
Past. London: Collins, 1989.
Casteras, Susan P., and Ronald Parkinson,
eds. Richard Redgrave, 1804-1888. New Haven: Yale
Univ. Press in association with the V&A and the Yale
Center for British Art, 1988.
Catleugh, Jon. William De Morgan Tiles.
London: Trefoil, 1983.
Caygill, Marjorie. Treasures of the
British Museum. New York: Harry N. Abrams, Inc., 1985.
Central Office of Information. The Festival
of Britain 1951 The Official Book of the Festival of Britain
1951. London: HMSO, 1951.
Ceruti, Benedetto, and Andrea Chiocco.
Musaeum Francisci Calceolari. Verona: A. Tamum, 1622.
Chadwick, Helen. Enfleshings. Text
by Marina Warner. New York: Aperture, 1989.
Chambers, David, and Jane Martineau, eds.
Splendours of the Gonzaga. London: V&A, 1981.
Chapman, Martin. "Thomas Hope's Vase
and Alexis Decaix.” V &A Album 4 (1985): 216-28.
Charleston, R. J., and J. Bolingbroke."The
Sèvres Collection in a New Light.” Apollo 95 (1972):
186-95.
Charpentier, Françoise- Thérèse, and Philippe
Thiébaut, eds. Gallé. Paris: Ministère de la Culture,
Editions de la Réunion des musées nationaux,1985.
Chermayeff, S."Design for Selling.”
Design for Today 14 (1935).
Christie and Manson. Catalogue of the
Celebrated Collection of Works of Art from the Byzantine
Period to That of Louis Seize of That Distinguished Collector
Ralph Bernal ...Messrs Christie & Manson at the Mansion
No 93 Eaton Square Commencing on Monday March the 5th 1855.
London: Christie and Manson, 1855.
Christie's. Magnificent Effects at Fonthill
Abbey Wilts. to be Sold by Auction by Mr. Christie on October
1, 1822 and Nine Following Days. London: Christie's,
1822.
—. Catalogue of Works of Art of Martin
Heckscher. London: Christie's, 1898.
Cincinnati Art Museum. Art Palace of
the West: A Centennial Tribute, 1881-1981. Cincinnati:
Cincinnati Art Museum, 1981.
Clark, Kenneth. The Gothic Revival:
An Essay in the History of Taste. New York: Harper and
Row, 1962.
Clarke, C. Stanley. Indian Drawings:
Thirty Mogul Paintings of the School of Jahangir ( 17th
century) and Four Panels of Calligraphy in the Wantage Bequest.
London: HMSO, 1922.
Clausen, G."Recollections of the Old
School.” Royal College of Arts Students' Magazine
1 (1912): 155-61.
Clayton, Tim. "The Engraving and Publication
of Prints of Joseph Wright's Paintings.” In Wright of
Derby, by Judy Egerton, 25-9. London: Tate Gallery,1990.
Clifford Smith, Harold. Jewellery.
London: Methuen, 1908.
—. “A Royal Wassail Table.” Connoisseur
77, no.307 (1927): 158-62.
Clunas, Craig. "Whose Throne Is It
Anyway? The Qianlong Throne in the Tsui Gallery.” Orientations
22, no.7 (1991): 44-50.
—. "Oriental Antiquities/Far Eastern
Art.” Positions: East Asia Cultures Critique 2, no.2
(1994): 318-55.
Cohen, Jane R. Charles Dickens and His
Original Illustrators. Columbus, Ohio: Ohio State Univ.
Press, 1980.
Cohen, S. “A 17th Century Parochet."
Jewish Chronicle 10 (1953).
Cole, Alan Summerly. A Descriptive Catalogue
of the Collections of Tapestry and Embroidery in the South
Kensington Museum. London: HMSO, 1888.
Cole, Alan Summerly, and Henrietta Cole,
eds. Fifty Years of Public Work of Sir Henry Cole, K.C.B..
2 vols. London: G. Bell and Sons, 1884.
Cole, Henry. Miscellanies, 1831-82.17 vols.
National Art Library, V&A.
—. Diaries, 1844-54. National Art Library,
V&A.
—. "On the facilities Afforded to
All Classes of the Community for Obtaining Education in
Art.” In Addresses of the Superintendents of the Department
of Practical Art Delivered in the Theatre at Marlborough
House. London: Chapman and Hall, 1853.
—. The Functions of the Science and
Art Department. Introductory Addresses on the Science
and Art Department and the South Kensington Museum, no.1.
London: Chapman and Hall, 1857.
—. Study of the Conservatoire, 1865, 55.AA.56.f.97.
National Art Library, V&A.
—. "Notes on a Journey to Vienna and
back in October and November MDCCCLXIII.” National Art Library,
V&A. London, 1870.
—. Catalogue of the Objects of Indian
Art Exhibited in the South Kensington Museum. London:
G. E. Eyre and W. Spottiswoode, 1874.
—. What is Art Culture? An Address Delivered
to the Manchester School of Art, 21st December 1877.
Manchester: Reprinted for private distribution from the
report on the Manchester School of Art, 1878.
Coleridge, Anthony. "Sir Lawrence
Dundas and Chippendale.” Apollo 87, no.67, n.s. (1967):
190-203.
Coils, Robert, and Philip Dodd, eds. Englishness:
Politics and Culture, 1880-1920. London: Croom Helm,
1986.
Commissioners. Second Report of the
Commissioners for the Exhibition of 1851 to the Right Hon.
Spencer Horatio Walpole, one of Her Majestys Principal Secretaries
of State. London: W. Clowes, 1852.
Conforti, Michael. "History, Value
and the 1990s Art Museum.” Papers of the XXVII Internationaler
Kongress für Kunstgeschichte, Berlin, 15-20 July 1992.
Also published in Journal of Museum Management and Curatorship
12, no.3 (1993): 245-55.
—. "Les Musées des.arts appliqués
et l'histoire de l'art". In L'Histoire de l'histoire
de l'art IV. Paris: Musée du Louvre, in press [1997
].
Conway, M. D. "The South Kensington
Museum.” Harpers New Monthly Magazine 51 (1875):
486-503,649-66.
Conway, William Martin. The Domain of
Art. London: J. Murray, 1901.
Coomaraswamy, Ananda K. Rajput Painting.
2 vols. London: Oxford Univ. Press,1916.
Coombes, Annie E. "Museums and the
formation of National and Cultural Identities." Oxford
Art Journal 11, no.2 (1988): 57-68.
Cooper, A. "For the Public Good: Henry
Cole, His Circle and the Development of the South Kensington
Estate.” Ph.D. diss., The Open University, Milton Keynes,1992.
Cora, Galeazzo, and Angiolo Fanfani. La
maiolica di Cafaggiolo. Florence: Centro Di, 1982.
—. La porcellana dei Medici. Milan:
Fabbri, 1986.
Corcoran Gallery. A Guide to the Corcoran
Archives. Washington: Corcoran Gallery of Art, 1985.
Cork, Richard. Vorticism and Abstract
Art in the First Machine Age. 2 vols. London: G. fraser,
1976.
Council of Industrial Design. Design
Portfolio D. London,1950.
Country Life. "Changes at the Victoria
and Albert Museum.” Country Life 79 (1936): 124.
Coysh, A. W., and R. K. Henrywood. The
Dictionary of Blue and White Printed Pottery 1780-1880.
Vol. 1. Woodbridge: Antique Collector's Club, 1981.
Cullingham, Gordon Graham. The Royal
Windsor Tapestry Manufactory: 1876-1890. Maidenhead:
Royal Borough of Windsor and Maidenhead,1979.
Culme, John. Nineteenth-Century Silver.
London: Hamlyn for Country Life Books,1977.
Cunliffe Owen, P. Minutes to the Lords
of the Committee of Council on Education, 23 July 1875.
Ed. 84/30. National Art Library, V&A.
Czuma, Stanislaw J., with the assistance
of Rekha Morris. Kushan Sculpture: Images from Early
India. Cleveland: Cleveland Museum of Art in cooperation
with Indiana Univ. Press, 1985.
Daily Telegraph. “Art Notes: Victoria and
Albert Museum.” Daily Telegraph, 7 November 1908.
Darby, M. "Owen Jones and the Eastern
Ideal.” Ph.D. diss., University of Reading, 1974.
Davies, James A. John Forster: A Literary
Life. Leicester: Leicester Univ. Press, 1983.
Davillier, Jean-Charles. Histoire des
faïences hispano-moresques à reflets métalliques. Paris:
Libraire Archéologique de Victor Didron, 1861.
Davis, Frank. Victorian Patrons of the
Arts: Twelve Famous Collections and Their Owners. London:
Country Life, 1963.
Davis, H. "The Life and Works of Sir
John Charles Robinson, 1824-1913.” Ph.D. diss., University
of Oxford, 1992.
Day, L. F. "How to Make the Most of
a Museum.” Journal of the Society of Arts 56 (1908):
146-60.
Delange, Carle, and C. Bornemann. Recueil
des fayences françaises dites de Henri II et Diane de Poitiers.
Paris, 1861.
Deneke, Bernward, and Rainer Kahsnitz,
eds. Das Germanische Nationalmuseum Nürnberg, 1852-197/
Beiträge zu seiner Geschichte. Munich: Deutscher Kunstverlag,
1978.
Department of Practical Art. A Catalogue
of the Articles of Ornamental Art Selected from the Exhibition
of the Works of Industry of All Nations in 1851 and Purchased
by the Government. 3rd ed. London: Department of Practical
Art, 1852.
—. First Report of the Department of
Practical Art. London: G. W. Eyre and W. Spottiswoode,
1853.
Department of Science and Art. Minutes
Relative to the Acquisition of Art Objects for the Benefit
of Schools of Art, 1852-70. Ed. 84/34. National Art Library,
V&A.
—. A Catalogue of the Museum of Ornamental
Art at Marlborough House, Pall Mall. London: HMSO, 1853.
—. Report of the Science and Art Department
of the Committee of Council on Education 1 (1854).
—. Catalogue of a Collection of Works
of Decorative Art... Circulated for Exhibition in Provincial
Schools of Art. London,1855a.
—. Report of the Science and Art Department
of the Committee of Council on Education 2 (1855b).
—. Directory. London, 1856.
—. Addresses. The Advantages of Teaching
Elementary Drawing Concurrently with Writing as a Part of
National Education. London, 1857.
—. Report of the Science and Art Department
of the Committee of Council on Education 5 (1858).
—. Art Directory. London, 1865a.
—. Report of the Science and Art Department
of the Committee of Council on Education 12 (1865b).
—. List of Objects in the Art Division,
South Kensington Museum, Acquired During the Year 1871.
London: George E. Eyre and William Spottiswoode, 1872.
—. Report of the Science and Art Department
of the Committee of Council on Education 21 (1873).
—. Report of the Science and Art Department
of the Committee of Council on Education 23 (1876).
