Have you seen my spectacles?



March 14, 2019

The conservation of the Keith Mitchell’s personal scrapbook

The Australian actor, Keith Mitchell is best known for his many imposing stage and screen performances particularly in classical roles such as King Henry VIII.

As a part of the changing displays in the Theatre and Performance Gallery, we wanted to display his personal scrapbook – but it needed some conservation treatment to get it ready. The scrapbook is a wonderful record of his work around 1970, and it includes photographs, cards and telegrams from family and friends, as well as press cuttings relating to the play ‘Abelard and Heloise’.

Double-page with a picture of Keith Mitchell, a post card of New York, and a drawing of Henry VIII by the actor. Scrapbook (1970), Keith Mitchell, 1970, Museum no. THM/496/1/24. Photo: Laury Grard © Victoria and Albert Museum
Double-page with a ‘Abelard and Heloise’ booklet, a telegram, a post card and fabric bags with paper tickets. Scrapbook (1970), Keith Mitchell, 1970, Museum no. THM/496/1/24. Photo: Laury Grard © Victoria and Albert Museum

The book holds a wide range of materials, including a pair of metal paper clips. They form the spectacles of a funny little sad-face drawing.

The sad face drawing before conservation, and the detached elements: the Sellotape carrier and metal clips. Scrapbook (1970), Keith Mitchell, 1970, Museum no. THM/496/1/24. Photo: Laury Grard © Victoria and Albert Museum


Originally the paperclips were held on the page with Sellotape, but with age the adhesive lost adhesion power and yellowed. The metal clips also oxidised, resulting in the loss of our friend’s spectacles.

The two metal clips and the Sellotape carrier with corrosion. Scrapbook (1970), Keith Mitchell, 1970, Museum no. THM/496/1/24. Photo: Laury Grard © Victoria and Albert Museum

In order to ‘respectical’ the face, I had to clean the paperclips with a slightly abrasive eraser, before protecting the surface from relative humidity with microcrystalline wax.

The paper clips were then re-attached in their original position using Japanese paper bridges (the same method used for attaching samples to herbaria).


The re-attachment of the paper clips with the Japanese paper bridges and some wheat starch paste. Scrapbook (1970), Keith Mitchell, 1970, Museum no. THM/496/1/24. Photo: Laury Grard © Victoria and Albert Museum

Finally, the original Sellotape carrier was re-attached in its original position using transparent adhesive film (BEVA® film).


The re-attachment of the Sellotape carrier with the adhesive film and the hot spatula, Scrapbook 1970, Keith Mitchell, 1970. Scrapbook (1970), Keith Mitchell, 1970, Museum no. THM/496/1/24. Photo: Laury Grard © Victoria and Albert Museum
 

It was a wonderful opportunity to carry out this challenging project. Working on modern materials always offers a wealth of learning opportunities, a combination of problem-solving and practical skills.

The Keith Mitchell’s scrapbook is now ready to display and meet its public in the Theatre and Performance galleries.

Sad face drawing after conservation. Scrapbook (1970), Keith Mitchell, 1970, Museum no. THM/496/1/24. Photo: Laury Grard © Victoria and Albert Museum

Acknowledgements

I would like to extend my sincerest thanks to Diana Heath, Senior Metal conservator, for her expertise and helpful advices, as well as Jane Rutherston, Head of the Book conservation studio, and Anne Bancroft, Senior Book & Paper conservator, who contributed to this post.

0 comments so far, view or add yours

Add a comment

Please read our privacy policy to understand what we do with your data.

MEMBERSHIP

Join today and enjoy unlimited free entry to all V&A exhibitions, Members-only previews and more

Find out more

SHOP

Find inspiration in our incredible range of exclusive gifts, jewellery, books, fashion, prints & posters and much more...

Find out more