A number of the textiles in the Fabric of India exhibition were made to be used in architectural contexts, whether as furnishings for buildings or as a type of portable...
With such a strong focus on materials in the first part of the exhibition, we thought it would be a good thing for visitors to be able to feel the different textures of some...
The V&A’s Mughal embroidered coat is well known as one of the finest surviving examples of Indian court dress, and has been frequently displayed and published since the...
Sparkly gold embroidery (zardozi) has, to be honest, never been my favourite kind of Indian textile. But during the selection process of pieces for The Fabric of India I...
We recently returned from a week’s visit to Delhi and Jaipur, where we visited some of the designers showing work in the exhibition and also picked up several of our new...
A major focus of The Fabric of India is on the making of Indian textiles, and dyeing has been a key part of that process for thousands of years. Indigo is the dye most often...
When the idea for an exhibition on Indian textiles was first given the go-ahead, I had some sleepless nights wondering how we could possibly fill even one of the...
Welcome to our blog on the V&A’s forthcoming exhibition The Fabric of India. It’s now a year away, but preparations are well underway for what promises to be not only...