—. Report on the Systems of Circulation
of the Art Objects on Loan for Exhibition, 1881. Miscellaneous
Correspondence, Ed. 84/29. National Art Library, V&A.
—. Report of the Science and Art Department
of the Committee of Council on Education 38 (1890).
—. Report of the Science and Art Department
of the Committee of Council on Education 39 (1891).
—. List of Reproductions in Electrotype
and Plaster Acquired by the South Kensington Museum in the
Years 1889-1890. London: Eyre and Spottiswoode,1891.
Desmond, Ray. The India Museum, 1801-1879.
London: HMSO, 1982.
Distelberger, Rudolf, et al., eds. Western
Decorative Arts. Vol. 1, Medieval, Renaissance and Historicizing
Styles, Including Metalwork, Enamels and Ceramics. Washington,
D.C.: National Gallery of Art, 1993.
Dragesco, Bernard. English Ceramics
in French Archives: The Writings of Jean Hellot, the Adventures
of Jacques Louis Brolliet and the Identification of the
"Girl-in-a-Swing" Factory. London: B. Dragesco,
1993.
Dreyfus, John. Italic Quartet: A Record
of the Collaboration between Harry Kessler, Edward Johnston,
Emery Walker and Edward Prince in Making the Cranach Press.
Cambridge: Univ. Printing House, 1966.
—."The Cranach Press.” In Into
Print: Selected Writings on Printing History, Typography
and Book Production, 71-81. London: The British Library,1994.
Dufay, Bruno, et al. "L'Atelier parisien
de Bernard Palissy.” Revue de L'Art 78 (1987): 33-57.
Dumont, Louis. "The Village Community
from Munro to Maine." In Religion, Politics and
History in India: Collected Papers in Indian Sociology,
112-32. Le monde d'outre-mer, passé et présent, première
série, études, vol 34. The Hague: Mouton, 1970.
Duncan, Carol. Civilising Rituals: Inside
Public Art Museums. London. Routledge,1995.
Durbin, Gail, ed. Studying the Victorians
at the V&A: A Handbook for Teachers. London: V&A,
1994.
Earle, Joe. "Three Japanese Lacquers."
V&A Album 3 (1984): 220-9.
—, ed. The Toshiba Gallery: Japanese
Art and Design. London: V&A, 1986a.
—. "The Taxonomic Obsession: British
Collectors and Japanese Objects, 1852-1986." Burlington
Magazine 128 (1986b): 864-73.
Eatwell, Ann. "The Collector's or
Fine Arts Club, 1857-1874: The First Society for Collectors
of the Decorative Arts." Omnium Gatherum 18
(1994): 25-30.
Eatwell, Ann, and A. R. E. North. "Metalwork."
In Pugin: A Gothic Passion, edited by Paul Atterbury
and Clive Wainwright. New Haven: Yale Univ. Press in association
with the V&A, 1994.
Ebert-Schifferer, S., ed. Natur und
Antike in der Renaissance. Frankfurt am Main: Liebieghaus
Museum Alter Plastik, 1985.
Edwards, R. "On a Carved Cravat by
Grinling Gibbons." Connoisseur (1929).
Egerton, Judy. Wright of Derby.
London: Tate Gallery, 1990.
Eliot, Samuel. Memoir of Charles Callahan
Perkins. Cambridge: J. Wilson and Son, 1887.
Elsner, John, and Roger Cardinal, eds.
The Cultures of Collecting. Cambridge, Mass.: Harvard
Univ. Press, 1994.
Engel, Carl. A Descriptive Catalogue
of the Musical Instruments in the South Kensington Museum.
London: Chapman and Hall, 1874.
Erdmann, Kurt. Siebenhundert Jahre Orientteppich,
Herford: Busse, 1966.
Eriksen, Svend, and Geoffrey de Bellaigue.
Sèvres Porcelain: Vincennes and Sèvres, 1740-1800.
London: Faber and Faber, 1987.
Eudel, Paul. Le Baron Charles Davillier.
Paris: Imprimeries réunies Matteroz, 1883.
Evans, Joan. A History of Jewellery, 1100-1870.
2nd ed. London: Faber, 1987.
Evening News. "The Dying Trades of
London: The Cameo Cutter." The Evening News,
7 December 1908.
Exposition Universelle, Paris 1889. Catalogue,
1st group. Walters Art Gallery, Baltimore.
Fairbanks, A. "The Museum of Fine
Arts in Boston in Its New Quarters." Museums Journal
9 (1909-10): 365-70.
Falke, Otto von. "Der Majolicamaler
TB von Faenza." Pantheon 13 (1934): 18-22.
Falke, Otto von, and Erich Meyer. Romanische
Leuchter und Gefässe: Giessgefässe der Gotik. Berlin:
Deutscher Verein für Kunstwissenschaft, 1935.
Faulkner, R., and A. Jackson. "The
Meiji Period in South Kensington: The Representation of
Japan in the Victoria and Albert Museum, 1852-1912."
In Meiji No Takara: Treasures of Imperial Japan,
edited by Oliver R. Impey and Malcolm Fairley, 152-95. London:
Kibo Foundation, 1995.
Fawcett, T. "Plane Surfaces and Solid
Bodies: Reproducing Three-Dimensional Art in the Nineteenth
Century." Visual Resources 4 (1987): 1-23.
Fay, C. R. Palace of Industry, 1851:
A Study of the Great Exhibition and its Fruits. Cambridge:
Cambridge Univ. Press, 1951.
Fergusson, James. A History of Architecture
in All Countries from the Earliest Times to the Present
Day. Vol. 2, The History of Indian and Eastern Architecture.
London: J. Murray, 1876.
Ferraris, Giancarlo. Pietro Piffetti
e gli ebanisti a Torino, 1670-1838. Turin: U. Allemandi,
1992.
Ferstel, Heinrich F. von. Rede des Neues
Antretenden Rectors. Vienna, 1881.
Fildes, L. V Luke Fildes, R.A.: A Victorian
Painter. London: Joseph, 1968.
Fillon, Benjamin. L'art de terre chez
les Poitevins. Niort: L. Clouzot, 1864.
Findlen, Paula. Possessing Nature: Museums,
Collecting and Scientific Culture in Early Modern Italy.
Berkeley: Univ. of California Press, 1994.
Findling, John E., ed., and Kimberly D.
Pelle, assistant ed. Historical Dictionary of World’s
Fairs and Expositions, 1851-1988. New York: Greenwood
Press, 1990.
Fiocco, Carola, and Gabriella Gherardi.
Ceramiche umbre dal medioevo allo storicismo. 2 vols.
Faenza: Litografie artistiche faentine, 1988-89.
Fischer, Volker, ed. Design Now: Industry
or Art? Munich: Prestel, 1989.
Fleming, J. “Art Dealing and the Risorgimento."
Burlington Magazine 115 (1973): 4-16; 121 (1979):
492-508,568-80.
Fliedl, Gottfried, with contributions by
Oswald Oberhuber. Kunst und Lehre am Beginn der Moderne:
Die Wiener Kunstgewerbeschule, 1867-1918. Salzburg:
Residenz, 1986.
Floyd, M. H. “A Terra-cotta Cornerstone
for Copley Square." Ph.D. diss., Boston University,1974.
Fontanella, Lee, and Gerdardo F. Kurtz.
Charles Clifford fotografo de la Espafla de Isabel II.
Madrid: Ediciones el Viso, 1996.
Foresi, A. "Sulle porcellane medicee:
Lettera al Barone di Monville.” II piovano arlotto,
July 1859.
Fortnum, C. Drury E. A Descriptive Catalogue
of the Maiolica, Hispano-Moresco, Persian, Damascus and
Rhodian Wares in the South Kensington Museum: with Historical
Notes, Marks and Monograms.London: Chapman and Hall,
1873.
—. A Descriptive Catalogue of the Bronzes
of European Origin in the South Kensington Museum. London:
Chapman and Hall, 1876.
Forty, Adrian. Objects of Desire: Design
and Society, 1750-1980. London: Thames and Hudson, 1986.
Fox, Celina, ed. London: World City
1800-1840. New Haven: Yale Univ. Press in association
with the Museum of London, 1992.
Frayling, Christopher, with research by
John Physick, Hilary Watson, and Bernard Myers. The Royal
College of Art: One Hundred and Fifty Years of Art and Design.
London: Barrie and Jenkins, 1987.
Frayling, Christopher, and Claire Catterall,
eds. Design of the Times: One Hundred Years of the Royal
College of Art. Shepton Beauchamp: Richard Dennis,1996.
Fritz, Johann Michael. Goldschmiedekunst
der Gotik in Mitteleuropa. Munich: Beck,1982.
Froissart, R. "Les collections du
Musée des arts décoratifs de Paris: modèles de savoir technique
ou objets d'art?" In La jeunesse des musées: Les
musées de France au XIXe siècle, under the direction
of Chantal Georgel, 83-90. Paris: Editions de la réunion
des musées nationaux, 1994.
Furniture Gazette. Furniture Gazette
(1887-88).
Gaehtgens, Thomas W. Die Berliner Museumsinsel
im Deutschen Kaiserreich: Zur Kulturpolitik der Museen in
der Wilhelmischen Epoche. Munich: Deutscher Kunstverlag,
1992.
Galbally, A. "The Lost Museum: Redmond
Barry and Melbourne's Musee des Copies.” Australian Journal
of Art 7 (1988): 28-49.
Galle, Emile. Ecrits pour l'art: Floriculture,
art décoratif; notices d'exposition, 1884-1889. Paris:
H. Laurens, 1908.
Gardner, James. James Gardner: The Artful
Designer: Ideas off the Drawing Board by James Gardner.
N.p.: Lavis Marketing, 1993.
Garner, Philippe. Emile Gallé. London:
Academy Editions, 1976.
Garrard, Mary. “Artemisia and Susanna."
In Feminism and Art History: Questioning the Litany,
edited by Norma Broude and Mary D. Garrard,147-71. New York:
Harper and Row,1982.
Gaskell, Ivan. Review of On the Museum's
Ruins by D. Crimp, and other titles. Art Bulletin
77 (1995): 673-5.
Gaskell, Ivan, and Salim Kemal, eds. The
Language of Art History. Cambridge Studies in Philosophy
and the Arts. Cambridge: Cambridge Univ. Press,1991.
Gasnault, Paul, and Edouard Gamier. French
Pottery. London: Chapman and Hall, 1884.
Georgel, Chantal. La Jeunesse des musées:
Les musées de France au XIXe siècle. Paris: Musée d'Orsay,
1994.
Gilbert, Christopher. The Life and Work
of Thomas Chippendale. 2 vols. London: Studio Vista,
1978.
Gilbert, Christopher, and Tessa Murdoch.
John Channon and Brass-Inlaid Furniture, 1700-1760.
New Haven: Yale Univ. Press in association with Leeds City
Art Galleries and the V&A, 1993.
—. "Channon Revisited.” Furniture
History 30 (1994): 66-85.
Gilman, Benjamin Ives. “Aims and Principles
of the Construction and Management of the Museum of Fine
Arts.” Museum Journal 9 (1909-10): 28-44.
—. Museum Ideals of Purpose and Method.
Boston: Museum of Fine Arts, 1918.
Girouard, Mark. Sweetness and Light:
The Queen Anne Movement, 1860-1900. New Haven: Yale
Univ. Press, 1984.
GIanville, Philippa G. Silver in Tudor
and Early Stuart England: A Social History and Catalogue
of the National Collection, 1480-1660. London: V&A,
1990.
Goldschmidt, Adolph. Die Elfenbeinskulpturen
aus der Zeit der karolingischen und sächsischen Kaiser und
der romanischen Zeit. Vol. 1. Berlin: B. Cassirer, 1914.
Gomez- Moreno, Carmen. Medieval Art
from Private Collections. New York: The Cloisters, 1968.
Gonse, Louis. L'art japonais. Paris:
Quantin, 1886.
González- Palacios, Alvar. Tempio del
gusto: II Granducato di Toscana e gli stati settentrionali:
le arti decorative in Italia fra classicismi e barocco.
2 vols. Milan: Longanesi, 1986.
Goodby, M. F. "The Lost Collection
of Enoch Wood." Journal of the Northern Ceramic
Society 9 (1986): 123-51.
Goodison, Nicholas. Ormolu: The Work
of Matthew Boulton. London: Phaidon,1974.
Gordon, Jennifer. "Museum Fiction.”
Art History 19 (1995): 150-5.
Gotlieb, Rachel. "Vitality in British
Art Pottery and Studio Pottery.” Apollo 127 (1986):
163-7.
Government School of Design. Fourth
Report of the School of Design. London, 1845.
Grant, Alexander, and Keith J. Stringer,
eds. Uniting the Kingdom? The Making of British History.
London: Routledge, 1995.
Gray, M."Robin Day ARCA FSIA.” Art
& Industry 52 (1952): 154-9.
Great Exhibition. Official, Descriptive
and Illustrated Catalogue of the Great Exhibition of the
Works of Industry of All Nations. 4 vols. London: Spicer
Brothers, 1851.
Green, David Bronte. Grinling Gibbons:
His Work as a Carver and Statuary, 1648-1721. London:
Country Life, 1964.
Greenhalgh, Paul. Ephemeral Vistas:
The Expositions Universelles, Great Exhibitions and Worlds
Fairs, 1851-1939. Manchester: Manchester Univ. Press,1988.
—. "Denham Maclaren" (Obituary).
The Independent, 22 November 1989.
Greenwood,M., 1989, The Designs of William
De Morgan: A Catalogue. Ilminster: Richard Dennis and
W. E. Wiltshire III, 1989.
Griffiths, Anthony, ed. Landmarks in
Print Collecting: Connoisseurs and Donors at the British
Museum since 1753. London: The British Museum Press
and the Parnassus Foundation in association with the Museum
of Fine Arts, Houston,1996.
Grimwade, Arthur G. Rococo Silver.
London: Faber, 1974.
Guy, J. "Tirumala Nayak's Choultry
and an Eighteenth Century Model.” In Makaranda: Essays
in Honour of Dr. James C. Harle, edited by Claudine
Bautze-Picron, 207-13. Delhi: Sri Satguru Publications,
1990.
—. "Nandi, the Joyful Bull.” The
Art Quarterly of the National Art Collections Fund 8
(1991): 28-31.
Haedeke, Hanns-Ulrich. Metalwork.
Translated by Vivienne Menkes. London: Weidenfeld and Nicolson,
1970.
Hahnloser, Margrit. Matisse: The Graphic
Work. Translated by Simon Nye. New York: Rizzoli, 1988.
Hallade, Madeleine. The Gandharan Style
and the Evolution of Buddhist Art. London: Thames &
Hudson, 1968.
Hansard’s Parliamentary Debates.
3rd series, vol. 160, p. 1308.
Harcourt Smith, Cecil. Proposals for
a Museum and Institute of Modern Industrial Art, 30
April1914. National Art Library, V&A.
—. "The Modern Note in Industrial
Art.” Journal of the Society of Arts 74 (1925-26):
32-42.
Hardie, M. Exhibition of British and
Foreign Posters. London: V&A, 1931.
Harris, Jennifer. Lucienne Day: A Career
in Design. Manchester: Whitworth Art Gallery,1993.
Harris, Neil. "The Gilded Age Revisited:
Boston and the Museum Movement.” American Quarterly
14, no.3 (1962): 544-66.
—. "Museums, Merchandizing and Popular
Taste: The Struggle for Influence.” In Cultural Excursions:
Marketing Appetites and Cultural Tastes in Modern America,
56-81. Chicago: Univ. of Chicago Press, 1990.
Harris, Victor. Japanese Imperial Craftsmen:
Meiji Art from the Khalili Collection. London: British
Museum Press, 1994.
Harrison, Charles. English Art and Modernism,
1900-1939. London: Allen Lane, 1981.
Harrison, Martin. Appearances: Fashion
Photography since 1945. New York: Rizzoli,1991.
Haselgrove, Dennis, and J. Murray, eds.
"John Dwight's Fulham Pottery, 1672-1978: A Collection
of Documentary Sources.” Journal of Ceramic History
11 (1979 ).
Haskell, Francis. Rediscoveries in Art
Some Aspects of Taste, Fashion and Collecting in England
and France. Ithaca, N.Y.: Cornell Univ. Press, 1976.
Hawes, Robert. Radio Art. London:
Green Wood, 1991.
Haworth-Booth, Mark. E. McKnight Kauffer:
A Designer and His Public. London: G. Friiser, 1979.
—. Camille Silvy: River Scene, France.
Malibu, California: J. Paul Getty Museum, 1992.
—. "Julia Margaret Cameron.” British
Journal of Photography 6974 (1994a): 15.
—. "Interview with Helen Chadwick,”
The Oral History of British Photography. National
Sound Archive, British Library, 1994b.
Hayward, J. "English Brass Inlaid
Furniture.” Victoria and Albert Museum Bulletin I,
no.1 (1965): 11-23.
—. "The Channon Family of Exeter and
London.” Victoria and Albert Museum Bulletin 2,
no.2 (1966): 64-70.
Hayward, J. F. Virtuoso Goldsmiths and
the Triumph of Mannerism, 1540-1620. London: Sotheby
Parke Bernet, 1976.
Hayward Gallery. Leonardo da Vinci.
New Haven: Yale Univ. Press in association with the South
Bank Centre, 1989.
Hefford, Wendy. “A Windsor Tapestry Portrait.”
The Victoria and Albert Museum Yearbook (1969): 30-2.
Helfgott, Leonard Michael. Ties That
Bind: A Social History of the Iranian Carpet. Washington,
D.C.: Smithsonian Institution Press, 1994.
Herklotz, I. "Neue Literatur zur Sammlungsgeschichte"
Kunstchronik 47 (1994): 117-35.
Herkomer, Hubert von. Autobiography
of Hubert Herkomer. Printed for private circulation,1890.
Herrmann, Frank. The English as Collectors:
An Exhibition of Books Selected by Frank Herrmann. London:
National Book League, 1972.
Herrmann, Wolfgang. Gottfried Semper:
In Search of Architecture. Cambridge, Mass.: MIT
Press, 1984.
Hevia, J. L. "Loot's Fate: The Economy
of Plunder and the Moral Life of Objects from the Summer
Palace of the Emperor of China.” History and Anthropology
6 (1994): 319-45.
Hewison, Robert. Culture and Consensus:
England, Art and Politics since 1940. London: Methuen,
1995.
Hibbert, Christopher. The Grand Tour.
London: Thames Methuen, 1987.
Hiesinger, Kathryn B., and George H. Marcus,
eds. Design since 1945. Philadelphia: Philadelphia
Museum of Art, 1983.
Himmelheber, Georg, ed., with the assistance
of Brigitte Thanner. Kunst des Biedermeier 1815-1835:
Architektur, Malerei, Plastik, Kunsthandwerk, Musik, Dichtung
und Mode. Munich: Prestel, 1988.
Hinsley, Curtis M. "The World as Market
Place: Commodification of the Exotic at the World's Columbian
Exposition, Chicago, 1893.” In Exhibiting Cultures: The
Poetics and Politics of Museum Display, edited by Ivan
Karp and Steven D. Lavine, 344-65. Washington, D.C.: Smithsonian
Institution Press,1991.
Hobhouse, Christopher. 1851 and the
Crystal Palace. Rev. ed. London: J. Murray, 1950.
Hobson, R. L. The George Eumorfopoulos
Collection: Catalogue of the Chinese, Corean and Persian
Pottery and Porcelain. Vol. 3. London: E. Benn, 1926.
Hogben, Carol. The Wireless Show! 130
Classic Radio Receivers, 1920s to 1950s. London: V&A,
1977.
Hogben, Carol, and Rowan Watson, eds. From
Manet to Hockney: Modern Artists' Illustrated Books.
London: V&A, 1985.
Hollingshead, John. Concise History
of the International Exhibition of 1862: Its Rise and Progress,
Its Building and Features, and a Summary of All Former Exhibitions.
London: Her Majesty's Commissioners, 1862.
Honey, William Boyer. Guide to the Later
Chinese Porcelain: Periods of K' ang Hsi, Yung Cheng, and
Ch'ien Lung. London: Board of Education, 1927.
—. The Art of the Potter: A Book for
the Collector and Connoisseur. London: Faber and Faber,
1946.
—. Corean Pottery. London. Faber
and Faber, 1947.
—. Old English Porcelain: A Handbook
for Collectors. London: Faber and Faber,1948a.
—. Wedgwood Ware. London: Faber
and Faber, 1948b.
—. European Ceramic Art. 2 vols.
London: Faber and Faber, 1952.
Howe, Winifred E. A History of the Metropolitan
Museum of Art. VoI. 1. New York: Printed at the Gilliss
Press, 1913.
Howe, Winifred Eva. A History of the
Metropolitan Museum of Art. 2 vols. New York: Gilliss
Press, 1913.
Höver, Otto. Das Eisenwerk: Die Kunstformendes
Schmiedeeisens vom Mittelalter bis zum Ausgang des 18. Jahrhunderts.
6th ed. Tübingen: E. Wasmuth,1961.
Hungerford Pollen, John. Ancient and
Modern Furniture and Woodwork in the South Kensington Museum.
London: Chapman and Hall, 1874.
—. Ancient and Modern Gold and Silversmith's
Work in the South Kensington Museum. London: G. E. Eyre
and W. Spottiswoode, 1878.
Impey, Oliver, and Arthur MacGregor, eds.
The Origins of Museums: The Cabinet of Curiosities in
Sixteenth and Seventeenth Century Europe. Oxford: Clarendon
Press, 1985.
Impey, Oliver, and Malcolm Fairley, eds.
Meiji No Takara: Treasures of Imperial Japan. London:
Kibo Foundation, 1995.
Irwin, J., ed. Indian Art in the V&A.
Bombay,1976. .
Isherwood,Andrew. An introduction to
the Kelmscott Press. London: V&A, 1986.
Jackson, A. "Imagining Japan: The
Victorian Perception and Acquisition of Japanese Culture.”
Journal of Design History 5, no.4 (1992): 245-56.
Jackson, Charles James. An Illustrated
History of English Plate. 2 vols. London: Country Life,
1911.
James, E. "Exhibitions and Displays
at the V&A, 1852-1993.” 1995. National Art Library,
V&A.
Jervis, Simon. High Victorian Design.
Woodbridge, Suffolk: The Boydell Press, 1983.
—. The Penguin Dictionary of Design
and Designers. London: A. Lane, 1984.
—. Furniture of about 1900 from Austria
and Hungary in the Victoria and Albert Museum. London:
V&A, 1986.
—. Art and Design in Europe and America,
1800-1900. London: Herbert Press,1987.
—. "Charles, Bevan and Talbert."
In The Decorative Arts in the Victorian Period. edited
by Susan Wright, 15-29. London: Society of Antiquaries of
London, 1989.
Joachimides, Alexis, et al., eds. Museumsinszenierungen:
Zur Geschichte der Institution des Kunstmuseums: Die Berliner
Museumslandschaft, 1830-1990. Dresden: Verlag der Kunst,
1995.
John, William David. Old English Lustre
Pottery. Newport, England: R. H. Johns, 1951.
Johnson, Stewart. Eileen Gray: Designer,
1879-1976. London: Debrett in association with the Victoria
and Albert Museum and the Museum of Modern Art,1979.
Jones, Dalu, and George Michell, eds. The
Arts of Islam. London: Arts Council of Great Britain,
1976.
Jones, Joan. Minton: The First Two Hundred
Years of Design and Production. Shrewsbury: Swan Hill
Press, 1993.
Jones, Owen. The Grammar of Ornament.
London: Day & Son, 1856.
—. The Grammar of Ornament. London:
B. Quaritch, 1868.
Jopek, N. "Franz Bock und das South
Kensington Museum." In Festschrift für Franz Ronig,
edited by A. Schommers. Forthcoming.
Journal of the Society of Arts. "The
Factory System in Prussia.” Journal of the Society of
Arts 2, no, 70 (1853): 320-4.
—."Discussion.” Journal of the
Society of Arts 16, no.792 (1868): 179.
Karp, Ivan, and Steven D. Lavine, eds.
Exhibiting Cultures: The Poetics and Politics of Museum
Display. Washington, D.C.: Smithsonian Institution Press,1991.
Kauffmann, C. M., compiler, Catalogue
of Foreign Paintings. Vol. 1, Before 1800. London:
V&A, 1973.
Keen, Michael E. Jewish Ritual Art in
the Victoria & Albert Museum. London: HMSO,1991.
Kelvin, Norman. The Collected Letters
of William Morris. 5 vols, Princeton: Princeton Univ.
Press, 1984-87.
Kemp, Martin. "The Crisis at the V
and A: A Loss of Balance, the Trustee Boards of National
Museums and Galleries.” Burlington Magazine 131,
no.1034 (1989): 355-7,
Kendrick, Albert Frank. Catalogue of
Tapestries. 2nd ed. London: HMSO, 1924,
Kerr, Rose. Chinese Ceramics: Porcelain
of the Qing Dynasty, 1644-1911. London: V&A, 1986.
Kerr, Rose, ed., with texts by Rose Kerr,
Verity Wilson, and Craig Clunas. Chinese Art and Design:
Art Objects in Ritual and Daily Life. Woodstock N .Y.:
Overlook Press, 1991.
King, Donald. Opus Anglicanum: English
Medieval Embroidery. London: Arts Council, 1963.
King, DonaId, director, with the collaboration
of Santina Levey ...[et al]. British Textile Design in
the Victoria and Albert Museum. 3 vols. Tokyo: Gakken,1980.
King, James. The Last Modern: A Life
of Herbert Read. New York: St. Martin's Press,1990.
King, W., and M. H. Longhurst. “A Relic
of Horace Walpole." Burlington Magazine 48 (1926):
98-9.
Kisluk-Grosheide, Daniele O. "The
Marquand Mansion.” Metropolitan Museum Journal 29
(1994): 151-81.
Koezuka, Takashi, ed. The Art of the
Indian Courts: Miniature Paintings and Decorative Arts.
Osaka: NHK Kinki Media Puran, 1993.
Krahn, Volker. Bartolommeo Bellano:
Studien zur Paduaner Plastik des Quattrocento, Munich:
Scaneg, 1988.
Kühnel, Ernst. Die islamischen Elfenbeinskulpturen.
Berlin: Deutscher Verlag für Kunstwissenschaft, 1971.
Kunstgewerbe-museum. Das Kunstgewerbe-museum
zu Berlin: Festschrift zur Eröffnung des Museumsgebäudes.
1881. Reprint, Berlin: Frölich und Kaufmann,1981.
Küper, Marijke, and Ida van Zijl. Gerrit
Th. Rietveld, 1883-1964: The Complete Works. Utrecht:
Centraal Museum, 1992.
Labarte, M. J."Des collections d'objets
d'art et d'industrie anciens.” Revue générale de I'architecture
8 (1849): 302-12, 368-76.
Lackner, H., and J. Mikoletsky. "Zur
Aufmienterung der Künste and der Gewerbe.” In Das K.
K, National Fabriksprodukten-Kabinett: Technik und Design
des Biedermeier, edited by Thomas Werner, 29-42. Munich:
Prestel,1995.
Laking, G. F. ”An Historical Pair of Stirrups."
Connoisseur 29 (1907): 25-7.
Laking, Guy Francis. Record of European
Armour and Arms through Seven Centuries. 5 vols.
London: G. Bell, 1920-22.
Lane, Arthur. Italian Porcelain.
London: Faber and Faber, 1954.
Lane, Arthur, and R. J. Charleston. "Girl
in a Swing Porcelain and Chelsea." Transactions
of the English Ceramic Circle 5, no.3 (1962).111-44.
La Niece, Susan. "Niello: An Historical
and Technical Survey.” Antiquaries Journal 63 (1983):
279-91.
Larsson, Lar Olaf. Adrian de Vries.
Vienna: Schroll, 1967.
Laver, James. Museum Piece, or the Education
of an Iconographer London: A. Deutsch, 1963.
Lecocq, Anne-Marie. "Morts et résurrections
de Bernard Palissy.” Revue de l'art 78 (1987): 26-32.
Lessmann, Johanna. Italienische Majolika:
Katalog der Sammlung Herzog-Anton-Ulrich-Museum Braunschweig.
Braunschweig: Herzog-Anton-Ulrich-Museum,1979.
Levenson, Jay A., ed. Circa 1492: Art
in the Age of Exploration. Washington, D.C.: National
Gallery of Art, 1991.
Levine, Philippa. The Amateur and the
Professional: Antiquarians, Historians and Archaeologists
in Victorian England, 1838-1886. Cambridge, England:
Cambridge Univ. Press, 1986.
Lieb, Norbert. Die Fugger und die Kunst.
Vol. 1. Im Zeitalter der Spätgotik und fruhen Renaissance.
Munich: Schnell and Steiner, 1952.
Lightbown, R. W. “A Medici Casket.” Victoria
and Albert Museum Bulletin 3 (1967): 81-9.
Little, Wilfred L. Staffordshire Blue:
Underglaze Blue Transfer-Printed Earthenware. London:
Batsford, 1969.
Llewellyn, Nigel. The Art of Death:
Visual Culture in the English Death Ritual, C.1500-C.1800.
London: Reaktion Books in association with the V&A,
1991.
Long, Basil Somerset. Catalogue of the
Jones Collection. Vol. 3. London: HMSO, 1923.
Longhurst, Margaret Helen. Catalogue
of Carvings in Ivory: Victoria and Albert Museum. 2
vols. London: Board of Education, 1927-29.
Lowenthal, David. The Past Is a Foreign
Country. Cambridge, England: Cambridge Univ. Press,
1985.
Luckhurst, Kenneth William. The Story
of Exhibitions. London: Studio Publications,1951.
Lydecker, John Kent. The Domestic Setting
of the Arts in Renaissance Florence. Ann Arbor, Mich.:
University Microfilms, 1993.
Lynes, Russell. More Than Meets the
Eye: The History and Collections of the Cooper-Hewitt Museum,
the Smithsonian Institution's National Museum of Design.
Washington, D.C.: Smithsonian Institution, 1981.
MacCarthy, Fiona. All Things Bright
& Beautiful: Design in Britain 1830 to Today. London:
George Allen & Unwin Ltd, 1972.
McClellan, Andrew. Inventing the Louvre:
Art, Politics, and the Origins of the Modern Museum in Eighteenth-Century
Paris. Cambridge, England: Cambridge Univ. Press, 1994.
Macdonald, Stewart. The History and
Philosophy of Art Education. London: Univ. of London,
1970.
MacGregor, Arthur, ed. Tradescants Rarities:
Essays on the Foundation of the Ashmolean Museum, 1683,
with a Catalogue of the Surviving Early Collections.
Oxford: Clarendon Press, 1983.
—. Sir Hans Sloane: Collector, Scientist,
Antiquary, Founding Father of the British Museum. London:
British Museum, 1994.
McKillop, Beth. Korean Art and Design.
London: V&A, 1992a.
—. "The Samsung Gallery of Korean
Art at the Victoria and Albert Museum.” Orientations
23, no.12 (1992b): 34-8.
Maclagan, E. "Museum Planning."
RIBA Journal 38 (1931): 527-48.
Maclagan, Eric, and Margaret H. Longhurst.
Catalogue of Italian Sculpture. 2 vols. Oxford: Oxford
Univ. Press, 1932.
Macquoid, Percy. A History of English
Furniture. Vol. 1. London: Lawrence and Bullen,1904.
Macquoid, Percy, and Ralph Edwards. The
Dictionary of English Furniture from the Middle Ages to
the Late Georgian Period. Vol. 1. London: Country Life,
1924.
Mallet, J. V. G. "Two Documented Gold
Chelsea Gold-Anchor Vases.” Victoria and Albert Museum
Bulletin 1, no.1 (1965): 29-37.
—. "Hogarth's Pug in Porcelain.” Victoria
and Albert Museum Bulletin 3, no.2 (1967): 45-54.
Mallgrave, Harry Francis. Gottfried
Semper: Architect of the Nineteenth Century: A Personal
and Intellectual Biography. New Haven: Yale Univ. Press,1996.
Manchester City Art Gallery. Catalogue
of an Exhibition of Chinese Applied Art. Manchester:
G. Falkner, 1913.
Mandler, Peter. The Stately Homes of
England: The English Country House and the National Heritage
since the Eighteenth Century. New Haven: Yale Univ:
Press, in press.
Marryat, Joseph. Histoire des poteries,
faiences et porcelaines. 2 vols. Paris: J. Renouard,
1866.
Martin, Theodore. The Life of His Royal
Highness the Prince Consort. 5 vols. London: Smith,
Elder and Co., 1875-80.
Maskell, William. A Description of the
Ivories Ancient & Medieval. London: Chapman and
Hall, 1872.
Mather, F. J.”Art in America.” Burlington
Magazine 9 (1906): 62-3.
—. "Museums.” Burlington Magazine
13 (1908): 322.
Mattei, Pietro, and Tonica Cecchetti, eds.
Maestro Giorgio: I'uomo, I' artista, I'imprenditore.
Perugia: Camera di commercio, industria, artigianato e agricultura,1995.
Meller, Simon. Die deutschen Bronzestatuetten
der Renaissance. Florence: Pantheon,1926.
Mende, U. Heinrich der Löwe. Braunschweig,1995.
Mendes, Valerie. The Victoria &
Albert Museum’s Textile Collection: British Textiles from
1900 to 1937. New York: Canopy Books, 1992.
Menzhausen, Joachim. "Elector Augustus's
Kunstkammer: An Analysis of the Inventory of 1587.” In The
Origins of Museums: The Cabinet of Curiousities in Sixteenth
and Seventeenth Century Europe, edited by Oliver Impey
and Arthur MacGregor, 69-75. Oxford: Clarendon Press, 1985.
Miller, R. Craig. Modern Design in the
Metropolitan Museum of Art, 1890-1990. New York: Metropolitan
Museum of Art and Harry N. Abrams, Inc., 1990.
Minihan, Janet. The Nationalization
of Culture: The Development of State Subsidies to the Arts
in Great Britain. London: Hamilton, 1977.
Mitchell, H. P."W. H. J. Weale.” Burlington
Magazine 30 (1917): 241-3.
Mitchell, Timothy. "Orientalism and
the Exhibitionary Order.” In Colonialism and Culture,
edited by Nicholas B. Dirks, 289-317. Ann Arbor: Univ. of
Michigan Press, 1992.
Mitter, Partha. Much Maligned Monsters:
A History of European Reactions to Indian Art. Chicago:
Univ. of Chicago Press, 1992. First published Oxford: Clarendon
Press, 1977.
—. Art and Nationalism in Colonial India,
1850-1922: Occidental Orientations. Cambridge, England:
Cambridge Univ. Press, 1994.
Möller, Lieselotte. Der Wrangelschrank
und die Verwandten Süddeutschen Intarsienmöbel des 16. Jahrhunderts.
Berlin: Deutscher Verlag für Kunstwissenschaft, 1956.
Montevecchi, Benedetta, and Sandra Vasco
Rocca, eds. Suppellettile ecclesiastica. Florence:
Centro Di, 1988.
Moore, Andrew W. Norfolk and the Grand
Tour. Eighteenth-Century Travellers Abroad and Their Souvenirs.
Norwich: Norfolk Museums Service, 1985.
Moorman, David, ed. Matisse Prints from
The Museum of Modern Art. Fort Worth, Texas: The Fort
Worth Art Museum and The Museum of Modern Art, New York,
1986.
Mordaunt Crook, Joseph. William Burges
and the High Victorian Dream. London: J. Murray, 1981.
.
Mordaunt Crook, Joseph, ed., with catalogue
entries by Mary Axon and Virginia Glenn. The Strange
Genius of William Burges, Art-Architect, 1827-1881: A Catalogue
to a Centenary Exhibition, Organised Jointly by the National
Museum of Wales, Cardiff and the Victoria and Albert Museum,
London, in 1981. Cardiff: National Museum of Wales,
1982.
Morikawa, S. "The Rise and Development
of the Art Museum as a Cultural Institution: The Philadelphia
Story.” Ph.D. diss., Syracuse University, 1983.
Morris, Barbara. Inspiration for Design:
The Influence of the Victoria and Albert Museum. London:
V&A, 1986.
Muirhead, Findlay. London and Its Environs.
London: E. Benn, 1918.
Muirhead, Findlay, and L. Russell Muirhead,
eds. London and Its Environs. 4th ed. London: E.
Benn, 1935.
Muirhead, L. Russell, ed. Short Guide
to London. 5th ed. London: E. Benn, 1947.
Mundt, Barbara, Die deutschen Kunstgewerbemuseen
im 19. Jahrhundert. Munich: Prestel, 1974.
—. "Über einige Gemeinsamkeiten und
Unterschiede von kunstgewerblichen und kulturgeschichtlichen
Museen.” In Das kunst- und kulturgeschichtliche Museum
im 19. Jahrhundert: Vorträge des Symposions im Germanischen
Nationalmuseum Nürnberg, edited by Bernward Deneke and
Rainer Kahsnitz, 143-51. Munich: Prestel, 1977.
—. "125 Jahre Kunstgewerbemuseum:
Konzepte, Bauten und Menschen für eine Sammlung, 1867-1939.”
Jahrbuch der Berliner Museen 34 (1982): 173-84.
Murdoch Smith, Robert. Persian Art.
London: Chapman and Hall, 1876.
Murray, John. Handbook to London As
It Is. London: J. Murray, 1874.
Museo Campana. Cataloghi del Museo Campana.
Rome: n.p., 1859.
Museum of Fine Arts. "Communications
to the Trustees Regarding the New Building.” 1904. Archives
Department, Museum of Fine Arts, Boston.
—. "The Museum Commission in Europe.”
1905. Archives Department, Museum of Fine Arts, Boston.
Museums Journal "The New Building
for the Museum of Fine Arts in Boston." Museums
Journal 8 (1908-09): 163-70.
—. "Indian collection at South Kensington."
Museums Journal 8 (1908-09): 435.
—. “Art and Industry in Sweden." Museums
Journal 20 (1920-21): 199-200.
—. “Art and Commerce." Museums
Journal 24 (1924-25): 272.
—. Museums Journal 33 (1933-34):
369-70.
Nachama, A., and Gereon Sievernich, eds.
Jüdische Lebenswelten: jüüdisches Denken und Glauben,
Leben und Arbeiten in den Kulturen der Welt. Berlin:
Berliner Festspiele, 1992. -
Naef, Weston J. Early Photographs in
Egypt and the Holy Land, 1849-1870. New York: Metropolitan
Museum of Art, 1973.
Nara National Museum. Builders of Japanese
Buddhism: Their Portraits and Calligraphy. Nara,1981.
National Museum. Guides to the National
Museum: The Ethnographical Department: High Civilizations
of Asia. Copenhagen: Nationalmuseet, 1950.
Naylor, Gillian. The Arts and Crafts
Movement. London: Studio Vista, 1971.
Neale, John Preston. Views of the Seats
of Noblemen and Gentlemen in England, Wales, Scotland and
Ireland. 6 vols. London: Sherwood, Neely and Jones,
1818-23.
Nelson, John. The History, Topography
and Antiquities of the Parish of St Mary Islington in the
County of Middlesex.London: J. Nichols, 1811.
Nesbit, George L. Benthamite Reviewing:
The First Twelve Years of the Westminster Review, 1824-36.
New York: AMS Press, 1966.
Neverov, Oleg. " 'His Majesty's Cabinet'
and Peter I's Kunstkammer." In The Origins of Museums'
The Cabinet of Curiousities in Sixteenth and Seventeenth
Century Europe, edited byOliver Impey and Arthur MacGregor,
54-61. Oxford: Clarendon Press, 1985.
Nevill, Dorothy Fanny. The Reminiscences
of Lady Dorothy Nevill. Edited by Ralph Henry Nevill.
London: E. Arnold, 1906.
Noever, Peter, ed. Tradition und Experiment:
Das Österreichische Museum für Angewandte Kunst, Wien.
Salzburg: Residenz- Verlag, 1988.
Odaschalchi, Baldassare. "The Industrial
Arts in Italy." The Builder 40, no.1988 (1881):
295-301.
Official, Descriptive and Illustrated
Catalogue of the Great Exhibition of the Works of Industry
of All Nations. 4 vols. London: Spicer Bros., 1851-52.
Oman, Charles. English Domestic Silver.
London: A. and C. Black, 1934.
—. German and Swiss Domestic Silver
of the Gothic Period. Small Picture Book, no.55. London:
HMSO, 1960.
—. Caroline Silver, 1625-1688. London:
Faber, 1970.
—, compiler. The Golden Age of Hispanic
Silver, 1400-1665. London: HMSO,1968.
Oughton, Frederick. Grinling Gibbons
& the English Woodcarving Tradition. London: Stobart,
1979.
Painter, K., and D. Whitehouse. "The
History of the Portland Vase." Journal of Glass
Studies 32 (1990): 24-84.
Parkinson, Ronald. Catalogue of British
Oil Paintings, 1820-1860: The Victoria and Albert Museum.
London: HMSO, 1990.
Parris, Leslie, and Ian Fleming-Williams.
Constable. London: Tate Gallery, 1991.
Parry, Linda. William Morris Textiles.
London: Weidenfeld and Nicolson, 1983.
—. Textiles of the Arts and Crafts Movement.
New York: Thames and Hudson, 1988.
—, ed. William Morris. New York:
Harry N. Abrams, Inc., 1996.
Paulson, Ronald. Hogarth's Graphic Works.
2 vols. New Haven: Yale Univ. Press, 1965.
—. Hogarth: His Life, Art, and Times.
Vol. 2. New Haven: Yale Univ. Press, published for the Paul
Mellon Centre for Studies in British Art, 1977.
Pearce, Susan M. Museums, Objects and
Collections: A Cultural Study. Leicester: Leicester
Univ. Press, 1992.
Penny, Nicholas. Catalogue of European
Sculpture in the Ashmolean Museum: 1540 to the Present Day.
3 vols. Oxford: Clarendon Press, 1992.
Perez, Nissan N. Focus East: Early Photography
in the Near East, 1839-1885. New York: Harry N. Abrams,
Inc., 1988.
Perkins, C. “American Art Museums."
North American Review 228 (1870 ).
Peterson, William S. The Kelmscott Press:
A History of William Morris’s Typographical Adventure.
Oxford: Clarendon Press, 1991.
Pevsner, Nikolaus. An Enquiry into Industrial
Art in England. Cambridge, England: Cambridge Univ.
Press, 1937.
—. Academies of Art. Cambridge,
England: Cambridge Univ. Press, 1940.
Pezone, R. "L’Union de l'art et de
l'industrie: Les origines de I. U.C.A.D. et du Musée des
arts décoratifs." Master's thesis, Université de Paris,
IV Sorbonne,1989.
Philippovich, E. von. "Peter Hencke,
der Monogrammist JPH und PH." In Mainz und der Mittelrhein
in der europäischen Kunstgeschichte: Studien für Wolfgang
Fritz Volbach zur seinem 70 Geburtstag, 679-86. Forschungen
zur Kunstgeschichte und christlichen Archäologie, vol. 6.
Gesellschaft für Bildende Kunst, 1966.
Physick, John. Photography and the South
Kensington Museum. London: V&A, 1975.
—. The Victoria and Albert Museum: The
History of Its Building. Oxford: Phaidon,1982.
—. "Early Albertopolis: The Contribution
of Gottfried Semper.” The Victorian Society Annual
(1994): 28-36.
Pinder- Wilson, Ralph H., compiler, with
the assistance of Ellen Smart and Douglas Barrett. Paintings
from the Muslim Courts of India. London: World of Islam
Festival Pub. Co., 1976.
Pinkham, Roger. Catalogue of Pottery
by William De Morgan. London: V &A, 1973.
Pinner, R., and M. Franses. "East
Mediterranean Carpets in the V&A.” HALl 4, no.1
(1981): 36-52.
Pinto, Edward H. Treen and Other Wooden
Bygones: An Encyclopedia and Social History. London:
Bell, 1969.
Plinval de Guillebon, Régine de. Paris
Porcelain, 1770-1850. London: Barrie and Jenkins,1972.
Plunkett, G. T. "How an Art Museum
Should Be Organised.” Magazine of Art n.s.1 (1902-03):
448-50.
Pointon, Marcia, ed. Art Apart: Art
Institutions and Ideology across England and North America.
Manchester: Manchester Univ. Press, 1994.
Pollen, Anne. John Hungerford Pollen,
1820-1902. London: J. Murray, 1912.
Pomian, K. "Collections et musées,
note critique.” Annales 6 (1993): 1381-1401.
Pope-Hennessy, John. "Obituary: Dr.
W. L. Hildburgh.” Burlington Magazine 98 (1956):
56.
—. "The Victoria and Albert Museum.”
Lecture given at the V&A, c. 1960. National Art Library,
V&A.
—. “An Ivory by Giovanni Pisano.” Victoria
and Albert Museum Bulletin 1, no.3 (1965): 9-16.
—. “A Sketch-Model by Benvenuto Cellini.”
Bulletin of the Victoria and Albert Museum I (1965):
5-9. Reprinted in Essays on Italian Sculpture, 141-44.
London, 1968.
—. "Michelangelo's Cupid: The End
of a Chapter.” In Essays on Italian Sculpture, 111-20.
London: Phaidon, 1968.
—. "The Gherardini Collection of Italian
Sculpture.” Victoria and Albert Museum Yearbook 2
(1970): 7-26.
—. "Perseus.” Cellini, ch.
VII, 163-86, plates 85-108. New York: Abbeville Press,1985.
—. Learning to Look. New York: Doubleday,
1991.
Pope-Hennessy, John, assisted by Ronald
Liightbown. Catalogue of Italian Sculpture in the Victoria
and Albert Museum. 3 vols. London: HMSO, 1964.
Powell, J. C. "Hitcham: Notes on the
14th Century Glass in the Chancel of St Mary's Church.”
Bucks Architectural and Archaeological Society: Records
10 (1915): 370-3.
Poynter, Edward J. Ten Lectures on Art.
London: Chapman and Hall, 1879.
Prince Consort. "Memorandum by the
Prince Consort as to the Disposal of the Surplus from the
Great Exhibition of 1851.” In The Life of His Royal Highness,
The Prince Consort by Theodore Martin, vol. 2,569-73.
London: Smith, Elder and CO., 1877.
Privy Council. Correspondence between the
Lords of the Committee of the Privy Council for Trade and
the Lords Commissioners of H. M. Treasury on the Constitution
of the Department of Science and Art, March 16, 1853. National
Art Library, V&A.
Pugin, Augustus Welby Northmore. True
Principles of Christian Architecture. London: J. Weale,
1841.
Purbrick, Louise. "The South Kensington
Museum: The Building of the House of Henry Cole.” In Art
Apart: Art Institutions and Ideology across England and
North America, edited by Marcia Pointon, 69-88. Manchester:
Manchester Univ. Press, 1994.
Rackham, Bernard. "The Master of the
Resurrection Panel.” In Festschrift zum sechzigsten Geburtstage
von E. W Braum, 70-84. Anzeiger des Landesmuseums in
Troppau, vol. 2., 1930.
—. A Guide to the Collection of Stained
Glass. London: Printed under the authority of the Board
of Education, 1936.
—. Catalogue of Italian Maiolica.
London: Board of Education, 1940.
Rackham, Bernard, and Herbert Read. English
Pottery: Its Development from Early Times to the End of
the Eighteenth Century. London: E. Benn, 1924.
Radcliffe, Anthony. European Bronze
Statuettes. London: Connoisseur, 1966.
—. Italian Renaissance Sculpture in
the Time of Donatello. Detroit: Founders Society, The
Detroit Institute of Arts, 1985.
Radice, Barbara. Memphis: Research,
Experiences, Results, Failures and Successes of a New Design.
Translated from the Italian by Paul Blanchard. London: Thames
and Hudson, 1985.
—. Ettore Sottsass: A Critical Biography.
Translated by Rodney Stringer. New York: Rizzoli, 1993.
Redgrave, Richard. "Supplementary
Report on Design.” In Reports by the Juries on the Subjects
in the Thirty Classes into Which the Exhibition Was Divided.
London: Spicer Brothers, 1852.
—. "On the Methods Employed for Imparting
Education in Art to All Classes.” In Addresses of the
Superintendents of the Department of Practical Art, Delivered
at the Theatre at Marlborough House. London: Chapman
and Hall, 1853.
—. Richard Redgrave, C.B., R.A.A.: A
Memoir, Compiled from His Diary. Edited by Frances Margaret
Redgrave. London: Cassell and CO., 1891.
Rein, J. J. The Industries of Japan.
London: Hodder and Stoughton, 1889.
Reising, Gert. Das Museum als Öffentlichkeitsform
und Bildungsträger bürgerlicher Kultur: Unter besonderer
Berücksichtigung der Entwicklungsgeschichte des South Kensington
Museum in London. Darmstadt: Roether,1980.
Reitlinger, Gerald. The Economics of
Taste. Vol. 2. London: Barrie and Rockliff, 1963.
Reynolds, Graham. The Later Paintings
and Drawings of John Constable. 2 vols. New Haven: Published
for the Paul Mellon Centre for Studies in British Art by
Yale Univ. Press, 1984.
Rhodes, John Grant. Ornament and Ideology:
A Study in Mid-Nineteenth- Century British Design Theory
(Ph.D. diss., Harvard University, 1983). Ann Arbor: University
Microfilms International, 1985.
Richards, Charles R. Industrial Art
and the Museum. New York: Macmillan, 1927.
Richards, Thomas. The Imperial Archive:
Knowledge and the Fantasy of Empire. London: Verso,
1993.
Richter, J. P. "The MSS of Leonardo
da Vinci in the South Kensington Museum.” The Academy
16 (1879): 344-5.
Riegl, Alois. Stilfragen: Grundlegungen
zu einer Geschichte der Ornamentik. Berlin: G. Siemens,
1893.
Robinson, John Charles. An Introductory
Lecture on the Museum of Ornamental Art of the Department.
London: Chapman and Hall, 1854.
—. Catalogue of the Soulages Collection.
London: Chapman and Hall, 1856.
—. The Treasury of Ornamental Art.
London: Day and Son, 1857.
—. On the Museum of Art. Introductory
Addresses on the Science and Art Department and the South
Kensington Museum, no.5. London, 1858.
—. Report for the Art Museum for 1859.
Ed. 84/164, National Art Library, V&A.
—. Italian Sculpture of the Middle Ages
and Period of the Revival in Art: A Descriptive Catalogue
of the Works Forming the above Section of the Museum, with
Additional Illustrative Notices. London: Chapman and
Hall,1862b.
—. "On the Art Collections at South
Kensington, Considered in Reference to Architecture.” Building
News 10 (1863): 425-7, 445-6.
—. Report, 28th March 1865. Vol. 3, part
1, no.6433. National Art Library, V&A.
—. "Our Public Art Museums: A Retrospect.”
Nineteenth Century (1897): 940-64.
—, ed. Catalogue of the Special Loans
Exhibition at the South Kensington Museum, 1862a. National
Art Library, V&A.
—, ed. Catalogue of the Special Loan
Exhibition of Spanish and Portuguese Ornamental Art.
London: Chapman and Hall, 1881.
Robinson, Vincent J. Eastern Carpets:
Twelve Early Examples. London: H. Sotheran & CO.,
1882.
Rock, Daniel. Textile Fabrics: A Descriptive
Catalogue of the Collection of Church Vestments, Dresses,
Silk Stuffs, Needlework and Tapestries. London: Chapman
and Hall, 1870.
Rothenstein, William. Men and Memories.
London: Faber and Faber, 1932.
Rothstein, Nathalie. Silk Designs of
the Eighteenth Century in the Collection of the Victoria
and Albert Museum, with a Complete Catalogue. London:
Thames and Hudson, 1990.
Royal Academy of Arts. Catalogue of
the International Exhibition of Chinese Art, 1935-36.
London: Royal Academy of Arts, 1935.
Royal Commission on National Museums and
Galleries. Oral Evidence, Memoranda and Appendices to
the Interim Report. London: HMSO, 1928. National Art
Library, V&A.
—. Final Report. London, 1930. National
Art Library, V&A.
Royal Commission on Technical Instruction.
Second Report. London, 1884. National Art Library,
V&A.
Rupin, Ernest. L'oeuvre de Limoges.
Paris: A. Piard, 1890.
Russell, Raymond. Victoria and Albert
Museum: Catalogue of Musical Instruments. Vol. 1,
Keyboard Instruments. London: HMSO, 1968.
Rykwert, Joseph. "Eileen Gray: Pioneer
of Design." The Architectural Review 152 (1972):
357-61.
Saint Louis Art Museum. Saint Louis
Art Museum Bulletin 17-18 (1984-88).
Salomon, Kathryn. Jewish Ceremonial
Embroidery. London: Batsford, 1988.
Samuel, Raphael, ed. Patriotism: The
Making and Unmaking of British National Identity. 3
vols. London: Routledge, 1989.
Saumarez Smith, Charles. "The Philosophy
of Museum Display: The Continuing Debate." V&A
Album 5 (1986): 30-8.
Scarce, J. "Travels with Telegraph
and Tiles in Persia: From the Private Papers of Major-General
Sir Robert Murdoch Smith." Art and Archaeology Research
Papers 3 (1973): 70-81.
Scarisbrick, Diana. Tudor and Jacobean
Jewellery, 1508-1625. London: Tate Gallery Publications,
1995.
Schaap, Robert, ed., catalogue compiled
by Frits Scholten, Jan Dees, Robert Schaap. Meiji: Japanese
Art in Transition. Leiden: Society for Japanese Arts
and Crafts, 1987.
Schnitzer, B. K. "The 16th-Century
French Ceramic Ware Called Saint-Porchaire." Ph.D.
diss., University of Michigan, 1987.
Schott, Howard. Victoria and Albert
Museum: Catalogue of Musical Instruments. 2nd ed. VoI.
1, Keyboard Instruments. London: HMSO, 1985.
Schwabe, Hermann. Die Forderung der
Kunst-Industrie in England und der Stand dieser Frage in
Deutschland. Berlin, 1866a.
—. Report on South Kensington and Its Programs,
Berlin, 1866b. National Art Library, V&A.
Select Committee. Report from the Select
Committee Appointed to Inquire into the Best Means of Extending
a Knowledge of the Arts, and of the Principles of Design,
among the People of the Country. London, 1835-36.
—. Report from the Select Committee
on Arts and Their Connexion with Manufactures. London,
1836.
—. Report from the Select Committee
on the South Kensington Museum. London, 1860.
—. Second Report from the Select Committee
on Museums of the Science and Art Department. London:
Printed for HMSO by Eyre & Spottiswoode, 1897.
Select Committee on Schools of Art. “Appendices."
In Parliamentary Papers 12 (1864): 368-453.
Select Committee on Scientific Instruction.
"Minutes of Evidence." Parliamentary Papers.
London 15 (1864a): 47-8.
—. “Appendices." Parliamentary
Papers. London 15 (1864b): 450-1.
Semper, Gottfried. "Practical Art
in Metals.” 1854. National Art Library, V &A.
—. Der Stil in den technischen and tektonischen
Künsten, oder praktische Aesthetik: Ein Handbuch für Techniker,
Künstler, und Kunstfreunde. 2 vols. Frankfurt: Verlag
für Kunst und Wissenschaft, 1860/l863.
—. Four Elements of Architecture and
Other Writings. Translated by Harry Francis Mallgrave
and Wolfgang Herrmann. Cambridge, England: Cambridge Univ.
Press, 1989.
Shaw, Henry. Specimens of Ancient Furniture
Drawn from Existing Authorities with Descriptions by Sir
Samuel Rush Meyrick. London: W. Pickering, 1836.
—. The Encyclopedia of Ornament.
London: n.p., 1842.
Shearman, Daniel J., and lirit Rogoff,
eds. Museum Culture: Histories, Discourses, Spectacles.
Minneapolis: Univ. of Minnesota Press, 1994.
Shearman, John K. G. Mannerism.
Harmondsworth: Penguin, 1967.
Simmonds, Peter Lund. Catalogue of the
Collection of Commercial Products of the Animal Kingdom.
London, 1857.
—. The Commercial Products of the Animal
Kingdom Employed in the Arts and Manufactures: Shown in
the Collection of the Bethnal Green Branch of the South
Kensington Museum. London: G. E. Eyre and W. Spottiswoode
for HMSO, 1880.
Skelton, R. "The Relations between
the Chinese and Indian Jade Carving Traditions." In
The Westward Influence of the Chinese Arts from the I4th
to the I8th Century, edited by William Watson, 98-108.
Colloquies on Art and Archaeology in Asia, no.3. London:
Univ. of London, School of Oriental and African Studies,
Percival David Foundation of Chinese Art, 1972.
—. "The Indian Collections: 1798-1978."
Burlington Magazine 120, no.902 ~ (1978): 297-304.
Smart, Ellen S. "Balchand." In
Master Artists of the Imperial Mughal Court, edited
by Pratapaditya Pal, 135-48. Bombay: Marg Publications,
1991.
Smith, W. "The Department of Science
and Art, and Its Reports." Art Journal 219 (1864).
Snodin, M., catalogue ed., assisted by
Elspeth Moncrieff. Rococo: Art and Design in Hogarth's
England. London: Trefoil, 1984.
Solkin, D. "Re-Wrighting Shaftesbury:
The Air Pump and the Limits of Commercial Humanism."
In Painting and the Politics of Culture, edited by
J. Barrell, 73-99. Oxford: Oxford Univ. Press, 1992.
—. Painting for Money: The Visual Arts
and the Public Sphere in Eighteenth-Century England.
Chapter 6,214-46. New Haven: Yale Univ. Press, 1993.
Solon, Louis Marc Emmanuel. The Art
of the Old English Potte.: London: Bemrose and Sons,
1883.
Somers Cocks, Anna. The Victoria and
Albert Museum: The Making of the Collection. Leicester:
Windward, 1980a.
—. Princely Magnificence: Court Jewels
of the Renaissance, 1500-1630. London: Debrett's Peerage
in association with the V&A, 1980b.
South Kensington Museum. A Brief Guide
to the Collection of Animal Products. London: W. Clowes
and Sons, 1857a.
—. Guide to the South Kensington Museum.
London, 1857b.
—. Catalogue of the First Special Exhibition
of National Portraits Ending with the Reign of King James
the Second on Loan to the South Kensington Museum. London:
Strangeways and Walden, 1866.
—. "Inventory of the Objects in the
Art Division of the Museum at South Kensington Arranged
According to the Dates of Their Acquisition.” Vol. 1, For
the Years 1852 to the End of 1867, 1868. National Art Library,
V&A.
—, Bethnal Green Branch. Animal Products
Registers, 1860s-1870S. 2 vols. National Art Library, V&A.
—. Catalogue of Chinese Objects in the
South Kensington Museum. London, 1872a.
—. Brief Guide to the Animal Products
Collection. London: Printed by Eyre and Spottiswoode
for HMSO, 1872b.
—. Handbook of the Jones Collection
in the South Kensington Museum. London: Published for
the Committee of the Council on Education by Chapman and
Hall, 1883.
—. Forster Collection: A Catalogue of
the Paintings, Manuscripts, Autograph Letters, Pamphlets,
etc. Bequeathed by John Forstel; Esq. LL.D.. London
HMSO,1893.
Special Committee. Report of a Special
Committee of the Council of the School of Design...on the
State and Management of the School. London, 1847.
Spielmann, P. E. “Art, Books, and Friendships
of Marion H. Spielmann.” National Art Library, V&A.
Stafski, H. "Die Skulpturensammlung.”
In Das Germanische Nationalmuseum Nürnberg, 1852-1977:
Beiträge zu seiner Geschichte, edited by Bernward Deneke
and Rainer Kahsnitz, 607-33. Munich: Deutscher Kunstverlag,
1978.
Stangos, Nikos, ed. David Hockney by
David Hockney. New York: Harry N . Abrams, Inc., 1977.
Starkey, David, ed. Henry VIII: A European
Court in England. London: Collins and Brown in association
with the National Maritime Museum, 1991.
Stewart, Susan. On Longing: Narratives
of the Miniature, the Gigantic, the Souvenir, the Collection.
Durham, N.C.: Duke University Press, 1993.
Stirling, Anna Marie Wilhelmina. William
De Morgan and His Wife. London: T. Butterworth, 1922.
Strange, Edward Fairbrother. "Report
on the Section of Prints and Drawings, Victoria and Albert
Museum,” 1908. Minutes and Memoranda of the Committee on
Re-arrangement. National Art Library, V &A.
—. Catalogue of Chinese Lacquer.
London: HMSO for the V&A, 1925.
Strong, Roy. "Forty Years On: The
Victoria and Albert Museum and the Regions.” Museums
Journal 75 (1975): vi-viii.
—. "The Victoria and Albert Museum,
1978.” Burlington Magazine 120 (1978): 272-6.
—. "Director's Report.” Victoria
and Albert Museum: Report of the Board of Trustees (1986)
8-9.
—. Gloriana: The Portraits of Queen
Elizabeth I. London: Thames and Hudson, 1987.
Strong, Roy, with contributions from V.
J. Murrell. Artists of the Tudor Court: The Portrait
Miniature Rediscovered. London: V&A, 1983.
Stronge, Susan. "Colonel Guthrie's
Collection.” Oriental Art 39, no.4( 1993) : 4-13.
Strzygowski, Josef. Koptische Kunst.
Cataloguee général des antiquités égyptiennes du Musée du
Caire, vol. 13. Vienna: A. Holzhausen, 1904.
Studio. Studio Yearbook of Decorative
Art (1949).
Summers, John David. The Sculpture of
Vincenzo Danti: A Study on the Influence of Michelangelo
and the Ideals of the Maniera. New York: Garland,1979.
Sumner, A. Men, Birds, Beasts &
Flowers: An Exhibition of Seventeenth Century Pictorial
Needlework. Bath, 1987.
—. "Sir John Charles Robinson: Victorian
Collector and Connoisseur.” Apollo 130 (1989): 226-30.
Surtees, Virginia. The Paintings and
Drawings of Dante Gabriel Rossetti, 1828-1882: A Catalogue
Raisonné. 2 vols. Oxford: Clarendon Press, 1971.
Survey of London. Survey of London.
Vol. 38, The Museums Area of South Kensington and Westminster.
London: Athlone Press for the Greater London Council, 1975.
Sutton, Denys. “A Born Virtuoso.” Apollo
95, no.121 (1972): 156-61.
—. "The Age of Robert Browning.” Apollo
122 (1985): 96-110.
Swarzenski, Hanns. Monuments of Romanesque
Art. London: Faber and Faber, 1955.
Symonds, R. W. “A Magnificent Dressing
Table.” Country Life, 16 February 1956, 286-8.
Taburet-Delahaye, Elisabeth, and B. D.
Boehm. L'oeuvre de Limoges: Emaux limousins du Moyen
Age. Paris: Réunion des musées nationaux, 1995.
Taft, Charles P. The South Kensington
Museum: What It Is, How It Originated, What It Has Done
and Is Now Doing for England and the World, and the Adaptation
of Such an Institution to the Needs and Possibilities of
this City. Cincinnati: Robert Clarke and CO., 1878.
Tait, Hugh. "The Bow Factory under
Alderman Arnold and Thomas Frye (1747-1759).” Transactions
of the English Ceramic Circle 5, no.4 (1963): 195-216.
—. Catalogue of the Waddesdon Bequest
in the British Museum. VoI. 3, The Curiosities.
London: British Museum, 1991.
Theuerkauff, Christian. "Scultura
Barocca in Avorio: Nuove attribuzioni ad Adam Lenckhardt
e a Dominicus Stainhart.” Antichità Viva 2 (1971):
33-51.
—. "Kunststücke von Helfenbein: Zum
Werk der Gebrüder Stainhart.” Alte und Moderne Kunst
17, no. 124/5 (1972): 22-33.
Thiekötter, Angelika, and Eckhard Siepmann,
eds. Packeis und Pressglas von der Kunstgewerbebewegung
zum Deutschen Werkbund: Eine wissenschaftliche Illustrierte.
Giessen. Anabas- Verlag, 1987.
Thompson, L. B. "On the Working of
Shell Cameos.” The Art Journal, n.s.14 (1898):277-80.
Thornton, Peter.”A Very Special Year.”
Connoisseur 198, no.191 (1978): 138-45.
—. The Italian Renaissance Interior,
1400-1600. New York: Harry N. Abrams, Inc., 1991.
Thornton, Peter, and S. Jervis. "King
Charles' Wassail Table.” Connoisseur 192, no.772
(1976): 137-40.
Thorpe, W.A."The French Taste ofMr.
John Jones.” Antique Collector 33, no.5 (1962): 208-14.
Tise, Suzanne. "Between Art and Industry:
Design Reform in France 1851-1939.” Ph.D. diss., University
of Pittsburgh, 1991.
Tomkins, Calvin. Merchants and Masterpieces:
The Story of the Metropolitan Museum of Art. New York:
E. P. Dutton, 1970.
Tomlin, Maurice. Catalogue of Adam Period
Furniture. London: V&A, 1972.
Trusted, Marjorie. Spanish Sculpture:
Catalogue of the Post-medieval Spanish Sculpture in Wood,
Terracotta, Alabaster, Marble, Stone, Lead and Jet in the
Victoria and Albert Museum. London: V&A, 1996.
Turner, Eric. "Toward a Modern Collecting
Policy: The Metalwork Collections of the Victoria and Albert
Museum.” Journal of Decorative and Propaganda Arts,
Summer 1988: 94-107.
Tvrdik, Valerie, ed. The Antiquarian
Society of the Art Institute of Chicago: The First One Hundred
Years. Chicago: Art Institute of Chicago, 1977.
Valpy, N. "Charles Gouyn and the Girl-in-a-Swing
Factory.” Transactions of the English Ceramic Circle
15, no.2 (1994): 317-26.
Van Haften, Julia, introduction and bibliography.
Egypt and the Holy Land in Historic Photographs: 77 Views
by Francis Frith. New York: Dover Publications,1980.
Vardy, John. Some Designs of Mr. Inigo
Jones and Mr. Wm. Kent. London, 1740.
Varley, Paul, and Kumakura Isao, eds. Tea
in Japan: Essays on the History of Chanoyu. Honolulu:
University of Hawaii Press, 1989.
Viale, Vittorio, ed. Mostra del Barocco
Piedmontese: Palazzo Madama, Palazzo Reale, Palazzo di Torino
Stupinigi. 2nd ed., 3 vols. Turin: Città di Torino,
1963.
V&A. Mogul Paintings Period of the
Emperors Jahangir & Shah Jahan 1605-1658 and Persian
Calligraphy formerly in the Imperial Collection at Delhi
Lent by Lady Wantage to the Victoria and Albert Museum 1917.
London, 1918.
—. "Victoria and Albert Museum Oriental
Collections.” National Art Library, V&A. London, 1901.
—. "Report of the Committee on the
Administration of the Victoria and Albert Museum.” National
Art Library, V&A. London, 1902.
—. Catalogue of the Loan Exhibition
of British Engraving and Etching Held at the Victoria and
Albert Museum, South Kensington. London: Printed for
HMSO by Wyman and Sons, 1903.
—. "The Victoria and Albert Museum,
Art Division: Report of the Committee on Re-arrangement,
1908.” National Art Library, V&A.
—. The Salting Collection. Victoria
& Albert Museum Guides. London: HMSO,1911.
—. "The Purposes and Functions of
the Museum.” Confidential Memorandum dated 5 November 1912.
National Art Library, V&A.
—. Review of the Principal Acquisitions,
1912. London: HMSO, 1913.
—. Catalogue of the Jones Collection.
VoI. 2. London: HMSO, 1924.
—. A Guide to the Salting Collection.
London: Board of Education, 1926.
—. "The History and Function of the
Museum.” 1929. National Art Library, V&A.
—. Fifty Masterpieces of Metalwork.
London: HMSO, 1951a.
—. Fifty Masterpieces of Sculpture.
London: HMSO for the V&A, 1951b.
—. Victorian and Edwardian Decorative
Arts. London: HMSO, 1952.
—. Fifty Masterpieces of Woodwork.
London: HMSO, 1955.
—. V&A Circulation Department: Its
History and Scope, 1960. National Art Library, V&A.
—. Fifty Masterpieces of Sculpture.
2nd ed. London: HMSO for the V &A, 1964.
—. The Fabric of Pop: A Travelling Exhibition
Organised by the Circulation Department. London: V&A,
1974a.
—. Ivory Carvings in Early Medieval
England, 700-1200. London: Arts Council of Great Britain,
1974b.
—. Keith Murray: A Travelling Exhibition
Organised by the Circulation Department. London: V&A,
1976.
Teaspoons to Trains: The Work of Frank
Pick, 1878-1941,” 1979. Exhibition leaflet. National Art
Library, V&A.
—. 100 Great Paintings in The Victoria
& Albert Museum. London: V&A, 1985a.
—. "TheV&A: Towards 2000.” 1985b.
National Art Library, V&A.
—. The Street Photographs of Roger Mayne.
London: V&A, 1986.
—. The Victoria and Albert Museum.
London: Scala Books in association with the V&A, 1991.
—. Hisao Miyajima, ed. British Design
at Home: The Victoria & Albert Museum. Osaka: NHK
Kinki Media Plan, 1994.
—. Takahika Sano, ed. The European Art
of Textiles. Osaka: NHK Kinki Media Plan, 1995.
Voak, J. "Directorship of Sir Roy
Strong: A Chronology of Major Events, Acquisitions, Exhibitions,
1974-1987.” V&A Album Golden Edition (1987):
27-48.
Vogelsang, Bernd. "Das Museum im Kästchen,
oder, Die Erfindung des Kunstgewerbemuseums als Photosammlung
durch den Freiherrn von Minutoli.” In Silber und Salt:
Zur Frühzeit der Photographie im deutschen Sprachraum, 1839-1860,
edited by Bodo von Dewitz and Reinhard Matz, 524-47. Cologne:
Edition Braus, 1989.
Volbach, W. F. "Das Christliche Kunstgewerbe
der Spätantike und des frühen Mittelalters im Mittelmeergebeit.”
Geschichte des Kunstgewerbes aller Zeiten und Völker,
edited by Helmuth T. Bossert, vol. 5, 46-125. Berlin: E.
Wasmuth,1932.
Vuilleumier, Bernard. The Art of Silk
Weaving in China: Symbolism of Chinese Imperial Ritual Robes.
London: China Institute, 1939.
Wainwright, Clive. "Some Objects from
William Beckford's Collection Now in the Victoria &
Albert Museum.” Burlington Magazine 113 (1971): 257-8.
—. "Specimens of Ancient Furniture.”
Connoisseur 184, no.740 (1973): 105-13.
—. "The Dark Ages of Art Revived.”
Connoisseur 198 (1978): 94-105.
—. "Models of Inspiration.” Country
Life 182 (1988): 266-7.
—. The Romantic Interior: The British
Collector at Home, 1750-1850. New Haven: Published for
the Paul Mellon Centre for Studies in British Art by Yale
Univ. Press, 1989.
—. "Principles True and False: Pugin
and the Foundation of the Museum of Manufactures.” Burlington
137 (1994): 357-64.
Wardle, Patricia. Victorian Silver and
Silver-Plate. London: H. Jenkins, 1963.
Waring, John Burley. Masterpieces of
Industrial Art and Sculpture at the International Exhibition,
1862. 3 vols. London: Day and Son, 1863.
Watkin, David. The Rise of Architectural
History. London: Architectural Press, 1980.
Watson, Oliver. "Justification and
Means: The Early Acquisition of Studio Pots in the Victoria
and Albert Museum.” Burlington Magazine 132, no.1046
(1990): 358-60.
—. "The Formation of the V&A Glass
Collection.” Paper presented at the annual conference of
the Association of Art Historians, 8 Apri11995.
Watson, P., and L. Marks. "Massacre
of the Scholars.” Observer, 12 February 1989,19.
Whinney, Margaret. English Sculpture
1720-1830. London: HMSO, 1971.
White, Eva. From the School of Design
to the Department of Practical Art The First Years of the
National Art Library, 1837-1853. London: V&A, 1994.
Whitehill, Walter M. Museum of Fine
Arts, Boston: A Centennial History. 2 vols. Cambridge,
Mass.: Belknap Press, 1970.
Wiener, Martin J. English Culture and
the Decline of the Industrial Spirit, 1850-1980. Cambridge:
Cambridge Univ. Press, 1981.
Wilk, Christopher, ed. Western Furniture:
1350 to the Present Day in the Victoria and Albert Museum.
New York: Cross River Press, 1996.
Williamson, G. C. History of Portrait
Miniatures. 2 v01s. G. Bell and Sons, 1904.
Williamson, Paul. Gothic Sculpture 1140-1300.
New Haven: Yale Univ. Press, 1995.
—, ed. The Medieval Treasury: The Art
of the Middle Ages in the Victoria and Albert Museum.
London: V&A, 1986.
—, ed. The Medieval Treasury: The Art
of the Middle Ages in the Victoria and Albert Museum.
2nd ed. Wappingers Falls: Antique Collector's Club,1996.
Wilson, Charles Heath. Life and Works
of Michelangelo Buonarroti. London: j. Murray, 1876.
Wilson, Richard. The Art of Ogata Kenzan:
Persona and Production in Japanese Ceramics. New York:
Weatherhill, 1991.
Wilson, Timothy H. "The Origins of
the Maiolica Collections of the British Museum and the Victoria
and Albert Museum, 1851-55.” Faenza 71 (1985): 68-81.
—. "Lustered Maiolica: Gubbio.” In
Western Decorative Arts, edited by Rudolf Distelberger
et al. Vol. 1, Medieval, Renaissance and Historicizing
Styles, Including Metalwork, Enamels and Ceramics, 163-72.
Washington, D.C.: National Gallery of Art, 1993.
—. "Saint-Porchaire.” In Western
Decorative Arts, edited by Rudolf Distelberger et al.
Vol. 1, Medieval, Renaissance and Historicizing Styles,
Including Metalwork, Enamels and Ceramics, 242-63. Washington,
D.C.: National Gallery of Art, 1993.
—, ed. Italian Renaissance Pottery:
Papers Written in Association with a Colloquium at the British
Museum. London: British Museum Press, 1991.
Wingfield Digby, George, assisted by Wendy
Hefford. The Tapestry Collection: Medieval and Renaissance.
London: HMSO, 1980.
Winter, Carl. Elizabethan Miniatures.
London: Penguin Books, 1943.
Wood, Christopher. Victorian Panorama:
Paintings of Victorian Life. London: Faber,1976.
Woodward, Carla Mathes. "Acquisition,
Preservation, and Education: A History of the Museum.” In
A Handbook of the Museum of Art, The Rhode Island School
of Design, edited by Carla Mathes Woodward and Franklin
W. Robinson, 12-60. Providence: Museum of Art, 1985.
Wulff, Inger. "Den dansen de Siva
fra Trankebar.” Jordens Folk: Etnografisk Revy 2,
no.4 (1966): 326-7.
Yang-Mo, C., ed. Paekja: Hanguk ui Mi.
Seoul,1984.
Yetkin, Şerare, translation by Maggie
Quigley. Historical Turkish Carpets. Ankara: Türkiye
Ìş Bankasi Cultural Publications, 1981.
